⁣'Life without love, is no life at all.'
-Leonardo da Vinci

SCENE OPENS on Anthony (Michael Vegas) walking down a desolate street, returning home from a shopping trip. He is wearing a mask and gloves and carrying a couple of paper bags as he enters his home. Anthony approaches a homemade disinfecting station by his doorway. He opens the bags and begins efficiently disinfecting the products and bags. He then enters his main living area. He does it all without concern, as if it's a normal routine.

Later that day, Anthony sits at his computer having a video conversation with his mom. Anthony tells her that he's missed her but time got away from him. All the days feel the same and he's been having trouble remembering dates. She says she's missed him, too, and that she is worried about him being all alone for so long. She wishes he'd use a dating service to find a nice girl to be with in lockdown. She can suggest one. He puts on a brave smile, lying and assuring her that he's fine. But his hands are tightly clenched against his knees.

After the call, Anthony goes about his everyday routine. He cooks alone, exercises alone, does everything alone. Finally, he can't take it anymore and signs up for a dating service that promises to find his perfect AI match.

A female AI, Aurora (Ana Foxxx) greets him. She is instantly warm and friendly, asking him personal questions about what he's looking for in a partner. He gives some answers, but when Aurora asks questions about his sexual preferences, he's taken aback. He asks Aurora if they could just get to know each other a bit first.

As they get to know each other, Anthony becomes more and more comfortable with Aurora's company. When he's cooking, he wonders what he can use as a substitution and Aurora helpfully answers. When he exercises, she encourages him to keep going when he gets tired. When he goes to bed, Aurora wishes him goodnight.

Anthony is finally coming out of his shell as he falls for Aurora...but is his newfound happiness too good to be true?

⁣

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

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Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

⁣

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

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The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

⁣SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

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#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

⁣SCENE opens on a bored-looking 18-year-old girl Sophie at the base of a staircase, leaning slumped against the railing. Her fingers are avidly typing away on her phone, but her expressionless face and glazed over eyes shows she's hardly interested, just killing time. 'So explain to me again why I have to rest on the couch for a whole month just to make room for this loser uncle I've never met?' she says in a deadpan grumble. Her mother Mrs. Kent comes into view, breathlessly scuffling back and forth to straighten a painting here, wipe dust off a shelf there, adjust her daughter's hair (which only frustrates her further). 'Oh come on, Sophie, be nice, it's just until he finds a job in the city. And he's not some total stranger, he's family now.' Sophie snorts. 'Not really,' she scoffs, 'just 'cause gramps found a new trophy wife and she happens to come with a family, doesn't mean we gotta spend time with them.' Mrs. Kent looks scandalized - that's no way to talk about her grandfather. Sophie rolls her eyes. 'I'm just saying, what am I even going to have to talk about with this guy? Shouldn't dad be the one to get stuck with all this family bonding crap?' Mrs. Kent stops hurrying around for a moment and puts her hand on her waist matter-of-factly. 'Actually, Sophie, Blake is supposed to be just a couple years older than you. So who knows, maybe you'll have a lot in common.' For the first time, Sophie looks up from her phone in a moment of genuine surprise, before shaking her head and returning her attention to texting. 'Probably still a weirdo,' she mutters. Her mom shushes her disapprovingly and then continues her lastminute tidying into the other room. A few seconds later, she calls from the other room that she thinks she hears him coming to the door but has her hands full, can Sophie answer it? Sure enough, moments later there's a knock on the door. Sophie groans, puts down her phone and the camera tracks her as she trudges to open the door. A handsome and charming man dressed similar to Sophie is at the other side of the door, a duffel bag slung over his shoulder. From Sophie's POV we see him flash a friendly smile and extend his hand towards the camera for a handshake. 'Hey, you must be my new niece,' he grins, 'I'm Uncle Blake.'

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Several days later, Blake and Sophie are hanging out in what's evidently from the feminine decor Sophie's old room, only now there are some of Blake's things strewn about giving it a lived-in vibe. The two of them are sitting casually across from each other on a sprawling bed, or perhaps Sophie is on the bed and Blake is sitting in a nearby chair. He is recounting to Sophie some stories about one of his recent cross-country hitchhikes, and Sophie hangs on his every word. After the climax of his latest story, he pulls out his phone to show her some pictures he took from the trip. He gets up from where he's sitting and sits back down intimately close to Sophie, and starts showing her the pictures. Tight camera angles of Blake watching Sophie's face while continuing their conversation and looking at the pictures suggests tension, like an animal predator scoping out its prey. Coyly, he turns his hitchhiking anecdote sexual by telling Sophie about a one-night-stand with another traveler. He starts off as telling it like any other story, but then starts to describe the encounter more and more graphically. He relishes as Sophie blushes and has trouble meeting his gaze. Eventually he ends the story by saying it was an experience he'll never forget, and then asks what her most memorable sexual encounter is. Sophie embarrassed admits that she's a total virgin, she's never even kissed a guy before. 'Aren't you 18?' he asks incredulously. Sophie nods. She supposes she's been a bit of a late bloomer. Blake suggests he could teach her how to kiss - Sophie pulls back, flustered, and he shrugs and says at least it would be better to try it with someone she trusts than with a stranger. Sophie stutters a bit and then makes up a lame excuse to leave the room.

CUT to that evening, Sophie and her mother are in the kitchen brewing a pot of coffee while Sophie is asking her mom questions about what to do when you like someone, how do you know whether to make a move or not, etc. Mrs. Kent expresses interest in hearing the details - 'who's the boy?' - and despite Sophie's attempts to keep the conversation vague, she reveals small details ('I haven't known him long', 'he's had a lot more sexual experience than me', etc.). Her mom gets increasingly agitated as she realizes it must be Uncle Blake, especially since the past few days Sophie and he have been inseparable, and she asks Sophie point-blank whether it's Blake she has a crush on. As soon as Sophie admits it, her mother gets agitated, she calls into the other room for Mr. Kent to come and admonishing Sophie for making a huge mistake.

Sophie tries to calm her down, but when Mr. Kent comes to see what's wrong and Mrs. Kent explains the situation, things only escalate further. Throughout the argument, both parents interrogate her with probing questions ('has he tried to make a move on you?'), they try to convince her to forget about him ('you're family for god's sakes' - to which Sophie protests 'that's just because of some piece of paper, before gramps' wedding we weren't related at all! ... ... 'the guy's a loser, he never stays in one spot for more than a few months, what do you see in him?!' etc.) and finally they threaten to send Blake packing. Sophie starts crying that they're overreacting, that he's not like that, in fact he probably doesn't even like her like that. It was all just a stupid crush. Mr. Kent says he's going to have to talk to Blake and Sophie begs him not to, he'll embarrass her and ruin things, but the dad refuses to listen. If Blake is going to stay under their roof, it'll be under their terms, not his.

CUT to even later that night, Sophie is sitting upright on the couch in light pajamas clothes, it's evident she was trying to rest on the couch but muffled sounds of shouting from upstairs doesn't help. Finally, the shouting ends, followed by an upstairs door opening and slamming audibly. Sophie rearranges her pillow angrily, sighs, and then lies down on her back, eyes open staring blankly at the ceiling. After several seconds of silence, the same upstairs door clicks open and closed again, this time more quietly, followed by the sounds of the stairs creaking under the weight of someone. Blake peeks his head over the couch into view of Sophie's upward gaze.

She sits up again, and he takes a seat beside her on the couch. 'I guess you must have heard all that, huh?' Blake says with fake sheepishness. Sophie apologizes - she shouldn't have opened her big mouth.Blake smiles sympathetically - it's not her fault. Besides, he thinks it's cute that she has a crush on him. Not that he feels that way about her of course. Embarrassed, Sophie says she knows, and she was never going to act on her feelings anyways. She was just being stupid. Good, Blake insists, because it's important to him they stay friends. In fact, more than friends - he's hoping that one day they can really be family, not just by law but have a real family bond. Sophie nods and says she hopes so too. 'Well you know, Sophie, it's important for family to trust each other,' Blake says with a hint of admonishment. He can't exactly open up to her if she's going to go telling her mom and dad everything they say and do together. Sophie desperately promises that'll never happen again - she never wants to relive how her parents shamed and embarrassed her tonight.

Blake's tone of admonishment gets even more exaggerated. Well he didn't appreciate being yelled at by her dad either. Especially when he hadn't done anything wrong, when in fact all he'd done was embrace them as his new family. Sophie apologizes for her dad - she wished she'd never gotten them involved at all. Blake says it's ok - it was their first fight as brothers. There's bound to be plenty more.

They sit in silence for a moment. Blake leers up and down Sophie's scantily clad body before snapping his eyes back to meet hers when she looks back at him. He smiles charmingly. 'I guess your dad's just trying to protect you. Like, if I really were some kind of creep, I'd probably try to take advantage of you. And I'm sure it would probably tear him up inside if he let something like that happen to you.' Sophie rolls her eyes and then laughs. She's not young anymore, she can handle herself. 'No, definitely not' Blake says with another appreciative look up and down her body. 'But... well, I mean you are still a virgin. So it's not like you're all grown up either.'

Sophie looks a bit stung by the comment, and a bit embarrassed. It's not THAT big a deal, is it? 'Well,' Blake retorts, 'you're not exactly proving your dad wrong. He thinks you're still daddy's little girl, that you still need protecting... you're kind of reinforcing that by keeping yourself all innocent and precious in his eyes, aren't you?' Sophie doesn't have a good comeback to this. 'If you really wanted him to stop seeing you as his little princess,' Blake concludes, 'having sex would be a great way to start.' Sophie pouts - it's not exactly like she's been intentionally avoiding sex. The opportunity just hasn't come up.

'I mean... I guess I could fuck you,' Blake offers nonchalantly. Sophie is taken aback. Blake continues. 'I mean, it's not like I'm into you like that, but like I said before it's better to do it with someone you trust. Plus, better to learn how in advance, rather than embarrass yourself with someone you really like for your first time.' Sophie protests, she couldn't. It wouldn't be right. Especially after what just happened with her parents. Blake retorts - he thought they'd just agreed that they were going to keep things private between them from now on. How would her parents even find out? Sophie continues to resist, but Blake charms her further. Just a few hours ago she was saying she has a crush on him, now he's basically making her wishes come true and she's refusing? Slowly, he convinces her - all the while making it seem to her that it's what she wants, he's just doing her a favor.

⁣Paul, the father of a young woman named Lily, has agreed to collect her belongings from her ex-girlfriend Jasmin's apartment after a difficult breakup. When he arrives, Jasmin desperately asks Paul for Lily's new address, as Lily has completely cut off communication since the split, leaving Jasmin without a chance to reconcile. It's apparent that Jasmin is possessive and unwilling to let go of Lily.


Despite Jasmin's pleas, Paul stays composed and refuses to disclose Lily's whereabouts, respecting his daughter's desire to distance herself from her tumultuous ex. As Jasmin becomes increasingly insistent and unstable, Paul attempts to leave. However, Jasmin quickly shifts her approach, attempting to seduce Paul with the promise of sex in exchange for Lily's address.


Now faced with Jasmin's advances, Paul is caught in a moral dilemma. Will he stay true to his commitment to protect his daughter, or will his resolve falter under the temptation Jasmin offers?

⁣Charlene (Dana Vespoli) returns home after running an errand and is shocked when she is greeted by a cheerful girl, Mara (Coco Lovelock), who claims that Charlene is her parent.

Charlene is bewildered as she demands to know where Tracy is, who she's really the parent of. That's when George (Tommy Pistol), Charlene's husband, intervenes by happily putting his arm around Mara, the two of them acting like everything is perfectly normal. George explains that he wanted a young lady he could fuck, so he secretly swapped Tracy for Mara, who comes from an unrelated but like-minded family.

Charlene is horrified, especially when she finds out that Tracy left willingly to indulge in her own freakish desires. Charlene then has to watch as George and Mara have gleeful, raunchy sex all around the house. George and Mara invite her to join in on the fun but Charlene is conflicted. However, it soon becomes obvious that there's little she can do but embrace this twisted new family arrangement...

⁣Erica (Kyler Quinn) gets a text on her cellphone and finds that someone has sent her a pornographic video. She is shocked, however, when she realizes that the girl in the video appears to be her friend Hazel (Ziggy Star). Though the video looks convincing, Erica expresses doubt that it's actually Hazel, knowing that she would never do something like this. Sometime later, Hazel arrives at Erica's home and breaks down crying in her arms. Hazel swears on her life that the girl in the video is not her, confirming Erica's suspicions. The video seems to have indeed been manipulated.

A few moments later, Erica does her best to comfort Hazel, who is on the verge of a total breakdown. They discuss the matter further and realize that other people at school have also claimed that they've been the subjects of manipulated videos. Erica muses that the same person is probably responsible for all of these as well. When they try to figure out who could be behind all this, Hazel mentions that it's probably someone good at computers. This seems to give Erica an idea of who it could be, though she doesn't mention anything to Hazel.

A few days later, Erica shows up at her best friend Janey's house and rings the doorbell. Janey's older sibling Brian (Alex Jett) answers and says that Janey isn't home. However, Erica, says she's actually there to see Brian, so he lets her inside. They go to Brian's bedroom, where Erica reveals exactly why she has come to him: she knows HE'S the one who put up the fake videos, and she wants him to STOP making them and take down the ones he's put up.

Brian tries to deny the allegation but eventually admits to it. It is revealed that all the people he's targeted in his altered videos are people who have made fun of him, including Hazel. In fact, it's clear that these people have made his life a living hell. But Erica reminds him that just because people make fun of him, it's no reason to do what he is doing.

Brian says he won't stop making the videos, but promises he won't target Erica because she's nice to him. Erica seems to come up with an idea. She offers Brian sex on the condition that takes the videos down and stops making any others. Brian accepts, and they have deep, exploratory sex.

⁣SCENE OPENS on Marlene (Reagan Foxx), Laura (Jaye Summers), and Bianca (Jane Wilde). They all hold coffee cups and look nervous and somewhat uncomfortable, fidgeting in their chairs. They sit in a circle. They eye each other warily before shifting their gaze to Robert (Seth Gamble), a charming, handsome and sympathetic-looking man. 'As you know, my name is Robert... and I'm an addict,' Robert says. But like all of them, he's a sex addict, he continues. He's been in recovery for 5 years now, and leading meetings like this for 3, Robert goes on. He's sure they've noticed that this is a much smaller group than they're all used to, Robert continues. 'I invited each of the three of you to come tonight because you've each stood out to me in the regular meetings due to the fact that each of your stories is particularly...troubling,' he adds, 'and felt you might benefit from some special attention.' Again, the three ladies eye each other curiously. So he'd like to thank them all for coming, he continues. As they work through their steps, they are offered the chance to tell their stories, he goes on. Of course, sharing is NOT obligatory, but it can be a very helpful tool in recovery, so he would like to now go around in a circle, he continues. 'Please introduce yourselves, and if you're comfortable...share,' he says.

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'And we can begin with you,' Robert says kindly, indicating Marlene. She hesitantly describes being tricked into fucking her boyfriend and her stepdaughter by the manipulative daughter. The event traumatized her, causing her to associate family with sex.

Robert looks at her kindly. Thanks for sharing Marlene, he says. That kind of experience can send you into behavior loops and patterns that you think you'll never break free from, he continues. 'But I promise you---and I'M living proof---I promise you that there IS an answer out there for you,' he says kindly. Marlene smiles thinly at him.

Next, Bianca shares her story of being blackmailed into cheating on her boyfriend when she was 19 while, unbeknownst to him, he listened on the phone. As he listens, a look of lust comes over Robert and he licks his lips subtly. The women don't notice.Since then, Bianca adds, she's lost her innocence and no longer believes in monogamy, feeding her addiction by fucking random men. Thanks for sharing, Robert says to Bianca. 'It's important to remember that your past doesn't define you, and your past ACTIONS don't define you. You can DECIDE to be something new every day,' Robert says. And THAT, is the way to move forward, he adds.

When it's time for Laura to speak, she shares her story of losing her virginity just after she turned 18. As she was fucking for the first time, a group of people watched and filmed everything, ultimately posting the video online. As Laura speaks, we focus in on Robert, who we see is subtly and, apparently unbeknownst to the women, fondling his crotch. He has seemingly been doing it for the entire time Laura has been speaking. Laura expresses that she's fearful because the events of that night have caused her to become a thrill-seeker and engage in increasingly risky sex acts. Thanks for sharing Laura, he smiles. 'And that's the first step, isn't it? Admitting that you can't control yourself, admitting that you're POWERLESS over your addiction,' Robert says.

Well, I'm here to give you a WAY to take back the power, to take CONTROL over that addiction, Robert says. And there's only one way to do that, he continues. By EMBRACING their urges, not RUNNING from them, he continues. He can HELP them become at peace with it, he says. He can help them see the freedom in surrendering themselves to it...TOGETHER, he adds, looking at them lustfully and licking his lips suggestively. It becomes clear what he means. W-what the fuck is wrong with you?, Bianca says incredulously, gathering her things and getting up to leave. Fucking sicko!, Laura says, shaking her head in disbelief. She too begins to gather her things and prepare to leave. Marlene is at a loss for words, her face a mask of shock as she wordlessly gets up to follow the other two women. 'I wouldn't do that if I were you,' he says evenly. They stop in their tracks. Why NOT?, demands Laura. 'Why should we listen to ANOTHER word that you have to say, you fucking pervert??' Bianca asks.

'People need to be so CAREFUL about what they say these days, given all the technology that we have at our fingertips. It's so...EASY to say something in the wrong place...at the wrong time. And it's even EASIER to make sure that the whole world finds out about it,' he says smarmily. Realization dawns on the women's faces as they look around, searching for something. 'And of course once something gets on the internet these days, it never really goes away, does it?' So, if they want to avoid that...he suggests that they reconsider leaving, Robert says.

'The world already KNOWS every inch of me. I don't have to listen to your pathetic threats,' Laura says, turning to go. 'No, you DON'T have to, but you WANT to,' Robert says to Laura. He has clearly struck a nerve. 'Don't you Laura?' he asks softly. 'You're always trying to satisfy that urge, aren't you? You ALL are. That's why you're HERE, isn't it?' Robert asks all three women. He is clearly getting to them, they are shaking their heads but it's very half-hearted and their body language suggests they're considering not leaving. 'You're ALL just looking for an excuse to give in. Well, I'm GIVING you that excuse,' Robert continues. 'This IS the answer waiting out there for you,' he continues, looking at Marlene. 'You can rid yourself of all this regret by just accepting that this is who you really are,' he continues. 'You have no IDEA who we really are,' Laura spits back at him. 'Of course I do, because I'm the SAME as you. The only difference is that I've accepted it. So...will you let me help YOU accept it?,' Robert asks. The women look at each other with uncertainty, biting their lips, their resolve clearly weakening. Finally, they relent, the three of them saying ok, yes, and alright, in hushed and defeated tones.

They sink to their knees in front of Robert, powerless over their dark desires.

⁣After spending some time as a stay-at-home parent, Mindy (Kenna James) has decided to go back to work and needs live-in help. Her husband John (Seth Gamble) works from home but is very busy with his career, and dismisses his wife's ambitions as frivolous. This has caused tension between the couple, but Mindy has still gone ahead and hired a nanny, Liz (April Olsen).

Several weeks later, Mindy returns home from work, looking exhausted. She enters the kitchen to find Liz cooking dinner. Her little angel is napping, and the house is clean. Mindy is grateful that Liz seems to be working out so well as a nanny. Then John shows up, and he seems to be in a very good mood. He greets Liz teasingly, and they start acting buddy-buddy towards one another. Mindy is taken aback. She's glad her husband is finally making an effort to support the idea of having a nanny, but the whole thing feels unsettling.

John and Liz then want to show Mindy a dance they choreographed earlier in the day to entertain Mindy's little angel. Liz asks Mindy to film it on her phone for social media. Not knowing how to react, Mindy agrees. She films them as Liz enthusiastically jumps into John's arms and he lifts her in the air. As John lifts Liz, his hands clearly grab her ass. Mindy notices and is about to say something when the nursery monitor goes off, interrupting the moment.

That night, Mindy sits in bed, looking at the video. She's been watching it on repeat, zooming in on the groping. She almost feels turned on... but decides to confront John when he gets out of the bathroom. He slips into bed, going through the motions of saying goodnight, when she stops him. Mindy makes him watch the video, and asks him if it seems inappropriate. He gets defensive, shifting the blame onto Mindy for wanting a career and hiring a nanny... and then acting jealous when he is just being a nice guy. Mindy feels bad for accusing him, and tries to make up for it by initiating sex. But their sex is awkward, with both of them trying to push past their argument. John announces he can't cum, and rolls off. They lie awkwardly for a moment before Mindy excuses herself to shower.

While Mindy is in the bathroom, she hears moaning coming from the bedroom. She turns off the water, goes to the door and slowly opens it to discover her husband fucking the nanny. Mindy confronts them, but John continues fucking Liz, at first ignoring his wife's outrage and then shifting the blame onto her again, saying she should have expected this from hiring a hot nanny to move in with them. Liz chimes in, encouraging her that many couples have a unicorn. Mindy's emotions shift from angry to distraught. She begs John to stop disrespecting her. He counters by challenging her to start respecting him... and agree to try new things together. He brings up her inability to make him cum as evidence that things aren't working between them. They need to switch things up. Liz sees Mindy's vulnerable state, and tells her to just relax and give it a try, saying she knows that Mindy was turned on by their video. Completely overwhelmed by the situation, Mindy finally agrees to join her husband and the nanny in a threesome.

⁣een Mia Malkova with big tits has her vagina stretched by Johnny Castle's hard dick. Mia is penetrated in Johnny's rent apartment he has found especially to invite her and nail on his couch.

⁣Nathan Bronson feels Lily Love' needs, and it's just a matter of time for him to make the MILF cheat on her husband. But Lily's desires are even stranger than his, and she wants to know the man.