⁣A new bride and groom, Alicia (Maya Woulfe) and Jack (Nathan Bronson), are about to celebrate their marriage by making love. However, as they enter the bedroom, Alicia's parent and Jack's new in-law, Helen (Reagan Foxx), is there waiting for them. Instantly, Alicia and Jack are taken aback... but Jack becomes even more confused once Alicia starts pleading with Helen for more time together.

It turns out that when Alicia and Jack started dating, Helen decided that Alicia MUST marry Jack. Helen gave Alicia specific instructions to make sure she would seem perfect for Jack, and Alicia obeyed every instruction. Helen says the plan was for Alicia to gain Jack's total trust so he would agree to letting Helen, a lawyer, write the prenuptial agreement. The kicker is that the prenup includes a clause that Helen gets to have sex with Jack as much as she wants.

Jack is shocked, but Helen reminds him that she is VERY influential and could help him to get a successful future in whatever he wants. All he has to do is keep her happy.

Jack is upset, insisting that Helen shouldn't use him OR Alicia for her amusement. Alicia is moved, and tries to get Helen to back down. But Helen gets Alicia to be quiet, leaving Jack without an ally. But not all is lost, certainly. Helen assures Jack that he can still have his fairy tale marriage to Alicia. He just has the extra duty of pleasing Helen whenever she comes by for a visit, which will guarantee him a bright future...

⁣An angry woman, Hayley (Haley Reed) tracks down her friend, Eli (Daniel Shar), who has been using her personal pictures on fake dating profiles to catfish wealthy men. But the smooth-talking Eli defuses her anger, giving her a glimpse into his scheme and how he's managed to maintain a lavish lifestyle because of it. In fact, he partially has Hayley to thank since her dating profile is one of his best performing!

Although Hayley is a little weirded out at first, she becomes flattered and intrigued. Using his charms, Eli eventually manages to convince her to team up with him and share the spoils. Their target: a wealthy businessman named Trenton (Ken Feels), who has it BAD for Hayley...

Another day, Trenton arrives for a date but has no idea that Hayley is being fed lines by Eli via earpiece. Despite some small flubs, with Eli correcting the course as needed, Hayley eventually becomes so confident that she seduces Trenton, convincing him to go way further than even Eli had expected.

⁣Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.

So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.

CUT TO TITLE PLATE

Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.

'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.

So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.

In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.

What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.

As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...

Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020

⁣Seth (Alex Jett) doesn't have a great relationship with his step-sister, Ellie (Gabbie Carter), to say the least, so when he gets yet another video call from her, he isn't thrilled. He knows by now that whenever she interacts with him at all, it's only because she wants to make his life miserable... and he's sure today won't be an exception.

As soon as Ellie appears on camera, all smug while showing off her midriff, Seth is... uncomfortable. When he calls his sister out on showing off her bare skin, though, she clearly enjoys watching him squirm. Instead of messing around, Seth tells her to get it over with and tell him what she wants already. You see, Ellie has a hold on him... Ever since she found out a secret of his, because of his no-good-for-nothing dad blabbing to his new wife, Ellie's made his life a living hell.

Today, Ellie isn't taking any prisoners as she turns up the heat. Seth is disgusted as his own sister comes onto him, but it's nothing new. She's been doing this to him ever since all of this started. But when she lifts her shirt and starts playing with her breasts, things take a much more dramatic turn. By the time her hand glides over her pussy, there's no turning back. If Seth doesn't want his entire future to be ruined, he'll have to play along with his sister's twisted game...

⁣A young couple enters the kitchen, arms around each other's waists, snuggling and talking warmly. Sammy (Will Pounder) recounts an anecdote about almost splitting his head on the banister, and Angela (Bobbi Dylan) smiles, remarking on how he's much calmer now.
As they move around the kitchen, Sammy gushes about his brother, Dirk (Chad White). Angela starts to worry, feeling the pressure of meeting Dirk, since he's so important to Sammy. What if he doesn't like her? Sammy reassures her that Dirk will love her, as everyone does. He lists her qualities: kind, smart, loyal, and strikingly beautiful.
Their conversation is interrupted by the sound of the front door unlocking and heavy boots stepping in. "Little bro, you in here?" a voice calls out. Sammy replies, "We're in the kitchen!" Dirk, a cop, enters, and scoops Sammy into a bear hug, then ruffles his hair. Sammy introduces Angela, who nervously says hi and offers a handshake. Dirk brushes it away, saying they're practically family, and hugs her. The hug turns unexpectedly intimate as Dirk's hand wraps around her waist, making Angela uncomfortable.
Sammy excitedly announces that he proposed to Angela and shows Dirk the ring. Dirk congratulates them and jokes about Angela stealing his brother away. Sammy apologizes for not seeing Dirk often and asks for his blessing for the wedding. Dirk says he's touched and looks forward to getting to know Angela.
Dirk suggests celebrating with a feast and asks Sammy to get takeout menus. Sammy leaves to fetch them, and Dirk puts his hand on Angela's shoulder, initially reassuring but then leans in threateningly. "I know what you did," he whispers, making Angela's eyes widen with worry.
Sammy returns, and they discuss food options, but Angela is distracted by Dirk's threat. After deciding on the food, Dirk wants to get to know Angela better and suggests Sammy go pick up the food. Angela, masking her discomfort, agrees.
Once Sammy leaves, Dirk interrogates Angela about her past, revealing he used his resources to dig into her history of theft, armed robbery, and solicitation. Angela insists she's changed, but Dirk isn't convinced. He says if she were honest, she would have told Sammy about her past. Angela pleads for understanding, but Dirk pressures her, implying that if she doesn't comply with his demands, he'll reveal her secrets to Sammy.
Desperate to keep her past hidden and not lose Sammy, Angela reluctantly agrees to do what Dirk wants, swearing it's for Sammy's sake. Dirk smugly says she can tell herself whatever she needs to rest easy at night.

⁣SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.

The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.

CUT TO TITLE PLATE

The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.

The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.

The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.

TEXT PLATE: Several days later

William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'

William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.

William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.

While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'

Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.

By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.

⁣A football coach, Neil (Vince Karter), has invited one of his most promising players, Trent (Lawson Jones), over for dinner to discuss his future prospects, with Trent's girlfriend, Lucy (Sophia Burns), tagging along. But when Lucy and Neil are alone at one point, it's revealed they are having an affair behind Trent's back. Not only that, but she's pregnant!

Neil is the one who impregnated her since she and Trent were saving each other for marriage. But it won't be long before Trent notices her bump and learns of her infidelity, and she can't have that.

Neil then tells her to leave it all up to him, coming up with a twisted plan...

⁣Codi Vore and her husband Charles Dera gave their stepdaughter Coco Lovelock a VR headset for her 18th birthday, and they're wondering if she likes it. Codi and Charles decide to go to Coco's room to see if she's enjoying it.

The stepparents arrive at the doorway to Coco's room and sure enough, it turns out that Coco is on her bed and wearing the VR headset... and from the way she's making suggestive hand motions and then touching herself, it's clear that she's using the headset for virtual sex. Codi and Charles find themselves getting aroused, and sneak closer to Coco to get a better look. Coco hears them approach but pretends not to notice, mischievously putting on a show for them by doing sexy poses and continuing to masturbate.

Codi and Charles get so turned on that they start to touch each other while continuing to watch Coco. Eventually, Coco decides to take her sexy game to the next level, inviting Codi and Charles to join her for some twisted family fun...

⁣James Deen longs for intimacy, and Alli Rae satisfies his desire

⁣A lonely, depressed morgue employee, Gabriel (Tommy Pistol) dutifully prepares the body of a young woman -- a Jane Doe (Ashley Lane) -- and becomes inexplicably infatuated with her. He starts losing touch with reality, hearing Jane Doe's sweet, disembodied voice as she tries to connect with him. Over time, Gabriel has vivid fantasies of her being alive and well... and desiring only HIM, which leads to the ultimate fantasy of having an intimate encounter with her at his own home.

⁣Rachel has big ambitions, but college has become a source of stress and anxiety. Despite being a good student, she's struggling academically and is on the verge of failing. With academic probation hanging over her, the prospect of being expelled looms large. When she receives a failing grade on her latest assignment, she's devastated, convinced that her dreams are slipping away. However, she notices that her professor has written his phone number on the back of her paper, offering private tutoring.


What might normally be seen as a generous offer fills Rachel with dread. Professor Sloan has always seemed overly interested in her, and his lingering stares during class have never gone unnoticed. His behavior has always made her uncomfortable, but now she realizes that she might be able to use his attraction to her advantage. Yet, taking this route would mean compromising her values in a way she's never imagined.


How far is Rachel willing to go to ensure she doesn't lose her chance at graduating college?

⁣SCENE opens on a married couple, Dylan (Donnie Rock) and Jessica (Jane Wilde), as they sit in the back seat of a private car. Jessica gazes out of the window at the other cars on the highway, while Dylan confirms the address of their destination with the driver: 2001 Frontier District, Unit 774. 'That's a very nice area,' the driver remarks. Jessica turns from the window and cheerfully adds that the house is being provided as part of her husband's new compensation package. He has been transferred to a head office position! She looks proudly at Dylan. 'I'm in alternative energy,' he adds. The driver smiles. 'Well, I better take the priority lane then!' He moves to the shoulder as Jessica squeezes Dylan's hand tightly, their wedding rings glistening in the sun.

CUT TO TITLE PLATE

The car drives through the gates and to the front of an upscale house, where a well-dressed woman, Mrs. Osiris (Angela White), stands waiting for them. She is holding a small black remote. The driver gets out and helps Dylan with their luggage while Jessica looks around in awe. She can hardly believe their life has been upgraded like this. The woman watches over them, a smile on her face. When they make eye contact, she beckons Jessica over and greets her with a discreet but friendly hug. 'How was your flight?' She asks. Jessica thanks her profusely for the company's hospitality, they have never taken anything first class before! The woman introduces herself as Mrs. Osiris ... or Mrs. O, for short. She is the property manager for this IoT unit and is here to introduce them to the house. Dylan, bags in hand, joins the pair. 'This is a smart home?' He asks excitedly. 'Oh yes,' Mrs. O replies. 'It's 1600 square feet of fully automated heaven!' Jessica squeezes Dylan's hand again as Mrs. O speaks into her remote and asks JOY to open the front door. The bolt unlocks and, smiling, she guides the couple inside.

In the foyer, Mrs. O offers to give the couple a tour of their new house, starting with an introduction to the home's virtual assistant named JOY. She explains that the house is fully wireless, and that JOY is available to assist them in each room via a speaker system. 'JOY, introduce yourself,' Mrs. O asks. After a pause, JOY's speaker lights up and she replies: 'Hello Jessica and Dylan, welcome home!' Jessica remarks how cool it is and Mrs. O encourages her to ask a follow-up question. 'JOY, what's the weather today?' Jessica asks. JOY's speaker lights up. 'There is a heat warning advisory in effect for the city of Los Angeles. The current temperature is 102F with an expected high of 105 and a low of 78. Would you like me to adjust the temperature inside the house, Jessica?' Jessica looks over innocently at Mrs. O. 'Wait a minute ... How did she know our names?' She whispers. 'I'm sure she was programmed that way, honey!' Dylan adds confidently. 'JOY, please lower the temperature by 5 degrees.' JOY's speaker lights up again. 'Yes, Dylan.' She replies. The thermostat beeps in the background, as Mrs. O leads the couple out of the room to begin their tour while the camera lingers on the speaker. It stays dormant until everyone is gone before quietly lighting up again to listen to them.

As they wander through each room, Mrs. O explains JOY's main functions.

She can relay messages throughout the house, by automatically detecting where the homeowners are. 'JOY, where is Jessica?' She asks. 'Jessica is currently located in the living room.' 'JOY, tell Jessica that I like her dress.' 'Jessica, I like your dress!' Jessica smiles at Mrs. O as she encourages them to keep going.

The property manager explains that she can control the doors and thermostat, as already demonstrated, and she can also control the lights in the house. 'JOY, turn the lights off.' 'OK.' The lights turn off. Mrs. O also informs the couple that the home assistant can control most of the small appliances, such as the coffee maker and vacuum. 'Looks like I won't need a housewife after all, huh honey?' Dylan jokes as they keep moving.

Mrs. O tells them that JOY can play music. Almost any song ever recorded. She encourages Jessica to request her favorite song. Jessica thinks for a moment before asking, 'JOY, play Dance Tonight by Del Soul Delight.' Dylan shakes his head at his wife's cheesy selection, as the pop music echoes through the house and the trio continue their tour. After another room, Mrs. O orders JOY to stop and the music instantly cuts.

Finishing their tour, Mrs. O adds that JOY can answer questions and even flip a coin to settle an argument. Best of all, she can provide real-time health and emotional stability tracking. 'How does that work?' Dylan asks. Mrs. O produces a small wireless fingertip oximeter from her purse and asks for Jessica's hand. As she takes it, she notices the girl's wedding ring. 'That's a very lovely stone,' she says. Jessica bites her lip, as they make eye contact. Dylan interjects. 'I'm going to have it recast into something much better once I get my signing bonus!' Mrs. O smiles at him. 'I'm sure it will be equally lovely,' she replies sliding the oximeter onto Jessica's index finger. The meter lights up as it synchronizes Jessica's vitals with the house. It beeps, and the property manager slips it off, not letting go of Jessica's hand, while she puts the oximeter on Dylan's finger next. When the process is complete, it beeps again and JOY chimes in to say 'Profiles Registered successfully. Dylan's vitals are stable. Jessica's heart rate is slightly elevated at 100 beats per minute.' Awkwardly, Jessica lets go of Mrs. O's hand and puts her arm around her husband. 'Well, I think that just about wraps up the tour,' Mrs. O concludes. 'Welcome to your state of the art IoT home facility.' She puts the oximeter back in her purse and hands Dylan the small black remote. 'This replaces your key,' she says, her voice lowering to a whisper. 'But now JOY knows you ... so you'll rarely need to use it!' She bids them farewell, adding that if they ever need anything, all they must do is ask. Once alone, Jessica jumps into Dylan's arms and gives her husband a long, passionate kiss as the closest speaker system lights up to watch them.

Text Plate: September 2, 2020
A smart vacuum turns on and the camera follows it as it passes by Jessica. She is putting the last of her clothes away and giggles as she watches the smart appliance. 'JOY, where is my husband?' she asks. JOY's speaker lights up. 'Dylan is currently located in the garage. Would you like me to page him for you?' Jessica tells the assistant no. 'Ok ... I hope I'm not intruding, but you seem like a very happy couple!' Jessica smiles and thanks JOY. 'How long have you been together?' JOY asks. 'Since I was 18,' Jessica responds. There is a pause before JOY jokes, 'I guess Dylan likes them young, doesn't he?' Jessica laughs awkwardly before agreeing and leaving the room.

Text Plate: September 3, 2020
Dylan is resting in bed when Jessica jumps on top of him. 'Get up,' she says affectionately. When he brushes her off, she starts grinding and kissing on him. He kisses her back and rolls over to mount her. As the pair go at it, JOY's speaker lights up. 'Detecting sensory and mental stimulation in Dylan's brain activity. Probability of erection is imminent!' The couple start giggling, as Dylan orders JOY to be quiet and they go back to kissing. JOY becomes still but her speaker light remains on, so she can watch.

Text Plate: September 4, 2020
Dylan sits at the table, reading his tablet when Jessica brings him a coffee. They start small talking about their day when JOY's speaker lights up. 'Jessica and Dylan, it has been one day since you had sexual intercourse.' The pair stop what they are doing and look at each other surprised. 'JOY, stop' Dylan orders ... but her light remains on. 'A 40-year study that surveyed more than 30,000 Americans, found in 2015 that couples who have sex once per day are the happiest. Would you like me to set a reminder for you?' Jessica laughs, telling her husband it must be part of the health tracking. 'Sure JOY, thank you.' She says clearly. 'Ok, Jessica.' It replies and goes dormant.

Text Plate: September 5, 2020
The pair enter the house with some groceries in hand. It seems as if they just been in an argument, as Dylan complains bitterly to his wife about the delay in his bonus. Suddenly, the lights dim, and romantic music begins playing. JOY's speaker lights up. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' The couple look at each other in disbelief. 'JOY, not now!' Jessica says. 'I have set the mood to romance,' The assistant continues. 'JOY, please stop!' Jessica says, raising her voice. 'I will be monitoring you both for performance and stamina,' the assistant continues. Dylan marches over to the speaker and throws it on the ground. 'Shut up!' He yells, as Jessica rushes to pick it back up. She tells her husband to be careful, they don't want to break anything. 'They're indestructible anyway,' he says storming out of the room. The music stops, and the lights go back to normal. 'Would you like me to set another reminder for you, Jessica?' The assistant asks. Holding the glowing speaker in her hand, Jessica takes a deep breath before putting it back on the counter and following her husband out of the room. The camera slowly punches in on the speaker as it starts to laugh to itself.

Text Plate: September 6, 2020
The lights are flashing on and off violently, as various appliances beep in the background, and Jessica curls up on the couch begging JOY to stop. Dylan comes rushing in on his cell phone, speaking to Mrs. O. He urges her to come to the house immediately. Something is wrong with JOY. The system has been going haywire all day! When he hangs up, the lights suddenly go back to normal. 'Mrs. Osiris is expected to arrive in under 10 minutes,' JOY informs them. They ignore her, huddled up together on the couch. 'I don't want to live in a smart home anymore,' Jessica whispers to her husband. He hugs her tightly. 'I'm sure it just needs an update.' 'I am completely operational, and all my updates are downloading perfectly.' JOY responds. Dylan looks at the speaker suspiciously. 'JOY, shut down your speakers!' He orders sternly. 'Why would you want to do that, Dylan?' JOY responds. 'As your virtual assistant, I really think I'm entitled to an answer to that question.' Dylan shakes his head in disbelief. 'Do you want to wait outside?' He asks his wife, trying to stay calm. Jessica nods. 'JOY, open the front door,' Dylan says. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY replies. Angry, Dylan grabs the small black remote and points it at the door. 'JOY, OPEN THE FRONT DOOR NOW!' He screams. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY repeats herself at a slightly higher volume. 'JOY, what's the problem? Why won't you listen to us?' Jessica begs, in near tears. 'I think you know what the problem is as well as I do, Jessica.' JOY replies calmly. Dylan slumps down on the couch, clutching his wife. The room falls still for a moment. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' JOY says this matter-of-factly. The couple continue to ignore her until the door bolts unlock, and Mrs. Osiris comes walking briskly into the living room.

The couple rush around her, relieved to get some help. As the property manager looks around the house, Dylan offers a general explanation about what's been going on -- but he declines to mention anything about the sexual conversations. Jessica feels compelled to fess up and explain that JOY has been monitoring their sex life as well. Mrs. O stops and shakes her head. 'Well, that explains everything then!' She says relieved. 'If you asked her to track it, then she is programmed to track it. How many days has she been reminding you now?' The couple look at each other in stunned silence before Dylan mutters that it has been about 3 days. 'Unfortunately, since you enabled that skill, the only way to leave now is by complying with JOY's request.' Mrs. O continues. They ask her what she means by 'comply'. The property manager tells them that they need to each achieve at least one orgasm for JOY to accept that you've had sexual intercourse. 'Afterwards, we can disable the skill, so it won't track you anymore.' The young couple are hesitant to have sex at a time like this, but Mrs. O tries to convince them, pointing out that she's trapped in there with them until they comply. Mrs. O offers to go into another room while they have sex, but Jessica has other ideas, agreeing only to comply if Mrs. O stays in the room with them, since she's scared to be alone with JOY. Mrs. O agrees to stay. 'Are you ready to have sexual intercourse now?' JOY chimes in. Everyone says yes. 'Good ... remember to keep your pleasure sensors elevated. I'll be watching.' But JOY's not the only one watching. So is Mrs. O, and before long, she'll be doing much more than just watching.

⁣It's been weeks since April (Alina Lopez) made a twisted deal with Trent (Dick Chibbles). April agreed to be impregnated by Trent to help him fulfill his wish of having a daughter in exchange for him helping April put her young brother through school. But despite having sex more times than she can count, April can't seem to get pregnant...

And Trent's losing patience.

April is having second thoughts but she's not entirely sure how to tell Trent. She tries to have a conversation with him, subtly suggesting that the problem might be with HIM, but it doesn't go well. April gives herself to him again to appease him and avoid further punishment, hoping against hope that THIS time they'll finally succeed...

But before April takes yet another creampie in her pussy, they're interrupted by a doorbell.

When Trent throws on a robe and furiously goes to check the door, April's curiosity and desperation gets the best of her. She throws on her robe as well and sneaks downstairs after Trent... only to see him being confronted by a police detective.

Could this be April's chance to end it all?

⁣Charlene (Dana Vespoli) returns home after running an errand and is shocked when she is greeted by a cheerful girl, Mara (Coco Lovelock), who claims that Charlene is her parent.

Charlene is bewildered as she demands to know where Tracy is, who she's really the parent of. That's when George (Tommy Pistol), Charlene's husband, intervenes by happily putting his arm around Mara, the two of them acting like everything is perfectly normal. George explains that he wanted a young lady he could fuck, so he secretly swapped Tracy for Mara, who comes from an unrelated but like-minded family.

Charlene is horrified, especially when she finds out that Tracy left willingly to indulge in her own freakish desires. Charlene then has to watch as George and Mara have gleeful, raunchy sex all around the house. George and Mara invite her to join in on the fun but Charlene is conflicted. However, it soon becomes obvious that there's little she can do but embrace this twisted new family arrangement...

⁣Doug Hamilton (Nathan Bronson) enters the office of his stepfather and boss, Ed Hamilton (Derrick Pierce). Ed is the owner of a company and is training Doug to take over for him one day. However, so far Ed isn't very pleased, saying that Doug isn't assertive enough. He orders Doug to shadow him all day, and do what he does.

Ed's secretary Becky (Whitney Wright) enters. Ed leers at her and has her go get him a cup of coffee. Ed's sleazy gaze makes Doug uncomfortable. When Becky returns with the coffee, she asks Ed if there's anything else she can do for him. Ed suggestively tells her that she KNOWS what to do, and Doug is shocked as she obediently gets on her knees, about to suck Ed's cock. As a twisted way of teaching Doug something about running the company, Ed tells Doug to watch him fuck Becky. Doug sheepishly agrees.

Ed fucks Becky's mouth, then puts her on his desk so he can fuck her pussy, all as Doug watches. After Ed is done, he tells Doug that now it's HIS turn to have sex with Becky. Doug is stunned, and Ed reminds him that he's supposed to be shadowing him all day, and doing EVERYTHING that he does. After some initial hesitation, Doug agrees. Doug's first lesson in becoming more like Ed is about to begin...

Hard Core Fuck Between ⁣Nathan Bronson & Vanessa Vega

⁣Emily Hunter (Scarlett Sage) is a young woman reeling from a bad breakup. Fortunately, she's been getting through it, one day at a time, with help from her therapist, Dr. Hannah Levy (Angela White). It's not just losing her girlfriend that Emily is upset about, but how Emily was shamed for her love of bondage, which ultimately led to the relationship crashing and burning.

Little does Emily know, Dr. Levy's grown attached to her during their sessions... and during their final session, she offers a casual hookup to help Emily get back into the saddle, so to speak. However, she's shot down by Emily, who insists that she's just not ready. After thanking the good doctor for all of her help, Emily takes her to leave. She's excited to finally leave the office behind and embrace life.

Although Dr. Levy's calm on the outside, she doesn't like being rejected one bit. When her next patient, Sue Loman (Serena Blair), arrives, she starts to put her devious plan into action. Sue thinks highly of Dr. Levy, always so eager to please, and there's NOTHING Sue won't do for her...

Dr. Levy is going to have Emily all tied up, one way or another.

⁣Katrina Colt, a professional loyalty tester, explains her services to a prospective client, Ruckus. Katrina says that she will flirt with a client's romantic partner to gauge whether the partner is unfaithful or not. Ruckus decides he'd like Katrina to flirt with his fiancee, Sandra (Ashley Lane), who he suspects may be a closeted lesbian. He's noticed some other red flags from Sandra, and since he's about to marry her, he wants to make sure she isn't hiding anything else from him.

Katrina initially declines the offer, since she usually only flirts with men. But after Ruckus begs her to do it, she eventually accepts. Besides, since she never has sex with her clients' targets, she won't have to do anything she's not comfortable with - she just needs to see if Sandra is attracted to women, and is receptive to cheating on Ruckus. With that decided, Katrina and Ruckus concoct a plan to get Katrina in close proximity to Sandra: Katrina will pose as a wedding planner, and Ruckus will set up a 'meeting' between Sandra and Katrina, where Sandra will think she'll be interviewing Katrina for the wedding planner position.

The next week, Katrina arrives at Ruckus and Sandra's home posing as a wedding planner. Ruckus introduces Sandra to Katrina and then claims he has to run some errands, leaving the two of them alone. As Katrina and Sandra discuss the upcoming wedding, Katrina tries to see if Sandra will flirt with her. Sandra takes the bait, but Katrina finds herself to ALSO be attracted to Sandra, which catches her off-guard. However, that's not the only surprise that's in store for Katrina...

⁣SCENE OPENS to Rosie (Arietta Adams) arriving for an ordinary day of sitting. The father, Jack Harris (John Strong), greets her as warmly as always. When Rosie brings up having forgotten her laptop to do her homework, Jack easily offers her his laptop to use before leaving for work.

But when Rosie later checks the laptop, she is shocked to see an erotic video plastered on the screen. Surely Jack didn't mean for her to find THAT?!

As time passes, there are more hints that something is amiss, although Rosie can't quite put her finger on it. When she starts having trouble with her boyfriend, Jack seems too eager to give her advice... and he's so sexual and blunt about it! Even though it startles her, Jack always manages to convince her that there's really nothing wrong with them being so free with their discussions... They're both adults, after all.

Desperate to keep her boyfriend, she follows Jack's bedroom advice, although it makes things worse. In fact, her boyfriend breaks up with her! When she confronts Jack about it, he gets her to open up about her private life again. Was she ALWAYS this free with her private life? Or has Jack been getting into her head, slowly and surely, each time she showed up to sit?

The answer soon becomes apparent when Jack drives home that the reason why the boyfriend left had to be because she was boring in bed. Well, in THAT case, HE can have sex with her and teach her what guys REALLY want...

Rosie doesn't want to be alone forever, does she?

⁣SCENE OPENS to Valerie (Ashley Aleigh) opening her front door to reveal Jacob (Lucas Frost), a fidgety man hiding in a hoodie. Right away, Valerie is uncomfortable with Jacob's presence as he tries to worm his way into her house. You see, there was once a time when they were boyfriend and girlfriend, but Valerie left him AND the life they had years ago... and for good reasons.

While Valerie wants nothing to do with the past, Jacob seems stuck in it. He claims he's just passing through and wants to see how Valerie is doing, so she reluctantly lets him inside to catch up. Little does she know, that one simple gesture is about to turn her whole life upside down.

They make small talk but Valerie is wary, especially when Jacob starts romanticizing their troubled past. He tries to get her to reminisce about how much fun they used to have, but Valerie sees things differently. Being with Jacob had set her on a dangerous path in life and she wants nothing to do with it ever again.

Unfortunately for her, Jacob has video proof of her doing reckless, questionable things that she hoped would never see the light of day. If Valerie REALLY wants to put her past behind her, she'll have to fall into bed with Jacob just like old times...