Top videos
'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini
SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.
Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'
He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.
CUT TO TITLE PLATE
Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.
They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'
'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.
They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.
Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?
Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
A new bride and groom, Alicia (Maya Woulfe) and Jack (Nathan Bronson), are about to celebrate their marriage by making love. However, as they enter the bedroom, Alicia's parent and Jack's new in-law, Helen (Reagan Foxx), is there waiting for them. Instantly, Alicia and Jack are taken aback... but Jack becomes even more confused once Alicia starts pleading with Helen for more time together.
It turns out that when Alicia and Jack started dating, Helen decided that Alicia MUST marry Jack. Helen gave Alicia specific instructions to make sure she would seem perfect for Jack, and Alicia obeyed every instruction. Helen says the plan was for Alicia to gain Jack's total trust so he would agree to letting Helen, a lawyer, write the prenuptial agreement. The kicker is that the prenup includes a clause that Helen gets to have sex with Jack as much as she wants.
Jack is shocked, but Helen reminds him that she is VERY influential and could help him to get a successful future in whatever he wants. All he has to do is keep her happy.
Jack is upset, insisting that Helen shouldn't use him OR Alicia for her amusement. Alicia is moved, and tries to get Helen to back down. But Helen gets Alicia to be quiet, leaving Jack without an ally. But not all is lost, certainly. Helen assures Jack that he can still have his fairy tale marriage to Alicia. He just has the extra duty of pleasing Helen whenever she comes by for a visit, which will guarantee him a bright future...
SCENE opens on a married couple, Dylan (Donnie Rock) and Jessica (Jane Wilde), as they sit in the back seat of a private car. Jessica gazes out of the window at the other cars on the highway, while Dylan confirms the address of their destination with the driver: 2001 Frontier District, Unit 774. 'That's a very nice area,' the driver remarks. Jessica turns from the window and cheerfully adds that the house is being provided as part of her husband's new compensation package. He has been transferred to a head office position! She looks proudly at Dylan. 'I'm in alternative energy,' he adds. The driver smiles. 'Well, I better take the priority lane then!' He moves to the shoulder as Jessica squeezes Dylan's hand tightly, their wedding rings glistening in the sun.
CUT TO TITLE PLATE
The car drives through the gates and to the front of an upscale house, where a well-dressed woman, Mrs. Osiris (Angela White), stands waiting for them. She is holding a small black remote. The driver gets out and helps Dylan with their luggage while Jessica looks around in awe. She can hardly believe their life has been upgraded like this. The woman watches over them, a smile on her face. When they make eye contact, she beckons Jessica over and greets her with a discreet but friendly hug. 'How was your flight?' She asks. Jessica thanks her profusely for the company's hospitality, they have never taken anything first class before! The woman introduces herself as Mrs. Osiris ... or Mrs. O, for short. She is the property manager for this IoT unit and is here to introduce them to the house. Dylan, bags in hand, joins the pair. 'This is a smart home?' He asks excitedly. 'Oh yes,' Mrs. O replies. 'It's 1600 square feet of fully automated heaven!' Jessica squeezes Dylan's hand again as Mrs. O speaks into her remote and asks JOY to open the front door. The bolt unlocks and, smiling, she guides the couple inside.
In the foyer, Mrs. O offers to give the couple a tour of their new house, starting with an introduction to the home's virtual assistant named JOY. She explains that the house is fully wireless, and that JOY is available to assist them in each room via a speaker system. 'JOY, introduce yourself,' Mrs. O asks. After a pause, JOY's speaker lights up and she replies: 'Hello Jessica and Dylan, welcome home!' Jessica remarks how cool it is and Mrs. O encourages her to ask a follow-up question. 'JOY, what's the weather today?' Jessica asks. JOY's speaker lights up. 'There is a heat warning advisory in effect for the city of Los Angeles. The current temperature is 102F with an expected high of 105 and a low of 78. Would you like me to adjust the temperature inside the house, Jessica?' Jessica looks over innocently at Mrs. O. 'Wait a minute ... How did she know our names?' She whispers. 'I'm sure she was programmed that way, honey!' Dylan adds confidently. 'JOY, please lower the temperature by 5 degrees.' JOY's speaker lights up again. 'Yes, Dylan.' She replies. The thermostat beeps in the background, as Mrs. O leads the couple out of the room to begin their tour while the camera lingers on the speaker. It stays dormant until everyone is gone before quietly lighting up again to listen to them.
As they wander through each room, Mrs. O explains JOY's main functions.
She can relay messages throughout the house, by automatically detecting where the homeowners are. 'JOY, where is Jessica?' She asks. 'Jessica is currently located in the living room.' 'JOY, tell Jessica that I like her dress.' 'Jessica, I like your dress!' Jessica smiles at Mrs. O as she encourages them to keep going.
The property manager explains that she can control the doors and thermostat, as already demonstrated, and she can also control the lights in the house. 'JOY, turn the lights off.' 'OK.' The lights turn off. Mrs. O also informs the couple that the home assistant can control most of the small appliances, such as the coffee maker and vacuum. 'Looks like I won't need a housewife after all, huh honey?' Dylan jokes as they keep moving.
Mrs. O tells them that JOY can play music. Almost any song ever recorded. She encourages Jessica to request her favorite song. Jessica thinks for a moment before asking, 'JOY, play Dance Tonight by Del Soul Delight.' Dylan shakes his head at his wife's cheesy selection, as the pop music echoes through the house and the trio continue their tour. After another room, Mrs. O orders JOY to stop and the music instantly cuts.
Finishing their tour, Mrs. O adds that JOY can answer questions and even flip a coin to settle an argument. Best of all, she can provide real-time health and emotional stability tracking. 'How does that work?' Dylan asks. Mrs. O produces a small wireless fingertip oximeter from her purse and asks for Jessica's hand. As she takes it, she notices the girl's wedding ring. 'That's a very lovely stone,' she says. Jessica bites her lip, as they make eye contact. Dylan interjects. 'I'm going to have it recast into something much better once I get my signing bonus!' Mrs. O smiles at him. 'I'm sure it will be equally lovely,' she replies sliding the oximeter onto Jessica's index finger. The meter lights up as it synchronizes Jessica's vitals with the house. It beeps, and the property manager slips it off, not letting go of Jessica's hand, while she puts the oximeter on Dylan's finger next. When the process is complete, it beeps again and JOY chimes in to say 'Profiles Registered successfully. Dylan's vitals are stable. Jessica's heart rate is slightly elevated at 100 beats per minute.' Awkwardly, Jessica lets go of Mrs. O's hand and puts her arm around her husband. 'Well, I think that just about wraps up the tour,' Mrs. O concludes. 'Welcome to your state of the art IoT home facility.' She puts the oximeter back in her purse and hands Dylan the small black remote. 'This replaces your key,' she says, her voice lowering to a whisper. 'But now JOY knows you ... so you'll rarely need to use it!' She bids them farewell, adding that if they ever need anything, all they must do is ask. Once alone, Jessica jumps into Dylan's arms and gives her husband a long, passionate kiss as the closest speaker system lights up to watch them.
Text Plate: September 2, 2020
A smart vacuum turns on and the camera follows it as it passes by Jessica. She is putting the last of her clothes away and giggles as she watches the smart appliance. 'JOY, where is my husband?' she asks. JOY's speaker lights up. 'Dylan is currently located in the garage. Would you like me to page him for you?' Jessica tells the assistant no. 'Ok ... I hope I'm not intruding, but you seem like a very happy couple!' Jessica smiles and thanks JOY. 'How long have you been together?' JOY asks. 'Since I was 18,' Jessica responds. There is a pause before JOY jokes, 'I guess Dylan likes them young, doesn't he?' Jessica laughs awkwardly before agreeing and leaving the room.
Text Plate: September 3, 2020
Dylan is resting in bed when Jessica jumps on top of him. 'Get up,' she says affectionately. When he brushes her off, she starts grinding and kissing on him. He kisses her back and rolls over to mount her. As the pair go at it, JOY's speaker lights up. 'Detecting sensory and mental stimulation in Dylan's brain activity. Probability of erection is imminent!' The couple start giggling, as Dylan orders JOY to be quiet and they go back to kissing. JOY becomes still but her speaker light remains on, so she can watch.
Text Plate: September 4, 2020
Dylan sits at the table, reading his tablet when Jessica brings him a coffee. They start small talking about their day when JOY's speaker lights up. 'Jessica and Dylan, it has been one day since you had sexual intercourse.' The pair stop what they are doing and look at each other surprised. 'JOY, stop' Dylan orders ... but her light remains on. 'A 40-year study that surveyed more than 30,000 Americans, found in 2015 that couples who have sex once per day are the happiest. Would you like me to set a reminder for you?' Jessica laughs, telling her husband it must be part of the health tracking. 'Sure JOY, thank you.' She says clearly. 'Ok, Jessica.' It replies and goes dormant.
Text Plate: September 5, 2020
The pair enter the house with some groceries in hand. It seems as if they just been in an argument, as Dylan complains bitterly to his wife about the delay in his bonus. Suddenly, the lights dim, and romantic music begins playing. JOY's speaker lights up. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' The couple look at each other in disbelief. 'JOY, not now!' Jessica says. 'I have set the mood to romance,' The assistant continues. 'JOY, please stop!' Jessica says, raising her voice. 'I will be monitoring you both for performance and stamina,' the assistant continues. Dylan marches over to the speaker and throws it on the ground. 'Shut up!' He yells, as Jessica rushes to pick it back up. She tells her husband to be careful, they don't want to break anything. 'They're indestructible anyway,' he says storming out of the room. The music stops, and the lights go back to normal. 'Would you like me to set another reminder for you, Jessica?' The assistant asks. Holding the glowing speaker in her hand, Jessica takes a deep breath before putting it back on the counter and following her husband out of the room. The camera slowly punches in on the speaker as it starts to laugh to itself.
Text Plate: September 6, 2020
The lights are flashing on and off violently, as various appliances beep in the background, and Jessica curls up on the couch begging JOY to stop. Dylan comes rushing in on his cell phone, speaking to Mrs. O. He urges her to come to the house immediately. Something is wrong with JOY. The system has been going haywire all day! When he hangs up, the lights suddenly go back to normal. 'Mrs. Osiris is expected to arrive in under 10 minutes,' JOY informs them. They ignore her, huddled up together on the couch. 'I don't want to live in a smart home anymore,' Jessica whispers to her husband. He hugs her tightly. 'I'm sure it just needs an update.' 'I am completely operational, and all my updates are downloading perfectly.' JOY responds. Dylan looks at the speaker suspiciously. 'JOY, shut down your speakers!' He orders sternly. 'Why would you want to do that, Dylan?' JOY responds. 'As your virtual assistant, I really think I'm entitled to an answer to that question.' Dylan shakes his head in disbelief. 'Do you want to wait outside?' He asks his wife, trying to stay calm. Jessica nods. 'JOY, open the front door,' Dylan says. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY replies. Angry, Dylan grabs the small black remote and points it at the door. 'JOY, OPEN THE FRONT DOOR NOW!' He screams. 'I'm sorry, Dylan. I'm afraid I can't do that.' JOY repeats herself at a slightly higher volume. 'JOY, what's the problem? Why won't you listen to us?' Jessica begs, in near tears. 'I think you know what the problem is as well as I do, Jessica.' JOY replies calmly. Dylan slumps down on the couch, clutching his wife. The room falls still for a moment. 'Jessica and Dylan, I have determined that now is an ideal time for you to have sexual intercourse.' JOY says this matter-of-factly. The couple continue to ignore her until the door bolts unlock, and Mrs. Osiris comes walking briskly into the living room.
The couple rush around her, relieved to get some help. As the property manager looks around the house, Dylan offers a general explanation about what's been going on -- but he declines to mention anything about the sexual conversations. Jessica feels compelled to fess up and explain that JOY has been monitoring their sex life as well. Mrs. O stops and shakes her head. 'Well, that explains everything then!' She says relieved. 'If you asked her to track it, then she is programmed to track it. How many days has she been reminding you now?' The couple look at each other in stunned silence before Dylan mutters that it has been about 3 days. 'Unfortunately, since you enabled that skill, the only way to leave now is by complying with JOY's request.' Mrs. O continues. They ask her what she means by 'comply'. The property manager tells them that they need to each achieve at least one orgasm for JOY to accept that you've had sexual intercourse. 'Afterwards, we can disable the skill, so it won't track you anymore.' The young couple are hesitant to have sex at a time like this, but Mrs. O tries to convince them, pointing out that she's trapped in there with them until they comply. Mrs. O offers to go into another room while they have sex, but Jessica has other ideas, agreeing only to comply if Mrs. O stays in the room with them, since she's scared to be alone with JOY. Mrs. O agrees to stay. 'Are you ready to have sexual intercourse now?' JOY chimes in. Everyone says yes. 'Good ... remember to keep your pleasure sensors elevated. I'll be watching.' But JOY's not the only one watching. So is Mrs. O, and before long, she'll be doing much more than just watching.
'Time is the longest distance between two places.'
― Tennessee Williams, The Glass Menagerie
SCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake.
He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens.
The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear.
Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief.
Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed.
Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers.
CUT TO TITLE
CUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table.
As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time.
Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out.
Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do.
Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand.
Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to get Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever.
Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind.
She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees.
Ted's going to take his time with Gabi. They DO have all the time in the world, after all.
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
SCENE OPENS on a video call between Rachel (Cherie DeVille), and 19-year-old Lexi (Jane Wilde). Lexi seems to be a bit shy. She thanks Rachel for agreeing to do a video call to get to know each other face to face before hooking up. She wanted to be sure that Rachel's profile was the real deal, it seemed too good to be true! Rachel is confident and sultry as she boasts she's indeed VERY real.
As they chat, Lexi starts playfully probing into Rachel's sex life and Rachel admits that she's only interested in women sexually. She's interested in men up to a point and finds them only useful for things like money. Men can never satisfy her the way a woman does. The only reason she would ever date a man is for his pocketbook.
When Lexi probes Rachel for more details, Rachel explains that she is dating a man - but he's nothing more than a convenient source of income for her. Lexi asks if Rachel loves her boyfriend and Rachel says of course not, she's not even ATTRACTED to him. He even has a daughter she's never met and never wants to - she's not interested in 'messy details' like family or commitment.
Lexi then drops a bomb on Rachel - SHE'S the boyfriend's daughter. She KNEW something was going on, which is why she catfished Rachel to get the truth.
And now that Lexi knows what kind of a person Rachel really is, her revenge is just beginning...
SCENE OPENS to the doorbell ringing, and Gail (Penny Barber) and her husband Steve (Draven Navarro) eagerly approaching the front door. Before they open the door, they share a quick conspiratorial look. Gail then opens the door, revealing that the person on the other side is Eric (Tony Sting), who is holding a suitcase. They warmly welcome Eric into the house, and he sets his suitcase down on the floor. Eric is an exchange student who will be staying with Gail and Steve, a Canadian couple. Eric says this is his first time traveling, and that he's looking forward to learning about Canada. As Eric is about to be guided to the room where he'll be staying,he is startled when Steve touches him in an overly friendly way.
A little later that day, Eric goes into the kitchen and is shocked to find that Gail is cooking with just an apron covering her otherwise naked body, and Steve is in just his underwear as well.
Steve and Gail convince Eric that their state of undress is normal, and invite Eric to give it a try. After some hesitation, Eric removes his shirt, which pleases Steve and Gail. Gail and Steve each put an arm around Eric, and Steve says they should eat now. Everyone looks happy.
CUT TO TITLE
Days later, Eric waits for the bathroom in just his underwear. He seems to be getting used to life with Gail and Steve. However, he gets another surprise when Gail and Steve come out of the bathroom completely naked.
Steve notices Eric's surprised expression and explains that showering together is normal for them. He puts his arm around Eric's waist and offers that one of them can shower with him sometime if he wants to try that. After all, he seems to be adjusting to life here really well. Eric pauses thoughtfully for a moment, then smiles and says'maybe', adding that it IS pretty funny how this place is WAY more relaxed than back home. Eric then excuses himself, stepping into the bathroom and closing the door behind him.
Still in the hall, Gail and Steve smile at each other, pleased.
A few days later, Eric sits down between Gail and Steve on the couch to watch TV. Eric seems completely used to their affectionate touching and touches them in return.
Gail and Steve inform Eric that they have something to tell him. They explain that they are both bisexual, and want Eric to stay and be bisexual with them. Eric is taken aback, but Gail and Steve manage to convince him.
Eric is learning MUCH more than he ever expected in his new home...
--
Note to members: this episode contains male-on-male sexual touching.
If you do not wish to see this kind of content, please follow these simple steps to hide it from your feed:
1. Go to the Videos page2. Locate the filters for sexual preferences (top-left on desktop, top-center on mobile)3. Set the BISEX toggle to 'hide'4. You will no longer see this kind of content, and your settings will be saved across all devices and sessions so you only need to do this once
When a woman, Charlene (Lulu Chu) borrows a camcorder from a couple, Pamela (Kimmy Kimm) and Richard (Seth Gamble), that she knows, she is SHOCKED to discover an intimate video in the camcorder's memory. As she watches, she is secretly fascinated and turned on by the BDSM-style sex she witnesses between Pamela and Richard...
After some debate, Charlene decides to go tell the couple about the video, but when she goes to meet them, it's revealed that the couple PLANTED the footage to see how she'd react!
The couple probes the woman, catching on to the fact that she's fascinated and perhaps willing to try some of the stuff she saw on the video. Although Charlene tries to deny it, she can't resist her curiosity as she eventually gives in to explore her twisted desires with the couple. That's when the couple leads Charlene through her first kinky experience, complete with gagging and nipple clamps, changing their friendship forever.
Troy (Max Fills) and his stepsister Rachel (Scarlet Skies) are being scolded by their stepmom Cathleen (Serene Siren), because they're always fighting and have now been suspended from school because of it. Cathleen grounds them as punishment.
Cathleen warns them that if they try to leave the house, she'll know about it since the front entrance security camera has a direct feed to her cell phone. Cathleen also demands that they use this time to learn to get along with each other. With that, Cathleen leaves for work.
Troy and Rachel realize that if they work together, they can get back at Cathleen by using her own rules against her. They'll 'get along' alright - but in a way that Cathleen HATES. Troy and Rachel start brainstorming ideas to 'get along' with each other that they hope will make Cathleen angry, but they quickly discard the ideas as not being good enough. They then realize that they can use the security camera to their advantage.
They try to come up with something to do in front of the camera that will infuriate Cathleen, and decide that the most twisted way to 'get along' is by having sex with each other. Eventually, Cathleen checks the camera feed from work, and is shocked and livid to see the stepsiblings fucking.
een Mia Malkova with big tits has her vagina stretched by Johnny Castle's hard dick. Mia is penetrated in Johnny's rent apartment he has found especially to invite her and nail on his couch.
Two earnest and religious young men, Adam (Josh Rivers) and James (Celtic Iron), approach a house to spread word of their faith. James, who is mentoring Adam as a newbie, talks about getting to know each other and the buddy system for their door-to-door work. James explains how the buddy system is meant to keep each other on the straight and narrow, built on trust and support.
The men knock on the door, though Adam seems confused about why they're visiting that house in particular. James insists he knows the homeowner and that it'll be a great teaching moment. The homeowner, Mrs. Carson (Dee Williams), pleasantly answers and invites them in.
Mrs. Carson leads the men into the living room, then excuses herself to get refreshments. While she's gone, it's revealed that James visits Mrs. Carson a lot, which confuses Adam since she doesn't seem interested in being converted. James casually explains that because of their buddy system, they can do whatever they want since it's only between THEM. Adam is confused about what James is getting at, then shocked when Mrs. Carson returns wearing an open robe and sexy lingerie.
James explains that he and his previous buddy regularly had sex with Mrs. Carson, and he obviously wants him and Adam to continue the tradition. Mrs. Carson is eager and comes onto them, trying to entice Adam to join in on the fun. Although Adam seems tempted, he resists, trying to stay on the straight and narrow. He promises that he won't say anything unless asked, but that he won't participate...
James seems satisfied with this and ravishes Mrs. Carson while Adam nervously waits nearby. Although Adam tries to avoid all temptation, he starts to get aroused and begins watching them. When Mrs. Carson catches his curious looks, she invites them to join. Will Adam's faith be enough to save him?
Doug Hamilton (Nathan Bronson) enters the office of his stepfather and boss, Ed Hamilton (Derrick Pierce). Ed is the owner of a company and is training Doug to take over for him one day. However, so far Ed isn't very pleased, saying that Doug isn't assertive enough. He orders Doug to shadow him all day, and do what he does.
Ed's secretary Becky (Whitney Wright) enters. Ed leers at her and has her go get him a cup of coffee. Ed's sleazy gaze makes Doug uncomfortable. When Becky returns with the coffee, she asks Ed if there's anything else she can do for him. Ed suggestively tells her that she KNOWS what to do, and Doug is shocked as she obediently gets on her knees, about to suck Ed's cock. As a twisted way of teaching Doug something about running the company, Ed tells Doug to watch him fuck Becky. Doug sheepishly agrees.
Ed fucks Becky's mouth, then puts her on his desk so he can fuck her pussy, all as Doug watches. After Ed is done, he tells Doug that now it's HIS turn to have sex with Becky. Doug is stunned, and Ed reminds him that he's supposed to be shadowing him all day, and doing EVERYTHING that he does. After some initial hesitation, Doug agrees. Doug's first lesson in becoming more like Ed is about to begin...
A private investigator, Jackson (Chad Alva), is sitting inside a parked car on a street outside of a house. He makes a call on a cellphone, telling his client that he's going to start surveillance and gathering evidence. Jackson then hangs up and moves closer to the house, spying on a woman, Jennifer (Charlotte Sins), who is doing stretching exercises in tight workout attire.
As the days and weeks go by, Jackson continues to spy on Jennifer and take pictures of her while she does various things around the house, completely unaware that she's being watched. But Jackson's surveillance begins to seem less like doing a job and more like... infatuation.
Eventually, Jackson knocks on Jennifer's front door. Jennifer opens the door and politely greets him, curiously asking who he is. Jackson is level-headed as he tells her that he's a private investigator working for her husband, and that he has something he wants to tell her. He asks if he can come in. Jennifer is stunned for a moment but then lets him inside.
Once he's in the house, Jackson explains that her husband was afraid that she was cheating on him while he was away on business trips, so Jackson's been hired to watch her to see if that was the case. Of course, as he's been tailing her, he can see that her husband never had anything to worry about. Jackson adds that her husband should be GRATEFUL to have Jennifer instead of mistrustful of her. Jennifer is a stunning woman and any man would be lucky to have her as his wife. Because of this, Jackson wants to offer his allegiance to her to allow her to live the unshackled life she deserves. Jackson promises he'll be the perfect cover for any infidelity she DOES want to commit - whether with him or other guys. He doesn't care WHO she decides to be with... he just wants to give her the freedom her husband DOESN'T.
A beautiful camgirl, Amy (Kenzie Anne), finishes up one of her cam shows. She chats with fans and exudes an infectious bubbly charm. When she signs off, her demeanor changes, and she seems lonely as she begins to remove her makeup.
After a few silent moments, the phone rings. It's Jay (Isiah Maxwell), a new man in Amy's life. They've been seeing each other for only a few weeks but, so far, it's been a ray of sunshine. Someone who gives Amy butterflies and actually seems to care about what she thinks, not just how she looks. She eagerly answers the phone, and Jay invites her over to his house. He says that he has a proposal for her... something they've been chatting about that he wants to make official. But he won't say what it is until they're in person. A smile crosses Amy's face. She yearns for romance and is sure that tonight's the night Jay will ask her to be his girlfriend. She agrees and gets off the phone in a rush to get ready.
Later that day, Amy arrives at Jay's house. He talks about how beautiful Amy is, how much fun they've been having together, and how he never thought about people in her profession before. Sure, he's jerked off to porn, but he never really thought about the actual girls in the videos. Amy feels a little awkward but ultimately takes these as compliments. She tells him how much she appreciates being respected as a person and not just for the work she does. That's why she likes him so much. But Jay seems to be only half-listening, still preoccupied with his side of the conversation. He tells her that he's thought a lot about her lately and he's ready to take things to the next level. Amy can barely contain her happiness and she takes his hands in hers. He continues ... saying that some of their recent conversations, especially those in the bedroom, have sparked his curiosity. He particularly liked the idea of her bringing a friend over to join them.
Amy's face falls. This was not the proposal she was expecting. Her body language changes immediately, despite Jay being oblivious. He excitedly asks Amy to impress him with her favorite girl, a toy they can play with together tonight. He slides his hands all over her body as he hypes her up and makes her feel empty inside. He says that he would love to meet Amy's blonde friend who she sometimes does shows with. Amy flatly says that she can call her - but maybe another night. Jay encourages Amy to call her now. He shoves a phone into her hands,telling her that he wants them to have fun tonight. Feeling resigned, Amy phones her friend Lindsey (Kenna James) and asks her to come over for a play date.
Phil is shocked and repulsed when his wife, Nancy, orchestrates a swap with another household, bringing a strange girl named Tracy into their home and claiming she's his daughter. Phil is forced to participate in "family moments" with Tracy, who tries to seduce him, knowing it's part of his secret fantasy. As the situation becomes more disturbing, Phil's resolve to resist his twisted urges crumbles, and he gives in to his desires.
A lonely, depressed morgue employee, Gabriel (Tommy Pistol) dutifully prepares the body of a young woman -- a Jane Doe (Ashley Lane) -- and becomes inexplicably infatuated with her. He starts losing touch with reality, hearing Jane Doe's sweet, disembodied voice as she tries to connect with him. Over time, Gabriel has vivid fantasies of her being alive and well... and desiring only HIM, which leads to the ultimate fantasy of having an intimate encounter with her at his own home.
The scene opens on 18-year-old Athena Faris lounging on her bed when she gets a video call from her step-dad Stirling Cooper. Athena is surprised but answers it, asking how his weekend business conference is going. Stirling is FURIOUS and says that the work conference WAS going well until he talked to a coworker. This coworker is the father of one of Athena's friends, and told Stirling that his daughter and Athena both got tattoos last night!
Athena is shocked but tries to play innocent, lying and saying that she doesn't have a tattoo! She tries to calm him, pulling down her shirt from her shoulder to show her bare skin. 'See, Dad? NO tattoo.' But that's not enough for him and he demands that she show him EVERYTHING. Athena tries everything from playing dumb to acting defiant to desperately pleading, knowing that if she takes off her clothes fully, she'll be caught in her lie. Stirling ignores her pleas and orders her to strip or she'll be kicked out of the house. Athena is upset but reluctantly begins stripping, knowing that she'll soon be caught.
It's clear Stirling is enjoying the stripping, but as soon as he sees the tattoo, he becomes furious again. Since he's not there to punish her himself, he tells her to spank herself.
Athena may not like it, but she only has herself to blame...
SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is forcibly dragged through the hospital halls by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that engulfs her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room, promising not to repeat her actions. The man silently pulls her through a set of double doors into an empty white room where the chief psychiatrist (Michael Vegas) is waiting. The orderly slams her down in a chair before the psychiatrist and goes to wait by the doors.
"Katherine," the psychiatrist begins calmly. "How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!" He leans closely into Katherine's face, and she turns her head. "I'm sorry, doctor," she whispers. "I couldn't help myself... I can't control it."
The doctor steps back and pulls up a chair to face her. "Katherine, I fear your disorder is putting you in harm's way," he continues. "Do you remember what happened a few months ago with the patient in Zone B?" Katherine squeezes her eyes shut, her mind flashing back to a terrifying man behind bars coaxing her inside. "Do you remember the beating? How he nearly took everything from you? Almost took your life?"
Katherine's eyes fill with tears. "Please don't talk about it," she begs. "I can't think about it anymore!" The psychiatrist berates her, suggesting her nymphomania provoked it, blaming her for her transgressions, and warning that it will end badly if she doesn't stick to her treatments.
Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. "This is your final warning, Katherine," he says calmly. "You will complete your abstinence program—no sex, no masturbating, no touching yourself of any kind." As he issues his final warning, the orderly steps back in and carries the distressed girl out of the room.
CUT TO TITLE PLATE
Several days later, the orderly is doing his rounds and peers into Katherine's room. She is on the floor by her bed, naked except for her white cotton panties, legs spread wide, choking herself with one hand while fingering herself with the other. Authoritatively, the orderly storms into the room, chasing the scrambling girl back to her bed. She pleads with him not to say anything, not wanting to be restrained again. The orderly laughs in her face. "Well, you should have done what you were told!" he sneers. "Now, I'm going to do what I've been told and take you back to the doctor. Your actions have consequences, Katherine!" He slams her on the bed and begins putting her in her jacket as she begs for mercy.
CUT TO the white room. The double doors burst open, and the restrained girl is tossed at the feet of her psychiatrist. She cowers as the orderly reports catching her masturbating and auto-asphyxiating. The psychiatrist shakes his head as she cries out, "Please, doctor. I'm so sorry, I won't do it again. Please don't send me down to B. Please have mercy!"
He leans in close, grabbing her chin. "I guess this is just who you are," he says condescendingly. "You'd rather have sex and suffer the consequences than control yourself?" She shakes anxiously.
Dropping her back to the ground, the psychiatrist slut-shames her, suggesting she provokes her partners and craves intensity and roughness. He implies that the patient in B was just a warm-up for what she really wants—men who will hurt her and punish her for being a slut. Katherine begins to cry, traumatized by her thoughts and actions, and begs her doctor to stop.
She notices the orderly rubbing himself over his scrubs and looks back at the psychiatrist, reiterating that she can't help it. "Are you ready to go back to B? Because we won't protect you this time!" the psychiatrist coos. Katherine pleads for forgiveness. "Please don't make me go back there! I'll stop, I promise. I can't take it again, doctor. Please, I'll do anything you want!"
The psychiatrist and orderly smirk at each other. "You're such a selfish little nympho," the psychiatrist says, removing his jacket. "You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you?" Katherine asks what he means. "You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?" he continues, slipping off his shoes.
She looks around confused. "I have a condition," she says slowly. "And what about how we feel?" he asks. "We have to tolerate your disobedience every day without relief. Don't you think you should be a little more grateful?" As he says this, both men pull their cocks out. At first, Katherine looks away in shock, closing her eyes. The men move closer to her face. She bites her lip, feeling them near, driving her insane. She starts to writhe in her straight jacket. "That isn't professional," she mumbles, eyes still closed.
The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. He asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her, almost salivating. "Then you need to be a good girl and let us have a piece of you too, just like everybody else," the psychiatrist orders. The orderly adds, "Are you going to agree with your doctor?" She stares at him, then turns back to the psychiatrist. "Yes... sir," she says slowly, biting her lip and squeezing her legs together on the floor.
Nathan Bronson feels Lily Love' needs, and it's just a matter of time for him to make the MILF cheat on her husband. But Lily's desires are even stranger than his, and she wants to know the man.
SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.
The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.
CUT TO TITLE PLATE
The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.
The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.
The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.
TEXT PLATE: Several days later
William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'
William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.
William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.
While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'
Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.
By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.
Scene opens on the interior of a car. A young woman, Lois Brown (Whitney Wright), is the sole occupant and driver, and we watch over her shoulder as she pulls up to a house. She stops the car and turns it off. The camera pans down to see that her hands are shaking. She takes a deep breath, steadies herself. 'You can do this,' she says to herself and gets out of the car. She walks up the driveway to the door of the house and hesitates another moment before ringing the doorbell. After a second, the door opens and a man, James Stinson (Michael Vegas), stands there. He looks at her, appraising her in an almost predatory way. 'You must be Lois?' he asks with a tone of wary caution. Yes, and he must be Mr. Stinson, Lois says with a polite and professional smile. Oh, she can call him James, he says. A bit young for a reporter, no? She flashes him a polite, detached smile and says maybe, she's 22 but people always say she has an old soul. He nods and then realizes he's still blocking the doorway - But where are his manners? Please, come in, he says, waving her in. She follows him into the house, a modest, clean and well-kept abode.
So where does she want to do this?, he asks, a hint of discomfort creeping into his voice. Wherever he feels comfortable, she says politely but not warmly... how about the living room?, she suggests. He agrees and they sit down in the living room. He takes a seat and she sits in a chair across from him with a table between them. She takes out her cell phone and opens up a voice recording app. Does he mind if she records this?, Lois asks. No, please do, he doesn't want to be misquoted, he's had enough of that - he chuckles, not because it was funny but to fill the awkward silence following his comment. Great, she says after a pause, pressing the record button on the app and places the phone on the table between them. 'So let's start with the obvious: why now? Why grant your first face-to-face interview to a small college newspaper after all this time not speaking to the press?' Lois asks. He considers the question. Well, it's simple: in all this time, she's not the first reporter to call him on the anniversary of the crime, but she IS the first reporter to call him and tell him that she believes he's not guilty, and offer to tell his side of the story, he says. But he WAS acquitted of the crime he was accused of, so what guilt is he referring to?, Lois probes. As she knows, the case was all over the news, day and night, and even though he was found not guilty, most people believe that he is guilty and the verdict was wrong, James says. Guilty until proven innocent in the public eye, he says bitterly. And he's never been able to shake that stigma, people just don't look at him in the same way since then, he adds resentfully. It's a lonely existence. 'Maybe we can try to dispel some of that stigma once the public hears your side of the story. So I ask you, on the record: Are you guilty?' Lois asks. He smiles sadly back at her. 'Am I guilty?' he asks her. He takes a deep sigh. There is a tense moment of silence. Once again, something dark and predatory flashes across his face. 'Yes...I am,' he says, his smile gone.
CUT TO TITLE PLATE
Resuming the interview, Lois looks stunned at James's admission. 'I am guilty...guilty of being in the wrong place at the wrong time,' James clarifies. He happened to be at the club that night, and he happened to be the last person seen with... James says, trailing off, blanking at the victim's name. 'Darlene Davis,' Lois says, enunciating the name carefully. Yes that's right, it was a long time ago...and he has tried to put the whole episode behind him, being at the club that night, being at the wrong place at the wrong time...that ruined his life, James says. So how does he explain Darlene's DNA on his shirt?, Lois probes, adding that the police claim that this happened during the crime. The same way he explained it to the police, with the truth: she had a nosebleed when she was dancing with him, James says. But the press got a hold of that and used that to assume his guilt, he continues. What they didn't bother to report was that she was a known substance user prone to nosebleeds, he says.
'When they came to interview you because they saw you on the club's security footage, you consented to them searching your home, where they discovered the shirt with DNA evidence, which then led to your arrest and trial. If the DNA on the shirt was from an innocent nosebleed as you claim, why didn't you just tell the police about it instead of hiding the shirt for them to find, and for that matter, why did you consent to the search in the first place if you had evidence hidden away that would incriminate you?' Lois asks. Well, because he didn't feel that he had anything to hide, James says smoothly, for example why would he even think that shirt was evidence to a crime at the time unless he was the one who committed it? When he left the woman, she was still alive. But, she continues, if he had nothing to hide, why did he initially lie to the police about where he was after the club that night?, Lois asks skeptically. He didn't have an alibi that night, he just came home alone, and he's seen enough movies to know that it's really easy for cops to pin something on someone who can't account for their whereabouts, so he told them he went to get a burger instead, James says. Stupid mistake, he says regretfully. A stupid mistake that he's replayed over and over in his mind every day since then, he adds. But he can see why that story sounds a little thin right?, Lois asks. Especially since the route he claims to have taken home from the club that night is the least direct way to get home and HAPPENS to be one that doesn't have traffic cams in that area of town, she adds. He looks at her silently. Can she turn off the recording for a moment please?, he asks softly. Oh um, yes, sure, Lois stutters, caught off guard. She turns it off. Lois...he thought that this interview was going to give him the opportunity to shed some light on his innocence, so why does this feel like the same old assumption of guilt that he's used to?, he asks, leaning close to her, resting his elbows on his knees in a vaguely threatening way. 'Because if this is just about pushing my guilt, if you're hiding something from me...we're going to have...a problem,' James says, that same carnivorous look crossing his features again. Lois shifts in her chair nervously. No...it's not about that at all, even though she believes in his innocence, she still has to do her job and ask all the tough questions, she says anxiously. There is a tense moment while he considers her answer. Ok..let's keep going then, he says finally. Lois exhales sharply and resumes recording.
So getting back to the night of the crime: to help clear up any misconceptions, why doesn't he recount that night for her?, Lois suggests gently. Well, he was in the mood to go out, but all of his friends were busy, so he decided to go to the club alone and that's where he met Darlene; they danced for a little while, and then he went home, alone, James says quickly. There's really not much more to explain other than that, he adds. And what was Darlene like?, asks Lois, He doesn't really remember, he only danced with her for a short time and didn't really get to know her, he answers. So he didn't get a sense of her AT ALL?, a sense of what...Darlene was like?, Lois asks. Was she kind, did she seem happy? Why the great interest in Darlene?, James asks, his brow furrowed in suspicion. Just trying to get a sense of the victim is all, Lois says quickly. Hmmm, well he can't really help her there because like he said, he didn't get to know her, James says. But she did have a reputation around the neighborhood, she was known as kind of...he doesn't want to be rude here but...kind of a whore who would do ANYTHING for a fix, he says offhandedly. Upon hearing this, Lois looks a little rattled. At the time, some people were even saying that she...got what she deserved, James says softly. Lois looks a little sick when she hears his last answer and abruptly excuses herself, saying that she has to use the bathroom.
In the bathroom, she splashes water on her face and pats it down with a towel, regaining her composure. Keep it together, almost there, just this one last thing to do, she says to herself, breathing heavily. She takes another moment to steady herself, draws in a deep breath and exits the bathroom. Back in the living room, she goes to sit beside James on the couch. She apologizes for rushing out like that, adding that it must have been something she ate. He tells her not to worry about it. She smiles. What she would like to do now is shift gears and get...inside his head a bit, she says. Is that why she came to sit next to him, because things are about to get...personal?, he asks, with a slightly nervous edge as he looks away from her. Would that be ok?, she asks. He's not sure if getting personal is...a good idea, he says, looking back at her as a sinister expression invades his features for a moment. It passes quickly. Lois clears her throat. She's sure that this is best for the interview, so...is it ok if she continues?, she asks patiently. He nods. Ok, so when he was accused of this horrible crime, how did that make him feel?, she asks. Well...he felt...scared...angry...alone, James says slowly. She can relate, her mother passed away when she was a little girl and she can remember the intense feelings of isolation, like she was the only one in the world who felt these things, Lois says sympathetically. He is surprised to see her turn off the recording. And there were other feelings, other, more...disturbing thoughts that she had that made her feel even more alone, she continues. It was like a...darkness growing inside of her, and it scared her, but she didn't want to run away from it, she wanted to run towards it, she continues. She looks at James in the eyes. 'I think you know exactly what kind of...darkness I'm talking about,' Lois continues softly. 'You share that same darkness inside of you, don't you James?,' she asks. And he acted on that darkness, Lois says. James finally catches on. Does she think that he IS guilty?!, he asks looking betrayed. He thought---James starts, but Lois cuts him off. She doesn't THINK anything: she has ABSOLUTELY no doubt in her mind that he is guilty of this crime, Lois says.
What the fuck--he knew this had to be bullshit, she's just like all the other reporters, James says, getting up from the couch in frustration. That's just it, she's NOT like all the other reporters, Lois says... in a sense, she became a reporter just to get to this moment. To speak with him. Sure, she lied to him about believing that he didn't commit the crime, but she knew that was the only way he'd agree to meet her, and she NEEDED to meet him face to face, she feels that there is a connection, a...bond between them, Lois continues. He didn't- he begins. She waves him off. There's no need to put on any masks anymore, he can be his true self around her. She's here because she wants him to tell her---no, SHOW her, everything about that night, Lois continues breathlessly. She seems to be getting turned on as she speaks, but she exhales sharply as she finishes her last sentence, betraying a nervousness underneath her bluster of passion. This nervousness passes almost immediately, and James is too distracted to notice the subtle inconsistencies in Lois's demeanor. What kind of a sick fucking fantasy is this?! James asks incredulously. It's no fantasy, it's what she came here to share with him, Lois says. No, he can't do that, James says, shaking his head. Please!, Lois says fiercely, grabbing at his shirt. She needs to know!, Lois says feverishly, practically banging on his chest. He pulls her hands away from him. Stop this!, he says, resisting. 'SHOW. ME.' she enunciates firmly, bringing her face inches away from his. He can't resist anymore. 'Is this what you want?! Is THIS WHAT YOU WANT?!' James yells, ripping her blouse open roughly, the buttons hitting the floor. 'Yes, oh god yes,' gasps Lois.
As he tears her clothes off and buries his face hungrily in Lois' pink pussy, Stinson unleashes his inner-maniac. Will Lois get more than she bargained for? Maybe...but what James doesn't know is that Lois has a secret of her own...
Nominated - Best Actor - Featurette: Michael Vegas, AVN 2020