⁣Connie (Alison Rey) and Michael (Robby Apples), two house cleaners, are cleaning a room in a home when the wealthy homeowner, Carl (Will Pounder), enters and openly hits on Connie. Connie is polite about it, though Michael seems frustrated by the act.

Once Carl leaves, it's revealed that Connie and Michael are a married couple who run a struggling cleaning business together. Michael hates that Connie lets Carl flirt with her but she thinks it's a necessary aspect of their situation. After all, times are hard and clients are few, so if she has to stroke some egos, she will.

Connie tries to continue cleaning but Michael won't drop the issue, which leads to them arguing even more. But before things get too heated, Connie says she needs space and goes to clean another room. From that point on, Michael spies on Connie, catching her continuing to flirt with Carl in other rooms.

Finally, after one suggestive joke too many, Michael speaks privately again to Connie, which leads to them arguing more intensely. But this time, tired of her husband's attitude and thinking about the future, Connie puts her foot down. She decides to let Carl fuck her... right in front of Michael... to show Michael who's really boss.

⁣Sylvia receives an unexpected visit from a man named Jake, who greets her warmly and expresses his pleasure at finally meeting her. Sylvia, puzzled, asks how he knows her name. Jake reveals that she is already well-acquainted with him in a way, as he was the one who donated the kidney that saved her life a few years ago.


Sylvia is surprised and thrilled by this revelation, as she never expected to meet her donor, who she had always believed to be anonymous. Jake explains that he has connections in the medical field, which allowed him to discover who received his kidney and find her.


Inviting him inside, Sylvia expresses her gratitude, acknowledging how rare it is for someone to donate an organ to a stranger. Jake then mentions that hearing her appreciation is the reason for his visit, as he feels it's time for her to properly thank him. Sylvia, now confused and slightly uneasy, listens as Jake explains that since he saved her life, he believes she should repay him in some way.

⁣SCENE OPENS to Rosie (Arietta Adams) arriving for an ordinary day of sitting. The father, Jack Harris (John Strong), greets her as warmly as always. When Rosie brings up having forgotten her laptop to do her homework, Jack easily offers her his laptop to use before leaving for work.

But when Rosie later checks the laptop, she is shocked to see an erotic video plastered on the screen. Surely Jack didn't mean for her to find THAT?!

As time passes, there are more hints that something is amiss, although Rosie can't quite put her finger on it. When she starts having trouble with her boyfriend, Jack seems too eager to give her advice... and he's so sexual and blunt about it! Even though it startles her, Jack always manages to convince her that there's really nothing wrong with them being so free with their discussions... They're both adults, after all.

Desperate to keep her boyfriend, she follows Jack's bedroom advice, although it makes things worse. In fact, her boyfriend breaks up with her! When she confronts Jack about it, he gets her to open up about her private life again. Was she ALWAYS this free with her private life? Or has Jack been getting into her head, slowly and surely, each time she showed up to sit?

The answer soon becomes apparent when Jack drives home that the reason why the boyfriend left had to be because she was boring in bed. Well, in THAT case, HE can have sex with her and teach her what guys REALLY want...

Rosie doesn't want to be alone forever, does she?

⁣Doug Hamilton (Nathan Bronson) enters the office of his stepfather and boss, Ed Hamilton (Derrick Pierce). Ed is the owner of a company and is training Doug to take over for him one day. However, so far Ed isn't very pleased, saying that Doug isn't assertive enough. He orders Doug to shadow him all day, and do what he does.

Ed's secretary Becky (Whitney Wright) enters. Ed leers at her and has her go get him a cup of coffee. Ed's sleazy gaze makes Doug uncomfortable. When Becky returns with the coffee, she asks Ed if there's anything else she can do for him. Ed suggestively tells her that she KNOWS what to do, and Doug is shocked as she obediently gets on her knees, about to suck Ed's cock. As a twisted way of teaching Doug something about running the company, Ed tells Doug to watch him fuck Becky. Doug sheepishly agrees.

Ed fucks Becky's mouth, then puts her on his desk so he can fuck her pussy, all as Doug watches. After Ed is done, he tells Doug that now it's HIS turn to have sex with Becky. Doug is stunned, and Ed reminds him that he's supposed to be shadowing him all day, and doing EVERYTHING that he does. After some initial hesitation, Doug agrees. Doug's first lesson in becoming more like Ed is about to begin...

⁣Linda (Casey Calvert) is suffering from postpartum depression, and one of the symptoms is that she currently has no interest in intimacy with her husband, Mark (Daniel Shar). Even platonic touches from Mark just remind her that he's the one who made her pregnant in the first place, so she's just not in the mood.

One day, Linda is shocked and confused when Mark comes in with a stranger (Isiah Maxwell). Mark says he knows that he's the source of Linda's current intimacy problems, so he thought that maybe if she had sex with someone else, it would help her to 'reset' and then their relationship could get back to normal.

Linda thinks the idea of having sex with a stranger sounds crazy. Mark says he just wants to help, and assures her that it's up to her whether or not she decides to have sex with the other man. Mark then leaves the room, and Linda is left alone with the stranger to decide what she'll do...

⁣Mr. Davies (Charles Dera) is your stereotypical handsome high-school gym teacher -- the one that all the school girls have a crush on. Problem is, Mr. Davies hasn't been able to keep his hands out of the cookie jar. For the past few months, he's been having an affair with one of his students, the beautiful but naïve 18-year- old Lola (Jill Kassidy). The daughter of a wealthy businessman, Lola has fallen completely in love with Mr. Davies and thinks the two are going to run away together. Mr. Davies, on the other hand, cares for the teen girl but knows that inevitably they will need to break up one day ... especially before he gets caught. One day, after practice, Davies and his teenage lover sneak off and have sex in the locker room. While they are fucking, another student Heather (Kristen Scott) accidentally discovers them. Without their knowledge, she records them on her phone and runs off to tell her stepbrother (Small Hands) about it. Heather's stepbrother is an older guy named Darryl, who dropped out of school several years earlier and has had multiple run-ins with the law. When his step-sister shows him the footage, it sparks an idea in his head ... with all the money and power that Lola's father has, wouldn't it be easy to convince her out of a little dough to keep her affair a secret? He pitches the idea to Heather, who agrees to go confront Lola. The two conspirators then fuck.

⁣Hollywood Cash and his wife Olive Glass are hosting an important dinner for Hollywood's new boss, who has just offered him a great job with corporate housing. Hollywood is anxious to make a good impression. When Olive answers the door, she's stunned to find out that the boss is Isiah Maxwell, a man from her past.


During dinner, Olive tries to keep her history with Isiah under wraps, but Isiah bluntly reveals that they used to be intimate when she worked at her previous job. While Hollywood knows about Olive's past and doesn't judge her, he never knew that Isiah was involved.


Hollywood tries to stay composed, but the situation escalates when Isiah suggests that he and Olive rekindle their past relationship for old times' sake. Worried about losing their new comfortable life, Hollywood persuades Olive to agree, only to be shocked once more when Isiah insists that Hollywood should also participate.

⁣Katie (Lily Glee) and her boyfriend, Shane (Johnny Goodluck), often daydream about running away and starting a new life together elsewhere. But to do that, they need money, and lots of it... Fortunately for them, Katie's father, Roland, is wealthy -- unfortunately for them, he's also a greedy jerk. So Shane decides that it's finally time to chase their dreams AND give Roland his comeuppance.

Shane pitches a plan to Katie that involves faking a ransom video to get Roland to pony up. Although Katie's unsure about it at first, she trusts Shane and goes along with it. Even so, when Shane pulls down his mask and turns on the camera, Katie's transported to a whole different world.

But something isn't right... No matter how much of a pounding her pussy and mouth takes, Roland keeps refusing to pay the ransom. They're in too deep now to give up and Katie has to play along even when Shane brings in a friend (Brad Sterling). Will seeing his sweet daughter at the mercy of two strange men be enough to bring it all to an end? Or is the scam even more elaborate than Katie thinks?

Story inspired by an original submission by Pure Taboo member, GernBlanston!

⁣Charlene (Dana Vespoli) returns home after running an errand and is shocked when she is greeted by a cheerful girl, Mara (Coco Lovelock), who claims that Charlene is her parent.

Charlene is bewildered as she demands to know where Tracy is, who she's really the parent of. That's when George (Tommy Pistol), Charlene's husband, intervenes by happily putting his arm around Mara, the two of them acting like everything is perfectly normal. George explains that he wanted a young lady he could fuck, so he secretly swapped Tracy for Mara, who comes from an unrelated but like-minded family.

Charlene is horrified, especially when she finds out that Tracy left willingly to indulge in her own freakish desires. Charlene then has to watch as George and Mara have gleeful, raunchy sex all around the house. George and Mara invite her to join in on the fun but Charlene is conflicted. However, it soon becomes obvious that there's little she can do but embrace this twisted new family arrangement...

⁣After his parents unexpectedly die in a car crash, troubled college student Damian Charles (Brad Knight) is left the keys to the family's estate in their will. The only clause is that he allows his step-sister, Miranda Alexander (Lana Rhoades), to live there until her 21st birthday. The step-siblings have never gotten along but, now that he has firm control over the household, something starts to shift within him. After first begrudgingly letting her stay with him, he slowly starts to get off on the feeling of bossing her around and imposes stricter and stricter rules on her, 'as long as she lives under his roof!' It begins with chores and a curfew but soon turns sexual. Ultimately, he strikes a deal with the precocious 18-year-old teen that she can do whatever she wants in the house, so long as she agrees to service him.

⁣Belle (Penelope Kay) approaches a priest (Tommy Pistol) and confesses that she's been feeling tempted by sexual desires, even though she knows she should save herself for marriage. The priest advises her to find strength through prayer and penance, but Belle asks about what to do if that's not enough. She begins to debate with him about the Church's obsession with virginity, and suggests that having sex in the 'other place' - the bottom - doesn't count. And even if anal sex DID count, wouldn't it be a lesser sin? If everyone sins anyway, isn't it better to do a lesser sin and then ask God for forgiveness?

The priest becomes increasingly flustered, as Belle suggests that if she did give in to temptation and have sex, wouldn't it be a lesser sin if she did it with a good man - a man of faith - rather than some godless stranger? Belle continues to tempt him, saying that God would forgive them if they strayed just once. The priest gives in and agrees to fuck Belle in the ass, which she secretly knew he would... and soon enough, the priest will find out what else Belle knows about him.

⁣April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE!

She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys.

April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going?

April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it!

April then asks where the boys are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the little one? April smiles and says that she is and heads off down the hall where she's directed.

As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath.

TITLE PLATE

CUT TO hours later, and April is tidying up the living room after having put the family to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion.

It's a picture with stick figures. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe.

'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table.

Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife.

She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out.

April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?'

April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but passed away giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted.

April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead.

And now? Claire is gone...

When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter.

April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish...

April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal.

Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

⁣'If you want to keep a secret, you must also hide it from yourself.'
-George Orwell

SCENE OPENS on Laura (Scarlit Scandal), who lies idly on the couch, staring at her laptop on the coffee table. She's wearing a yoga outfit, but she has no motivation to work out as she watches a yoga video from social media influencer Trudy (Serene Siren). The first 6 months of quarantine went smoothly. But nothing has been easy since her husband Michael was exposed. Laura's phone buzzes and she glances down. 'Can you please help me?' Michael texts. She stares at the message, feeling deflated.

In the bathroom, Laura stares at herself in the mirror as she removes her workout clothes, putting on a full battery of protective gear. Turning to face the door, she takes a deep breath before heading to help her husband.

A few moments later, Laura darts out of Michael's room with a tray. She leans against the door and looks down in disgust at the half-eaten food and used utensils. She takes another deep breath, as if she had been holding it.

In the kitchen, Laura washes and dries the plates and carefully removes her protective gear. From outside, the sound of a delivery truck approaches. Hearing this, Laura shuts off the water and turns to face the door. A smile crosses her face.

Laura rushes to the front window, just in time to see the no-contact delivery man (Jake Adams) walk up with her packages. Even though he's always masked, she's found herself watching him all quarantine. As he approaches, he catches sight of her through the window. Both of them stop for a moment and stare at each other. He sets her packages down and raises his hand to say hi. He pulls his mask down to smile at her.

The next day, Laura waits by the window in a robe. She has decided to get a little more flirtatious with the delivery man because she can't stop thinking about the way he smiled at her. It feels like forever since someone actually did that. Her phone buzzes. 'Can you bring me some water?' Michael texts. She throws the phone down in frustration. It buzzes again. She glances out the window and sees the delivery man approaching. He sets the packages down and quickly turns around, as Laura stares in disappointment.

She bends over to pick up her phone and get back to reality, when she suddenly hears him coming back. He is carrying a flower in his hand and carefully lays it down on the top package. Laura is so overwhelmed by the man's chivalrous return, that she instinctively opens the door and steps outside. Her robe falls open, exposing her lingerie. The man quickly backs up and stares at her in awe. 'You're very beautiful,' he says. 'So are you,' she replies, before realizing that she isn't wearing any protective gear. She clasps her hand over her mouth and nose in panic. 'Do you live here alone? I've noticed all the packages are marked for you,' he asks. Not knowing what to do, she nods. 'Whenever this lockdown ends, I'd love to take you out sometime,' he continues, taking a cautious step forward. '...If that would be ok?' Laura fidgets nervously before nodding. He takes another step and whispers, 'But, you know, they test essential workers every 24 hours in order to go outside, right?' She shakes her head, still petrified of removing her hand. He slips down his mask to reveal a big flirtatious smile. 'So, I know I'm negative. And, if you've been isolating alone this whole time, then technically you should be negative too.' He takes his gloved hand and slowly removes hers from her face.

They stare at each other, unmasked, breathing in the other's air. 'So, maybe we could go on a date even sooner?' he says coyly. She stares at him for a moment, a rush of endorphins surging through her body, before kissing him. It's the greatest feeling she's ever felt. She feels excited for the first time in months! 'May I come inside?' he asks. She swallows hard, remembering Michael. 'Just wait one minute,' she stammers and slams the door.

Laura's done everything she can to stay safe, but can anyone ever TRULY be safe?

⁣A married couple, Sherry (Arabelle Raphael) and Ray (Ken Feels), has been struggling since their godson, Ethan (Victor Ray), moved in with them following the untimely death of his parents. Ray is suspicious of Ethan's cold and strange behavior, such as always staring at the couple or just creeping around, but Sherry always dismisses his concerns.

Ray only becomes more suspicious when they return home one day to find all their pictures smashed, including their wedding photos. But when they question Ethan about it, Ethan just casually shrugs it off and blames it on the family dog. Ray isn't sold but once again Sherry sides with Ethan, choosing to believe the godson over her own husband.

But days later, things escalate as the family dog mysteriously gets killed while being walked by Ethan. Ray is convinced that Ethan intentionally got the dog killed and Sherry is completely fed up with Ray's conspiracy theories, which leads to a fallout between the couple.

Later on, Sherry finds a note from Ray telling her that he's left her. She's heartbroken and seeks solace in Ethan, who makes a move on her under the guise of wanting nothing more than to comfort her... Was Ray right that Ethan had been scheming from the very beginning?

⁣SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is forcibly dragged through the hospital halls by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that engulfs her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room, promising not to repeat her actions. The man silently pulls her through a set of double doors into an empty white room where the chief psychiatrist (Michael Vegas) is waiting. The orderly slams her down in a chair before the psychiatrist and goes to wait by the doors.

"Katherine," the psychiatrist begins calmly. "How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!" He leans closely into Katherine's face, and she turns her head. "I'm sorry, doctor," she whispers. "I couldn't help myself... I can't control it."

The doctor steps back and pulls up a chair to face her. "Katherine, I fear your disorder is putting you in harm's way," he continues. "Do you remember what happened a few months ago with the patient in Zone B?" Katherine squeezes her eyes shut, her mind flashing back to a terrifying man behind bars coaxing her inside. "Do you remember the beating? How he nearly took everything from you? Almost took your life?"


Katherine's eyes fill with tears. "Please don't talk about it," she begs. "I can't think about it anymore!" The psychiatrist berates her, suggesting her nymphomania provoked it, blaming her for her transgressions, and warning that it will end badly if she doesn't stick to her treatments.


Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. "This is your final warning, Katherine," he says calmly. "You will complete your abstinence program—no sex, no masturbating, no touching yourself of any kind." As he issues his final warning, the orderly steps back in and carries the distressed girl out of the room.


CUT TO TITLE PLATE


Several days later, the orderly is doing his rounds and peers into Katherine's room. She is on the floor by her bed, naked except for her white cotton panties, legs spread wide, choking herself with one hand while fingering herself with the other. Authoritatively, the orderly storms into the room, chasing the scrambling girl back to her bed. She pleads with him not to say anything, not wanting to be restrained again. The orderly laughs in her face. "Well, you should have done what you were told!" he sneers. "Now, I'm going to do what I've been told and take you back to the doctor. Your actions have consequences, Katherine!" He slams her on the bed and begins putting her in her jacket as she begs for mercy.


CUT TO the white room. The double doors burst open, and the restrained girl is tossed at the feet of her psychiatrist. She cowers as the orderly reports catching her masturbating and auto-asphyxiating. The psychiatrist shakes his head as she cries out, "Please, doctor. I'm so sorry, I won't do it again. Please don't send me down to B. Please have mercy!"


He leans in close, grabbing her chin. "I guess this is just who you are," he says condescendingly. "You'd rather have sex and suffer the consequences than control yourself?" She shakes anxiously.


Dropping her back to the ground, the psychiatrist slut-shames her, suggesting she provokes her partners and craves intensity and roughness. He implies that the patient in B was just a warm-up for what she really wants—men who will hurt her and punish her for being a slut. Katherine begins to cry, traumatized by her thoughts and actions, and begs her doctor to stop.


She notices the orderly rubbing himself over his scrubs and looks back at the psychiatrist, reiterating that she can't help it. "Are you ready to go back to B? Because we won't protect you this time!" the psychiatrist coos. Katherine pleads for forgiveness. "Please don't make me go back there! I'll stop, I promise. I can't take it again, doctor. Please, I'll do anything you want!"
The psychiatrist and orderly smirk at each other. "You're such a selfish little nympho," the psychiatrist says, removing his jacket. "You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you?" Katherine asks what he means. "You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?" he continues, slipping off his shoes.


She looks around confused. "I have a condition," she says slowly. "And what about how we feel?" he asks. "We have to tolerate your disobedience every day without relief. Don't you think you should be a little more grateful?" As he says this, both men pull their cocks out. At first, Katherine looks away in shock, closing her eyes. The men move closer to her face. She bites her lip, feeling them near, driving her insane. She starts to writhe in her straight jacket. "That isn't professional," she mumbles, eyes still closed.


The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. He asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her, almost salivating. "Then you need to be a good girl and let us have a piece of you too, just like everybody else," the psychiatrist orders. The orderly adds, "Are you going to agree with your doctor?" She stares at him, then turns back to the psychiatrist. "Yes... sir," she says slowly, biting her lip and squeezing her legs together on the floor.

⁣SCENE OPENS on a video call between Rachel (Cherie DeVille), and 19-year-old Lexi (Jane Wilde). Lexi seems to be a bit shy. She thanks Rachel for agreeing to do a video call to get to know each other face to face before hooking up. She wanted to be sure that Rachel's profile was the real deal, it seemed too good to be true! Rachel is confident and sultry as she boasts she's indeed VERY real.

As they chat, Lexi starts playfully probing into Rachel's sex life and Rachel admits that she's only interested in women sexually. She's interested in men up to a point and finds them only useful for things like money. Men can never satisfy her the way a woman does. The only reason she would ever date a man is for his pocketbook.

When Lexi probes Rachel for more details, Rachel explains that she is dating a man - but he's nothing more than a convenient source of income for her. Lexi asks if Rachel loves her boyfriend and Rachel says of course not, she's not even ATTRACTED to him. He even has a daughter she's never met and never wants to - she's not interested in 'messy details' like family or commitment.

Lexi then drops a bomb on Rachel - SHE'S the boyfriend's daughter. She KNEW something was going on, which is why she catfished Rachel to get the truth.

And now that Lexi knows what kind of a person Rachel really is, her revenge is just beginning...

⁣The scene opens on 18-year-old Athena Faris lounging on her bed when she gets a video call from her step-dad Stirling Cooper. Athena is surprised but answers it, asking how his weekend business conference is going. Stirling is FURIOUS and says that the work conference WAS going well until he talked to a coworker. This coworker is the father of one of Athena's friends, and told Stirling that his daughter and Athena both got tattoos last night!

Athena is shocked but tries to play innocent, lying and saying that she doesn't have a tattoo! She tries to calm him, pulling down her shirt from her shoulder to show her bare skin. 'See, Dad? NO tattoo.' But that's not enough for him and he demands that she show him EVERYTHING. Athena tries everything from playing dumb to acting defiant to desperately pleading, knowing that if she takes off her clothes fully, she'll be caught in her lie. Stirling ignores her pleas and orders her to strip or she'll be kicked out of the house. Athena is upset but reluctantly begins stripping, knowing that she'll soon be caught.

It's clear Stirling is enjoying the stripping, but as soon as he sees the tattoo, he becomes furious again. Since he's not there to punish her himself, he tells her to spank herself.

Athena may not like it, but she only has herself to blame...

⁣Marcus and Claire (Alex Jones and Melody Marks) are a down-on-their-luck couple, having hit a string of bad luck recently which has left them without a place to live. Luckily, their ex-college professor, Frank (Ken Feels), has agreed to let them stay with him at his home. Marcus and Claire feel embarrassed to have to ask this of Frank, but at the same time, it's not like they have a choice. They assure him that they'll be back on their feet in no time. Frank, however, is welcoming and generous, assuring them that this is just a speed bump on the road of life. And besides, he's happy to help his ex-students. insisting that 'mi casa es su casa'.

But as the days go by, the couple soon finds that Frank's open-door policy is a bit more intense than they initially expected. Franks seems to always walk in on them when they're getting frisky, and although he acts casual about what he sees, there's a distinct sense that he's almost doing it on purpose. The more it happens, however, the more normal it begins to feel, to the point where Marcus and Claire are totally unfazed by the intrusions and interruptions.

But then one day, things get dialed up a notch when Frank walks in on Marcus and Claire having sex in the living room. Frank insists that they continue fucking, even though he remains in the room. Marcus and Claire don't hesitate, continuing to fuck as Frank watches TV next to them. Eventually, however, Frank can't help but ask if he can join. The couple are a bit taken aback, but ultimately resolve to reward their host for his sublime hospitality with a threesome.

⁣Two friends, Adam (Tommy Pistol) and Darrell (Damon Dice), who are also stepdads, are hanging out while their cute teen stepdaughters, Nicole (Madi Collins) and Tracy (Summer Col), innocently and distractedly play video games in front of them.

The stepdads lament about their lousy marriages while daydreaming about being with younger women. The cheeky conversation eventually leads to the stepdads lustfully eyeing their own stepdaughters, who are blissfully unaware of everything. The stepdads then both start candidly talking about how hot the girls are, slowly opening up about their attraction to their own stepdaughters, plus each other's. With all of those hungry thoughts swirling around in their heads, the stepdads start conspiring with each other to play their OWN game...

⁣A beautiful camgirl, Amy (Kenzie Anne), finishes up one of her cam shows. She chats with fans and exudes an infectious bubbly charm. When she signs off, her demeanor changes, and she seems lonely as she begins to remove her makeup.

After a few silent moments, the phone rings. It's Jay (Isiah Maxwell), a new man in Amy's life. They've been seeing each other for only a few weeks but, so far, it's been a ray of sunshine. Someone who gives Amy butterflies and actually seems to care about what she thinks, not just how she looks. She eagerly answers the phone, and Jay invites her over to his house. He says that he has a proposal for her... something they've been chatting about that he wants to make official. But he won't say what it is until they're in person. A smile crosses Amy's face. She yearns for romance and is sure that tonight's the night Jay will ask her to be his girlfriend. She agrees and gets off the phone in a rush to get ready.

Later that day, Amy arrives at Jay's house. He talks about how beautiful Amy is, how much fun they've been having together, and how he never thought about people in her profession before. Sure, he's jerked off to porn, but he never really thought about the actual girls in the videos. Amy feels a little awkward but ultimately takes these as compliments. She tells him how much she appreciates being respected as a person and not just for the work she does. That's why she likes him so much. But Jay seems to be only half-listening, still preoccupied with his side of the conversation. He tells her that he's thought a lot about her lately and he's ready to take things to the next level. Amy can barely contain her happiness and she takes his hands in hers. He continues ... saying that some of their recent conversations, especially those in the bedroom, have sparked his curiosity. He particularly liked the idea of her bringing a friend over to join them.

Amy's face falls. This was not the proposal she was expecting. Her body language changes immediately, despite Jay being oblivious. He excitedly asks Amy to impress him with her favorite girl, a toy they can play with together tonight. He slides his hands all over her body as he hypes her up and makes her feel empty inside. He says that he would love to meet Amy's blonde friend who she sometimes does shows with. Amy flatly says that she can call her - but maybe another night. Jay encourages Amy to call her now. He shoves a phone into her hands,telling her that he wants them to have fun tonight. Feeling resigned, Amy phones her friend Lindsey (Kenna James) and asks her to come over for a play date.