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Mrs. Murphy (Little Puck) wants to get her little one into a very prestigious high school, the best of the best. But she is frustrated to learn that, despite her little one's stellar transcript, he's only been put on the waiting list. Taking matters into her own hands, she confronts the Dean of Admissions Mr. Keene (Tommy Pistol) in his office, demanding an explanation.
Mr. Keene is reluctant to give any special treatment, saying that his job as Dean of Admissions requires him to remain wholly objective. But Mrs. Murphy is not one to take no for an answer, so she offers to do whatever Mr. Keene wants to have her way... even if it means dropping on her knees and giving him a sloppy blowjob, followed by some pulse-pounding sex right there in his office.
Lauren (Lexi Lore) is one of the most promising Preparedness Scouts in her unit, so imagine her delight when her scout leader, Claudia (Katrina Colt) takes her to meet their district commissioner Mr. Melville (Nathan Bronson) for a private meeting. Lauren can't believe how fortunate she is for this opportunity, and once Claudia leaves her alone with Mr. Melville, she's more than ready to see what he has in store for her. That is... until Mr. Melville does the unthinkable and makes a move on her.
Lauren exits the house, feeling vulnerable and afraid. Luckily for her, Claudia hasn't left yet, and is just pulling out of the driveway. Lauren manages to stop her, and she tells Claudia about what happened. Claudia supportively tells Lauren that they will get to the bottom of this- but instead of leaving with Lauren, she brings her back into the house to confront Mr. Melville directly. Lauren is taken aback, but she trusts Claudia, so she goes along with it.
There's a strange energy when they go back inside, and Mr. Melville seems distinctly disappointed. Strangely, however, Claudia seems to be more on Mr. Melville's side than Lauren's, and as the moments go by, a nefarious and manipulative arrangement unravels that Lauren could never have prepared for. Will Lauren hold true to her morals, or will she succumb to pleasuring Mr. Melville and Claudia so that she can earn her badges without worry?
'I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed...'
-H.P. Lovecraft
SCENE OPENS ON Rita (Bree Daniels). A scientist, she is in the field collecting samples, looking for an explanation for a mysterious phenomenon that is making the vegetation around a lake decompose from within.
Determined to get to the bottom of the situation, Rita resolves to get some more samples from an area near the lake.
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As Rita investigates further, she notices a fungus she recognizes. But there's something odd about this particular specimen. She takes a sample, but as she is putting it away, she accidentally drops some of the sample on herself which causes an instantaneous effect on Rita. She sways on her feet.
Hours later, her eyes snap open. Groggy, she rises, realizing that she's naked. She notices that a man (Lucas Frost) is sunbathing by the lake. As she watches, he, thinking no one else is around, pulls out his cock and begins to masturbate.
Rita watches, entranced. Becoming aroused herself, she begins to rub her pussy.
Suddenly, from the brush by the lake, a mysterious woman (Bella Rolland) emerges, advancing towards the man. Getting a closer look at the woman, Rita's eyes widen. The woman has gills. Wordlessly the woman bends down between the man's legs and puts his cock into her mouth. He's shocked but doesn't resist.
The woman is wild, almost feral as she attacks his cock, climbing on top and riding him. Rita watches, fixated on this spectacle as she rubs her pussy.
The woman rides his cock, animalistic and primal. As the man cums, Rita cums too, convulsing and twitching. For a terrifying moment, the woman locks eyes with Rita, smiling malevolently.
Scared, Rita hurries back to her tent and falls into a fitful doze. But little does she know that the man has been reduced to a smoldering skeleton, stripped of all his skin by the strange woman.
Meanwhile, the water bubbles and boils and from the roiling froth, the thing in the lake emerges once more, her eyes alight with dark purpose, intent on one thing: finding Rita...
SCENE opens on Travis and Amy, two college students, as they park their car in the driveway of a nice suburban house. The pair have been dating for months, but this will be the first time that Amy meets Travis' parents and she's anxious. She's so anxious, in fact, that Travis has been giving her pep talks throughout the entire drive. 'You shouldn't be so worried,' he says, handing her a bag from the truck. 'My parents are very accepting people. They're going to love you, no matter what!' Amy doesn't want to admit it, but she comes from a less affluent family and is very insecure about being welcomed into Travis' upper middle-class life. Even her luggage looks shabby.
Travis puts his arm around his nervous girlfriend and guides her to the front door. Just as he turns the knob, his father opens the door greet them. The men share a big bear hug while Travis' mom steps through the doorway to join in. Amy stands off to the side, awkwardly, until Travis notices and introduces her to his parents. His mom, Mrs. Greene, warmly takes Amy by the hand and invites her inside while his father offers to take her bags. This puts Amy at ease and she smiles shyly at the man before following her into the house. Mr. Greene holds the door open for them, sneaking a quick look at Amy's behind before he shuts the door.
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The camera pans across the kitchen while the family chats and cooks together. Amy is in awe of how amazing Travis' parents are -- they seem to have the perfect nuclear family. Mrs. Greene is glamorous and sophisticated and his father, despite being quiet, is wise and successful. A very respected surgeon. She loves watching her boyfriend interact with them and thinks that it could be a glimpse into her own future! While the girl loosens up and begins more actively engaging in the conversation, Travis' father secretly watches her. He is having his own thoughts about the future.
CUT to that evening. The family sits around the living room sharing dessert. Mrs. Greene is telling Amy all the embarrassing stories from when her son was young, much to Travis' chagrin. As they laugh, Amy starts to notice Mr. Greene staring at her. They keep awkwardly making eye contact and it makes Amy nervous again. She wonders if his father dislikes her and, when he suddenly excuses himself to go to bed, she becomes convinced that it's because she's done something wrong.
CUT to Amy brushing her teeth and looking anxious in the bathroom mirror. She walks back into Travis' room and slips into bed beside him, while he jokes about fucking together in the same room he had as a boy. They kiss, and Travis tries to get on top of Amy, but she is clearly preoccupied. She asks if they can just crash instead. It's been a long day. Disappointed but understanding, Travis says sure and snuggles up beside her. He turns out the light. Amy quietly asks her boyfriend if he thinks his father hates her. Travis laughs and tells her to stop being ridiculous. Of course, he doesn't hate her. He is just a quiet man. They go to bed.
CUT to Amy lying on her side, staring at the clock. It's 2am. The girl has battled insomnia for most of the night and decides to slip out of bed to clear her mind.
She walks into the kitchen to get a glass of water when she finds herself face-to-face with Travis' father. He is sitting in his bathrobe, eating milk and cookies. She is surprised to find him there. 'Sorry, I hope I didn't disturb you,' he says, dipping his cookie in the milk. 'I couldn't rest,' she mutters. He asks if she wants some and, not wanting to offend him, Amy says ok and sits down. She awkwardly starts eating the cookie while he stares at her. 'It seems like you really like my boy,' he says after a pause. She nods and tells him that Travis is amazing, the greatest guy she's ever dated. He keeps eating. 'I still think he has a lot of growing up to do,' Mr. Greene says. Amy looks down awkwardly at her milk. There is another long pause. 'But ... you are certainly the most beautiful girl he has ever brought home,' Mr. Greene continues. Amy blushes and says thank you, while he continues to stare at her. She begins to feel very hot in the face, as he adjusts his seat ever so slightly to lean in closer. 'I understand that you come from a difficult upbringing,' he asks. 'And that dating Travis has represented quite a change in standards for you. Am I correct?' Amy assures her boyfriend's father that it isn't like that, she loves Travis because of who he is, not what he has. Mr. Greene eats another cookie. 'But, you agree that standards are important?' He asks. She nods. He smiles at her. 'As a father, I hold Travis to extremely high standards. I'm sure you can understand why.' She nods again, starting to feel uneasy about where the conversation is going. Mr. Greene steps off his seat and stands in front of her. 'He isn't going to end up with just any woman,' he father continues. 'He is going to end up with someone who is the right fit for both him and our family.' Amy nervously whispers that she hopes that can include her. Mr. Greene smiles again. 'I think it can ... once you have earned my blessing.'
There is an awkward silence in the room, as the weight of Mr. Greene's insinuations hang in the air. Amy looks down at the bulge in his pajama pants. 'What exactly are you asking, Mr. Greene?' she mumbles. He removes his robe. 'I think I'm making myself quite clear, Amy.' He replies. 'If you want to be part of this family, you're going to need to start by impressing me.' Feeling overwhelmed, Amy meekly argues that she doesn't want to hurt Travis. Mr. Greene tells her that the boy will never find out. In fact, they never need to speak about this again. Just 10 minutes now and she will have his full approval and support for life. She hesitates. 'You do realize why Travis brought you here this weekend, right?' He asks. She shakes her head. The house is still. 'There is a ring in his bedroom with your name on it. A family heirloom. My grandmother's ring.' He replies. 'The only thing Travis is waiting on is my opinion.' He takes his cock out. Her mouth drops open, as she fully realizes what her future father-in-law is proposing. 'It's bigger than my sons, isn't it?' Mr. Greene asks triumphantly. She looks back up at him. She can't believe this is happening. 'He really has a ring?' she asks. Mr. Greene nods, smiling and starting to stroke her hair. Slowly getting to her knees, Amy tells her boyfriend's father that she wants to marry Travis. She'll prove it. If this is what it takes, then fine. He just needs to tell her what to do. 'You can start by calling me daddy,' he says and puts his cock in her mouth. First BG Sequence with Creampie. After he has cum inside of her, Mr. Greene pulls out and exits the kitchen leaving the girl naked and alone.
CUT to the next morning. Amy is staring up at the ceiling, reeling from the guilt of her affair the night before. He kisses her good morning and, not wanting to give herself away, she kisses him back and he climbs on top of her to continue what he tried to start the night before. Second BG Sequence with Creampie. After Travis has come inside of his girlfriend, he holds her close. She tries desperately to hide her guilt. 'Do you know how much I love you?' he asks. Amy smiles. 'Probably not as much as I love you,' she whispers. Travis leaps out of bed, pulls a ring box from his drawer, and drops to his knees. He tells Amy that she is his soulmate, the only woman he has ever wanted to spend his life with and asks her to marry him. Breaking down, she says yes, and he kisses her, slipping the ring on her finger. Through her guilty tears, she chokes out that she loves him so much. He happily suggests they go and tell his parents the good news.
Nominated - Best Actor - Featurette: Tyler Knight, AVN 2020
SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.
CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.
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Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.
CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.
TEXT PLATE: The Next Day
Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.
Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.
Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.
'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.
The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.
BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.
Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.
Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns.
CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted.
CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.'
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Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts.
Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits.
The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other.
As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her.
The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?
It's been weeks since April (Alina Lopez) made a twisted deal with Trent (Dick Chibbles). April agreed to be impregnated by Trent to help him fulfill his wish of having a daughter in exchange for him helping April put her young brother through school. But despite having sex more times than she can count, April can't seem to get pregnant...
And Trent's losing patience.
April is having second thoughts but she's not entirely sure how to tell Trent. She tries to have a conversation with him, subtly suggesting that the problem might be with HIM, but it doesn't go well. April gives herself to him again to appease him and avoid further punishment, hoping against hope that THIS time they'll finally succeed...
But before April takes yet another creampie in her pussy, they're interrupted by a doorbell.
When Trent throws on a robe and furiously goes to check the door, April's curiosity and desperation gets the best of her. She throws on her robe as well and sneaks downstairs after Trent... only to see him being confronted by a police detective.
Could this be April's chance to end it all?
A wonderful porn sex tape with sexy huge booty with Long Breasts Cum; Huge Butt chick; Huge Dick Rough Banged!; Gorgeous Pornstars; Natural Jugs. Beautiful vision
Kelly (Keisha Grey) is a troubled teen who's down on her luck. She's tired of the poor life choices she keeps making and is ready to start afresh. She's determined to make positive changes, which is how she came to meet Philip (Charles Dera), her counselor. With his gentle guidance and support, maybe she can finally find the forgiveness she desperately needs to move forward.
Today's online video session starts off like normal, with Philip pleasantly inquiring about how she's been. Although she's hesitant and initially dodges his questions, she can't hold onto her guilt any longer as she admits to spiraling out of control. She recently did something she's not proud of in order to fund her party lifestyle. She doesn't want to be THAT person anymore.
As soon as Kelly admits to her sins, she feels lighter than ever before. She can see the light at the end of the tunnel. Maybe everything's going to turn out okay after all...
But when Philip's warm, nurturing smile twists into something sinister, it's clear that her troubles have only just begun.
Emily Hunter (Scarlett Sage) is a young woman reeling from a bad breakup. Fortunately, she's been getting through it, one day at a time, with help from her therapist, Dr. Hannah Levy (Angela White). It's not just losing her girlfriend that Emily is upset about, but how Emily was shamed for her love of bondage, which ultimately led to the relationship crashing and burning.
Little does Emily know, Dr. Levy's grown attached to her during their sessions... and during their final session, she offers a casual hookup to help Emily get back into the saddle, so to speak. However, she's shot down by Emily, who insists that she's just not ready. After thanking the good doctor for all of her help, Emily takes her to leave. She's excited to finally leave the office behind and embrace life.
Although Dr. Levy's calm on the outside, she doesn't like being rejected one bit. When her next patient, Sue Loman (Serena Blair), arrives, she starts to put her devious plan into action. Sue thinks highly of Dr. Levy, always so eager to please, and there's NOTHING Sue won't do for her...
Dr. Levy is going to have Emily all tied up, one way or another.
SCENE OPENS on a teen, Kimberly, as she unlocks the door to her house and lets in her companion, a handsome young man, Jamal, only a few years older than her. They are both wearing gym clothes with gym bags slung over their shoulders, and are sipping on smoothies as they engage in lively small talk. They seem to have great chemistry together. Jamal remarks that Kimberly has a really nice place, and she replies that her family is pretty well off so when it came time that she wanted to move out on her own when she turned 18, her parents paid for everything. She jokes that she always gets what she wants, and Jamal suavely asks her what it is she wants right now. 'You'll see,' Kimberly says teasingly. She leads him in to the living room and invites him to get comfortable.
Jamal asks Kimberly how long she's been going to that gym, and she says she joined probably about two months ago? What a coincidence, Jamal says, it's been about two months for him too. He remarks that they seem to have similar schedules too, he jokes that it feels like he's seen her almost every time he's been there. And yet it took him this long to come up and say hi? Kimberly asks with a smirk. Jamal chuckles and says he likes to take things slow but that Kimberly definitely caught his eye right away. Kimberly asks him what about her caught his eye right away? With a laugh and a gesture towards her whole body, Jamal asks besides the obvious? Well, he did actually also happen to notice she was wearing a t-shirt of his favorite band. Kimberly seems surprised, that band is his favorite? It's hers too! They both gush about the band for a bit, and compare some other bands they like as well as listing off other favorites, like favorite foods and colors. Both of them seem excited and shocked to learn how many interests and activities they have in common.
Kimberly mentions it's crazy it took them so long to meet each other with so much in common, and that they should do one of their shared activities together sometime. This encourages Jamal to turn on the charm, and he hints to Kimberly that he bets there's one other activity they could do if she's interested. Kimberly takes the hint and flirts back, saying that he read her mind. That's exactly what she wants, right now. 'And you always get what you want, right?' Jamal asks with a smile as he leans in closer to her. 'You bet I do,' Kimberly replies. Their faces are inches away, and there's a moment of electric tension before they close the gap and start kissing intensely, with tongue. Jamal's hands move over Kimberly's upper body, feeling her up over her clothes as they make out.
After a good half-minute, Kimberly breaks away. She tells him she just wants to freshen up for a second in the bathroom before they go further, and Jamal says no problem. He jokes that she knows where to find him when she gets back. Kimberly laughs and makes her way to the bathroom. Once there, she closes the door and pulls out her phone with a greedy, secretive look on her face.
Kimberly wets her finger with her tongue and slips it down her pants to finger her pussy teasingly for a few seconds as she stares at her phone, pleasuring herself to the voyeuristic pictures she'd taken of Jamal from a previous day. Then she closes the phone and puts it back away, and opens up her bathroom drawer. She pulls out a sterile specimen cup, the seal not yet broken, and hides it discreetly in her hand behind her back. She gives a quick check in the mirror of her appearance, and then leaves the bathroom, turning off the light and closing the door behind her, shutting out the camera as we catch a last glimpse of the specimen cup in her hand.
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Kimberly comes back to the couch and says she hopes Jamal wasn't kept waiting too long. Jamal says he likes to take things slow, remember? He'd only ever get with a woman he thinks is worth waiting for. Kimberly remarks that he's quite the gentleman... but she hopes he knows how to be a bit of an animal too. Jamal boasts that he can be as nasty as she wants him to be. Kimberly stealthily tucks the specimen cup behind her back somewhere nearby but out of sight, and then straddles his lap instead of taking her seat back beside him. Her ass sticks out teasingly in this position, and Jamal puts his hands firmly on either side of her ass over her clothes and starts groping her cheeks as they resume making out. Kimberly encourages him to keep being nasty and playfully calls Jamal 'Mr. Williams' , at which point Jamal slows for a second and remarks that he doesn't remember ever telling her his last name, did he? Kimberly lies and says she overheard the greeter at the gym call him that one time, and Jamal believes her.
They continue to kiss and grope each other as Kimberly straddles Jamal. He peels her top off revealing her sports bra, and plays with lowering her pants and tugging teasingly at her thong. Kimberly also lifts Jamal's shirt up and eventually off. As she traces her finger along his facial hair, she remarks that she likes it way better than when he was completely shaven, she finds it way more sexy and distinguished. Jamal chuckles but it quickly turns to nervous laughter, and he takes her hand in his and pulls it back. He hasn't been completely shaven for four months, he says. But she's only seen him for two months. Kimberly casually tries to convince him that no, he definitely was completely shaven at the gym, she remembers he had it when he took that spin class she was in. Yeah, Jamal says, at his old gym. He hasn't taken any classes since he joined the new gym. Right, Kimberly continues as if nothing is wrong, his old gym across the street from his house. He doesn't remember her from there too? Jamal's voice grows more concerned and he says no, he doesn't. But more importantly, how does she know where he lives? Kimberly doesn't have an answer, and Jamal tosses her off his lap and spits out the truth - she's some kind of fucking stalker or something, isn't she?!
Jamal realizes more and more how much Kimberly had fooled him. He gets up to get farther away from her. All that stuff she said they had in common, that was just bullshit, wasn't it, she's just like obsessed with him or some shit. Kimberly gets up too to try to close the distance between them. She swears that no, maybe it's true she hadn't tried most of that stuff before meeting Jamal but once she found out what he liked, she started learning more about it all and she really does love it. Jamal calls her a crazy bitch, she just stalked him and invaded his privacy and then tried to trick him into fucking her. He's getting the hell out of here.
Desperate, Kimberly tells him he can't go. Jamal says 'Watch me,' and pushes past her, snatching up his shirt from the couch. Kimberly hesitates for a moment, but seeing she has no other choice, she blurts out that she'll tell everyone all his secrets if he leaves. He stops, but is reluctant to believe her. What secrets, he asks. 'Gloria' she replies, and Jamal's shocked that she knows about his wife. Also about Sarah, a mistress... Kimberly can tell Gloria all about his weekly trips to the motel at the next PTA meeting for his son...
Jamal keeps from shouting, though it's clear that he's barely holding back his anger. She's fucking crazy, does she know that? Like seriously unhinged. How can she say she loves him, and then threaten to ruin his life? Kimberly insists that Jamal only has two options: making love to her or Gloria finding out all about Sarah. Jamal shakes his head again and mutters another insult about how fucked up this is under his breath, then says 'Let's just get this over with...' He pushes her face-down onto the couch since he doesn't even want to see her face while he does what he has to do.
Dave (Seth Gamble) is FURIOUS that his stepdaughter, Sheila (Demi Hawks), has been bullying another girl at school. But no matter what he says, Sheila is unapologetic, remarking that what she did is normal high school stuff and that the other girl is just a wimp.
Dave is disgusted, insisting that Sheila wouldn't like it if someone treated HER like that. However, Sheila says she wouldn't CARE.
That's when Dave decides to take her up on that challenge by bullying and humiliating her. He does everything from making fun of her, to pulling her hair, to even giving her a wedgie. But Sheila refuses to admit that ANY of the treatment is bothering her... even once it becomes clear that they're BOTH secretly getting turned on by the twisted event.
Hard Core Fuck Between Nathan Bronson & Vanessa Vega
An angry woman, Hayley (Haley Reed) tracks down her friend, Eli (Daniel Shar), who has been using her personal pictures on fake dating profiles to catfish wealthy men. But the smooth-talking Eli defuses her anger, giving her a glimpse into his scheme and how he's managed to maintain a lavish lifestyle because of it. In fact, he partially has Hayley to thank since her dating profile is one of his best performing!
Although Hayley is a little weirded out at first, she becomes flattered and intrigued. Using his charms, Eli eventually manages to convince her to team up with him and share the spoils. Their target: a wealthy businessman named Trenton (Ken Feels), who has it BAD for Hayley...
Another day, Trenton arrives for a date but has no idea that Hayley is being fed lines by Eli via earpiece. Despite some small flubs, with Eli correcting the course as needed, Hayley eventually becomes so confident that she seduces Trenton, convincing him to go way further than even Eli had expected.
Belle (Penelope Kay) approaches a priest (Tommy Pistol) and confesses that she's been feeling tempted by sexual desires, even though she knows she should save herself for marriage. The priest advises her to find strength through prayer and penance, but Belle asks about what to do if that's not enough. She begins to debate with him about the Church's obsession with virginity, and suggests that having sex in the 'other place' - the bottom - doesn't count. And even if anal sex DID count, wouldn't it be a lesser sin? If everyone sins anyway, isn't it better to do a lesser sin and then ask God for forgiveness?
The priest becomes increasingly flustered, as Belle suggests that if she did give in to temptation and have sex, wouldn't it be a lesser sin if she did it with a good man - a man of faith - rather than some godless stranger? Belle continues to tempt him, saying that God would forgive them if they strayed just once. The priest gives in and agrees to fuck Belle in the ass, which she secretly knew he would... and soon enough, the priest will find out what else Belle knows about him.
SCENE OPENS to Valerie (Ashley Aleigh) opening her front door to reveal Jacob (Lucas Frost), a fidgety man hiding in a hoodie. Right away, Valerie is uncomfortable with Jacob's presence as he tries to worm his way into her house. You see, there was once a time when they were boyfriend and girlfriend, but Valerie left him AND the life they had years ago... and for good reasons.
While Valerie wants nothing to do with the past, Jacob seems stuck in it. He claims he's just passing through and wants to see how Valerie is doing, so she reluctantly lets him inside to catch up. Little does she know, that one simple gesture is about to turn her whole life upside down.
They make small talk but Valerie is wary, especially when Jacob starts romanticizing their troubled past. He tries to get her to reminisce about how much fun they used to have, but Valerie sees things differently. Being with Jacob had set her on a dangerous path in life and she wants nothing to do with it ever again.
Unfortunately for her, Jacob has video proof of her doing reckless, questionable things that she hoped would never see the light of day. If Valerie REALLY wants to put her past behind her, she'll have to fall into bed with Jacob just like old times...
Nadia (Paige Owens) chats with her fiancee, Tara (Victoria Voxxx), who is browsing on her phone like always. Because Tara is so sociable, it's often cause for arguments, and today is no exception. Nadia is suspicious that Tara is cheating but Tara assures her for the millionth time that she can trust her. They're going to be MARRIED soon and Tara claims she'd NEVER hurt Nadia like that. Even so, Nadia's insecurities nag at her as her imagination runs wild...
A few days later, as Tara swings by a cafe to grab a coffee, she's stunned as she runs into an old ex, Jessie (Whitney Wright). Tara's immediately remorseful, apologizing for how their relationship ended on such bad terms, and Jessie is touched. Although Jessie's been hurt, she's thankful for the apology and offers the chance for them to enjoy a coffee and catch up.
As they chat, an old flame seems to be rekindled between them, even as Tara reveals her upcoming marriage to Nadia. Even so, when Jessie starts to turn on the charm, inviting Nadia back to her loft, Tara is unable to say no. How can she when Jessie brings up that them meeting again like this HAS to be fate? Surely Nadia will never find out, right?
Marcus and Claire (Alex Jones and Melody Marks) are a down-on-their-luck couple, having hit a string of bad luck recently which has left them without a place to live. Luckily, their ex-college professor, Frank (Ken Feels), has agreed to let them stay with him at his home. Marcus and Claire feel embarrassed to have to ask this of Frank, but at the same time, it's not like they have a choice. They assure him that they'll be back on their feet in no time. Frank, however, is welcoming and generous, assuring them that this is just a speed bump on the road of life. And besides, he's happy to help his ex-students. insisting that 'mi casa es su casa'.
But as the days go by, the couple soon finds that Frank's open-door policy is a bit more intense than they initially expected. Franks seems to always walk in on them when they're getting frisky, and although he acts casual about what he sees, there's a distinct sense that he's almost doing it on purpose. The more it happens, however, the more normal it begins to feel, to the point where Marcus and Claire are totally unfazed by the intrusions and interruptions.
But then one day, things get dialed up a notch when Frank walks in on Marcus and Claire having sex in the living room. Frank insists that they continue fucking, even though he remains in the room. Marcus and Claire don't hesitate, continuing to fuck as Frank watches TV next to them. Eventually, however, Frank can't help but ask if he can join. The couple are a bit taken aback, but ultimately resolve to reward their host for his sublime hospitality with a threesome.
'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini
SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.
Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'
He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.
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Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.
They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'
'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.
They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.
Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?
Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020
Nominated - Best Art Direction, AVN 2020
Nominated - Best Special Effects, AVN 2020
Linda (Casey Calvert) is suffering from postpartum depression, and one of the symptoms is that she currently has no interest in intimacy with her husband, Mark (Daniel Shar). Even platonic touches from Mark just remind her that he's the one who made her pregnant in the first place, so she's just not in the mood.
One day, Linda is shocked and confused when Mark comes in with a stranger (Isiah Maxwell). Mark says he knows that he's the source of Linda's current intimacy problems, so he thought that maybe if she had sex with someone else, it would help her to 'reset' and then their relationship could get back to normal.
Linda thinks the idea of having sex with a stranger sounds crazy. Mark says he just wants to help, and assures her that it's up to her whether or not she decides to have sex with the other man. Mark then leaves the room, and Linda is left alone with the stranger to decide what she'll do...