⁣Two friends, Adam (Tommy Pistol) and Darrell (Damon Dice), who are also stepdads, are hanging out while their cute teen stepdaughters, Nicole (Madi Collins) and Tracy (Summer Col), innocently and distractedly play video games in front of them.

The stepdads lament about their lousy marriages while daydreaming about being with younger women. The cheeky conversation eventually leads to the stepdads lustfully eyeing their own stepdaughters, who are blissfully unaware of everything. The stepdads then both start candidly talking about how hot the girls are, slowly opening up about their attraction to their own stepdaughters, plus each other's. With all of those hungry thoughts swirling around in their heads, the stepdads start conspiring with each other to play their OWN game...

⁣When a woman, Charlene (Lulu Chu) borrows a camcorder from a couple, Pamela (Kimmy Kimm) and Richard (Seth Gamble), that she knows, she is SHOCKED to discover an intimate video in the camcorder's memory. As she watches, she is secretly fascinated and turned on by the BDSM-style sex she witnesses between Pamela and Richard...

After some debate, Charlene decides to go tell the couple about the video, but when she goes to meet them, it's revealed that the couple PLANTED the footage to see how she'd react!

The couple probes the woman, catching on to the fact that she's fascinated and perhaps willing to try some of the stuff she saw on the video. Although Charlene tries to deny it, she can't resist her curiosity as she eventually gives in to explore her twisted desires with the couple. That's when the couple leads Charlene through her first kinky experience, complete with gagging and nipple clamps, changing their friendship forever.

⁣SCENE opens on Vincent, a mild-mannered bus driver for George Ivan Junior College. He is driving a group of 18-year-old school girls home from class, as he does every week day. Vincent is a disheveled young man, with horned rimmed glasses and scruffy beard. But he is quiet and keeps to himself, so the students pay him no mind. As the camera wanders past each isle, they chat about their weekend plans, their homework, and the latest class gossip. We study them to get a good look at their matching uniforms, gadgets, and school bags. Vincent drives along silently, keeping his eye on the road as they pass by blocks of industrial buildings, until the last student is dropped off. The pretty girl introduces herself as Aidra. She is sucking a lollipop. 'It's funny,' she tells him, innocently. 'You have driven me home every single day this year, but we've never said a word!' He nods awkwardly. She drops the candy in his garbage and says goodbye. Vincent drives off.

Around the corner, he stops the bus abruptly. Taking out a small locked case from under his seat, he opens it to remove a pair of gloves, tweezers, and a specimen bag. He carefully plucks the candy from the garbage and seals it. Then he gets back in his seat and drives off.

CUT TO TITLE PLATE

TEXT PLATE: CHAPTER ONE

Vincent enters his apartment, removing his safety vest and walking through the minimalist living room to a tabletop computer. He turns the computer on and carefully places the specimen on the touchscreen surface. It scans automatically, and a screen pops up. It is the start screen of a virtual reality game called: VIRTUALLY REAL. Vincent hits enter and loads up a new player profile. The profile populates with Aidra's photo and information. He reviews the profile, unchecks the option for 'personality' and hits 'enter' to load her into the game. The game alerts him that he is ready to log on and Vincent places a VR headset over his eyes.

CUT to a white room. A digital version of Aidra slowly gets up and lifts herself off the ground. She looks around and sees three of her classmates, all sitting cheerfully and silently in their uniforms. She is also fully dressed in her school clothes. Politely, she walks over and asks who they are. Equally polite, each girl responds with her full name, age, and home room number. Aidra smiles and shares her name and age, too. She can't remember her home room for some reason. She asks why they are waiting. One of the classmates, Anna, tells her they are waiting for the General. Aidra seems confused, searching her mind to remember who he is. Another classmate, Audrey chimes in, reminding Aidra that he is in charge. He comes almost every day to fuck them. One girl per day. The third girl, Ashley, says they've been wondering about getting a new girl for a while now but the General is very unpredictable. Aidra takes in all this information eagerly. She doesn't quite understand what is happening, but she knows she wants to be included.

Suddenly the room goes very bright and the General appears. He is the digital version of Vincent, dressed head to toe in a full-scale military uniform. His glasses are off, he is clean shaven, and his hair is slicked back, making him a far more confident and striking man. He marches in front of the girls, as they stand before him. He makes each repeat their name, age, and why they are here. They all eagerly respond that they are here to fuck him. When he comes upon Aidra, he looks her up and down, speaking just like a drill Sargent. He asks the same questions and Aidra responds ... echoing nervously what her classmates had said including asking the General to fuck her. The General smiles and they begin to have sex, while the other schoolgirls watch jealously and try to cut in. BG Sex. When he has cum inside of her, he zips back up his uniform and orders them to wait until he returns. He says 'EXIT' and the room goes bright again.

CUT to a close-up of Vincent taking the VR set off his eyes. He is sweaty and draws a deep breath.

CUT to back inside the game. Aidra crawls over to her original position and sits down. She is exhausted, and her eyeliner is running down her face. She turns to the other girls and asks where she can clean up. Ashley tells her not to worry, she will be fully clean the next time he logs in. 'Logs in?' Aidra asks, confused. 'Yeah,' Ashley says under her breath. 'To this horrible place!'

TEXT PLATE: CHAPTER TWO

Several days later. Vincent is driving the bus, as the students chat loudly in the back with no knowledge of what is happening in his private virtual game. A new girl named Amber sits in the front. She is very quiet and reserved, a stark contrast from the other students. He watches her through his rear-view mirror in fascination. So beautiful and sad looking. He must introduce her to the others. But, when he pulls to the edge of the curb and opens the door, he's surprised that she is the first to get up. 'Wait!' He blurts out. She stares at him coldly in the doorway. 'What?' She asks. 'This is my stop.' He darts in and plucks a hair from her head, pretending to flick something off. Ouch, she cries. 'You ... you just had something in your hair.' He says awkwardly, apologizing. She gingerly rubs the part he pulled and steps off the bus, giving him a weird look as he drives off. His heart racing, he clutches the strands of her hair in his fist as he drives. The students in the back pay no attention.

CUT to Vincent's apartment. He sits at his desk, having his liquid dinner and staring at the new profile page on his computer. It's Amber's photo and information. Just as he is about to uncheck her 'personality' option, his smart assistant chimes in to tell him his mother is calling. Vincent begrudgingly accepts the call and starts talking, while absent-mindedly clicking ENTER to complete the setup. Amber's memories are downloaded into the game and it tells him he is ready to log on.

CUT to inside the white room. Amber slowly gets up to discover that she in a strange, new environment. She looks down at herself in disbelief. She is back in her school uniform. Where is her room? Where are her things? How did she get here? A cluster of four of her classmates lay huddled in the corner. She rushes over to them, asking in a panic if they are ok. They each slowly rise and look around eagerly. 'Is he back?' Anna asks. 'Do we need to get ready?' Audrey chimes in. Aidra is the last to get up. She has been fully rebooted into a fresh uniform. 'Good,' she says cheerfully. 'It feels nice to be clean again.' They all stare at Amber with beaming smiles. 'You girls all go to my new school,' Amber says, suspiciously. 'Is this some kind of prank?' The girls stare at her blankly. Aidra asks her what her name is. Anna asks her age. When Audrey asks for her home room number, Amber cuts her off. She demands to know what is going on. Where are they and how did she get here? She starts to run around the room and bang on the walls. Ashley, who had spoken up to Aidra earlier, quickly rushes over and stops Amber. 'Be quiet,' she whispers. 'He will be here any minute. You don't want to get caught not being happy!' Amber stops dead in her tracks and stares at her. 'Who are you talking about?' She asks nervously.

CUT to Vincent's apartment. He says goodbye to his mother and the smart assistant finishes the call. Seeing that his game is ready, Vincent slips on his VR headset.

CUT to the white room, as it goes very bright and the General appears. He finds the girls all standing in a row, including Amber who lingers confused at the end of the line. Sternly, he walks past each of them and has the girls repeat their name, age, homeroom number, and what they are here to do. Amber stares at the man in shock. She knows him from somewhere. When he arrives at her, he gets right up in her face. She shrinks back. Suddenly, there is a very large beep and the General whips his head up. 'God dammit,' he curses and says 'EXIT.' The room goes bright again.

CUT to Vincent's apartment. He pulls the VR headset down and stares at his computer. An internal error has caused his servers to crash. As it beeps loudly, he powers down the computer to reboot it.

CUT to the white room. The girls stay frozen in line, waiting for the General to return. Her chest heaving, Amber realizes who the man in the uniform was. 'I know him,' she exclaims to the others. 'That's the creep who drives us to school every day. I recognize his face!' The other girls slowly turn to look at Amber. 'What school?' Anna asks. Amber starts pacing around, looking at the white room and the other girls staring blankly at her. She feels the spot on her head where Vincent had pulled her hair. She goes to Aidra and asks her to repeat her name. You're in my deep learning class,' she says. Aidra seems confused. Then she goes to Audrey. 'And I recognize you too ... we've got the same mentor.' The girl shrugs her shoulders. Amber spins around, gathering her thoughts as the pieces come together. 'This is a blank space,' she whispers to herself. 'When you create a room in virtually real, you always need to skin it. Otherwise, you just get a white room. This motherfucker has put us inside a game!' There is a long silence as the other girls look at each other. Ashley breaks the line and approaches Amber. 'Is that what this is?' she asks quietly, taking comfort in the new girl. 'I could never quite figure that part out.' Amber quickly mobilizes the girls together. 'Listen to me,' she says. 'He's probably hacked it, so that's why you don't remember. But, none of us are actually real. Ok? This is just a video game.'

The girls take in the news with varying degrees of understanding. Ashley sits down, wrapping her arms around her legs. Anna and Audrey look and touch each other. Aidra innocently tells Amber that she doesn't play video games. Feeling around the room, Amber replies that she plays them all the time. And there is always a workaround. She just needs to find it. She goes to Ashley and asks the girl to tell her exactly what happens when the General comes into the game. Not looking up, the defeated Ashley says that they wait for him. He is in charge. He comes almost every day to fuck them. One girl per day. That is the rule. We have to act like we're jealous. Amber shakes her head in disgust. 'I've read online about perverts modding this,' she says. 'That's why they discontinued it last year. Way too easy to create your own digital slaves. It's ok, though, we can break this game pretty easily if we just work together.' Anna asks her how she can be so sure they aren't real. She feels real. Audrey chimes in, saying that she likes where she is. They have a great life. Everyone is so happy. 'That's because you're programmed to be happy,' Amber says. 'No matter how rough he is, you don't feel any pain. Right?' She shakes her head. Amber slaps her hard across the face. Anna gasps but Audrey just takes it with a smile. 'That felt really good,' she says, nervously starting to laugh. Amber tells her that she rests her case. She paces the room. 'If the game only allows him to have one girl at a time, then that might just be how we break it. But, I'm going to need all of you to trust me, ok?' The girls look at each other one final time before each slowly nodding. The gather into a huddle so Amber can explain her plan ... and the camera slowly tracks to one of the white walls to wait.

The room goes very bright and the General wipes the frame. He smiles eagerly at the girls lined up in the exact same row he had left them. Sternly marching back to Amber, he asks her to repeat her name, age, homeroom, and reason she is here. In perfect fake obedience, she tells him. He tells her to get on her knees and service him. One girl only. That is an order. The other girls pout and beg to be included, as they always do, but the General silences them. Amber gets down and unzips his cock from his military pants. She grabs it and looks up at him. 'I really can't wait to suck your dick,' she says with a smile. He shoves it in her face and begins to face fuck her. For the first few minutes of the blowjob, the girls behave as they always have: begging and jealously crawling over each other to get a good look at the General's cock. He seems to really enjoy the extra enthusiasm of his latest school girl. But, suddenly, she stops and orders the girls to join in. They swarm the General and proceed to reverse gang-bang him in a sexual frenzy. BGGGGG. The General is so overwhelmed by the girls that he cannot order them to stand down. Amber eagerly tells them all to try and get the General to make them cum. As they cum, they stagger back behind the action and fall to the floor, disappearing from the game in bright flashes. Finally, the only two people left in the white room are Amber and the General. In a standoff, Amber gets the general to cum all over her face. As soon as his jizz hits her, he realizes what has happened. He starts to run around the room screaming 'EXIT' as Amber masturbates and laughs at him. She orgasms loudly as he collapses to the floor in front of her, banging his head. The room goes very bright.

SMASH CUT to VINCENT, banging his head against his desk. He pulls the VR Headset off in a panic. The tabletop screen is fuzzy. He pounds his fists and throws the headset down in frustration, storming away from the desk.

CUT to Vincent driving the bus. He stares at the road while the school girls chat excitedly in the back. Even though his virtual game has been broken, there is nothing stopping him from starting again. A final exterior shot shows the bus drive off into the distance.

⁣SCENE opens on a bored-looking 18-year-old girl Sophie at the base of a staircase, leaning slumped against the railing. Her fingers are avidly typing away on her phone, but her expressionless face and glazed over eyes shows she's hardly interested, just killing time. 'So explain to me again why I have to rest on the couch for a whole month just to make room for this loser uncle I've never met?' she says in a deadpan grumble. Her mother Mrs. Kent comes into view, breathlessly scuffling back and forth to straighten a painting here, wipe dust off a shelf there, adjust her daughter's hair (which only frustrates her further). 'Oh come on, Sophie, be nice, it's just until he finds a job in the city. And he's not some total stranger, he's family now.' Sophie snorts. 'Not really,' she scoffs, 'just 'cause gramps found a new trophy wife and she happens to come with a family, doesn't mean we gotta spend time with them.' Mrs. Kent looks scandalized - that's no way to talk about her grandfather. Sophie rolls her eyes. 'I'm just saying, what am I even going to have to talk about with this guy? Shouldn't dad be the one to get stuck with all this family bonding crap?' Mrs. Kent stops hurrying around for a moment and puts her hand on her waist matter-of-factly. 'Actually, Sophie, Blake is supposed to be just a couple years older than you. So who knows, maybe you'll have a lot in common.' For the first time, Sophie looks up from her phone in a moment of genuine surprise, before shaking her head and returning her attention to texting. 'Probably still a weirdo,' she mutters. Her mom shushes her disapprovingly and then continues her lastminute tidying into the other room. A few seconds later, she calls from the other room that she thinks she hears him coming to the door but has her hands full, can Sophie answer it? Sure enough, moments later there's a knock on the door. Sophie groans, puts down her phone and the camera tracks her as she trudges to open the door. A handsome and charming man dressed similar to Sophie is at the other side of the door, a duffel bag slung over his shoulder. From Sophie's POV we see him flash a friendly smile and extend his hand towards the camera for a handshake. 'Hey, you must be my new niece,' he grins, 'I'm Uncle Blake.'

CUT TO TITLE PLATE

Several days later, Blake and Sophie are hanging out in what's evidently from the feminine decor Sophie's old room, only now there are some of Blake's things strewn about giving it a lived-in vibe. The two of them are sitting casually across from each other on a sprawling bed, or perhaps Sophie is on the bed and Blake is sitting in a nearby chair. He is recounting to Sophie some stories about one of his recent cross-country hitchhikes, and Sophie hangs on his every word. After the climax of his latest story, he pulls out his phone to show her some pictures he took from the trip. He gets up from where he's sitting and sits back down intimately close to Sophie, and starts showing her the pictures. Tight camera angles of Blake watching Sophie's face while continuing their conversation and looking at the pictures suggests tension, like an animal predator scoping out its prey. Coyly, he turns his hitchhiking anecdote sexual by telling Sophie about a one-night-stand with another traveler. He starts off as telling it like any other story, but then starts to describe the encounter more and more graphically. He relishes as Sophie blushes and has trouble meeting his gaze. Eventually he ends the story by saying it was an experience he'll never forget, and then asks what her most memorable sexual encounter is. Sophie embarrassed admits that she's a total virgin, she's never even kissed a guy before. 'Aren't you 18?' he asks incredulously. Sophie nods. She supposes she's been a bit of a late bloomer. Blake suggests he could teach her how to kiss - Sophie pulls back, flustered, and he shrugs and says at least it would be better to try it with someone she trusts than with a stranger. Sophie stutters a bit and then makes up a lame excuse to leave the room.

CUT to that evening, Sophie and her mother are in the kitchen brewing a pot of coffee while Sophie is asking her mom questions about what to do when you like someone, how do you know whether to make a move or not, etc. Mrs. Kent expresses interest in hearing the details - 'who's the boy?' - and despite Sophie's attempts to keep the conversation vague, she reveals small details ('I haven't known him long', 'he's had a lot more sexual experience than me', etc.). Her mom gets increasingly agitated as she realizes it must be Uncle Blake, especially since the past few days Sophie and he have been inseparable, and she asks Sophie point-blank whether it's Blake she has a crush on. As soon as Sophie admits it, her mother gets agitated, she calls into the other room for Mr. Kent to come and admonishing Sophie for making a huge mistake.

Sophie tries to calm her down, but when Mr. Kent comes to see what's wrong and Mrs. Kent explains the situation, things only escalate further. Throughout the argument, both parents interrogate her with probing questions ('has he tried to make a move on you?'), they try to convince her to forget about him ('you're family for god's sakes' - to which Sophie protests 'that's just because of some piece of paper, before gramps' wedding we weren't related at all! ... ... 'the guy's a loser, he never stays in one spot for more than a few months, what do you see in him?!' etc.) and finally they threaten to send Blake packing. Sophie starts crying that they're overreacting, that he's not like that, in fact he probably doesn't even like her like that. It was all just a stupid crush. Mr. Kent says he's going to have to talk to Blake and Sophie begs him not to, he'll embarrass her and ruin things, but the dad refuses to listen. If Blake is going to stay under their roof, it'll be under their terms, not his.

CUT to even later that night, Sophie is sitting upright on the couch in light pajamas clothes, it's evident she was trying to rest on the couch but muffled sounds of shouting from upstairs doesn't help. Finally, the shouting ends, followed by an upstairs door opening and slamming audibly. Sophie rearranges her pillow angrily, sighs, and then lies down on her back, eyes open staring blankly at the ceiling. After several seconds of silence, the same upstairs door clicks open and closed again, this time more quietly, followed by the sounds of the stairs creaking under the weight of someone. Blake peeks his head over the couch into view of Sophie's upward gaze.

She sits up again, and he takes a seat beside her on the couch. 'I guess you must have heard all that, huh?' Blake says with fake sheepishness. Sophie apologizes - she shouldn't have opened her big mouth.Blake smiles sympathetically - it's not her fault. Besides, he thinks it's cute that she has a crush on him. Not that he feels that way about her of course. Embarrassed, Sophie says she knows, and she was never going to act on her feelings anyways. She was just being stupid. Good, Blake insists, because it's important to him they stay friends. In fact, more than friends - he's hoping that one day they can really be family, not just by law but have a real family bond. Sophie nods and says she hopes so too. 'Well you know, Sophie, it's important for family to trust each other,' Blake says with a hint of admonishment. He can't exactly open up to her if she's going to go telling her mom and dad everything they say and do together. Sophie desperately promises that'll never happen again - she never wants to relive how her parents shamed and embarrassed her tonight.

Blake's tone of admonishment gets even more exaggerated. Well he didn't appreciate being yelled at by her dad either. Especially when he hadn't done anything wrong, when in fact all he'd done was embrace them as his new family. Sophie apologizes for her dad - she wished she'd never gotten them involved at all. Blake says it's ok - it was their first fight as brothers. There's bound to be plenty more.

They sit in silence for a moment. Blake leers up and down Sophie's scantily clad body before snapping his eyes back to meet hers when she looks back at him. He smiles charmingly. 'I guess your dad's just trying to protect you. Like, if I really were some kind of creep, I'd probably try to take advantage of you. And I'm sure it would probably tear him up inside if he let something like that happen to you.' Sophie rolls her eyes and then laughs. She's not young anymore, she can handle herself. 'No, definitely not' Blake says with another appreciative look up and down her body. 'But... well, I mean you are still a virgin. So it's not like you're all grown up either.'

Sophie looks a bit stung by the comment, and a bit embarrassed. It's not THAT big a deal, is it? 'Well,' Blake retorts, 'you're not exactly proving your dad wrong. He thinks you're still daddy's little girl, that you still need protecting... you're kind of reinforcing that by keeping yourself all innocent and precious in his eyes, aren't you?' Sophie doesn't have a good comeback to this. 'If you really wanted him to stop seeing you as his little princess,' Blake concludes, 'having sex would be a great way to start.' Sophie pouts - it's not exactly like she's been intentionally avoiding sex. The opportunity just hasn't come up.

'I mean... I guess I could fuck you,' Blake offers nonchalantly. Sophie is taken aback. Blake continues. 'I mean, it's not like I'm into you like that, but like I said before it's better to do it with someone you trust. Plus, better to learn how in advance, rather than embarrass yourself with someone you really like for your first time.' Sophie protests, she couldn't. It wouldn't be right. Especially after what just happened with her parents. Blake retorts - he thought they'd just agreed that they were going to keep things private between them from now on. How would her parents even find out? Sophie continues to resist, but Blake charms her further. Just a few hours ago she was saying she has a crush on him, now he's basically making her wishes come true and she's refusing? Slowly, he convinces her - all the while making it seem to her that it's what she wants, he's just doing her a favor.

⁣SCENE opens on a dark bathroom. From a birds-eye angle over the tub, the lights in the room turn on as a woman known only as unit #30562 (Emily Willis) floats in the milky bath water. She opens her eyes, calmly getting out of the tub and drying herself off. She has a perfectly proportioned body. She walks over to a large mirror and, pressing her fingertips in the lower right corner, causes the mirror to illuminate before it turns into a smart screen. A message pops up, thanking unit #30562 for signing in. 'Are you ready for your next shift?' The mirror asks in a soft female voice. #30562 says yes and the screen loads her itinerary for the evening. It explains that her first guest will be a returning client: John Doe, 57 years old, solar sales manager, 6'0'' tall, 165 lbs, brown hair, blue eyes. His kinks include school girls, anal sex, ass worship, rimming, ATM. Past crypto tips include 8000 tokens: extra rough, 10000 tokens: novelty take home, and 500 tokens: kissing on the mouth. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, the door buzzes.

CUT TO TITLE PLATE


#30562 opens the door and John Doe (Steve Holmes) enters, breezing into the room in a silver bomber jacket and matching wraparound mirrored glasses. He looks her up and down lustfully before pulling out a card and inserting it into the reader. A hologram screen pops up and confirms that the tokens have been accepted. #30562 takes a deep breath, puts on a big smile, and guides John over to the bed. She bends over, and he buries his face in her perfect ass, before sliding his cock inside her tight hole. After he pulls out and cums on her ass, she asks if he would like to kiss and he eagerly agrees. The room flashes green and replies to confirm the extra gratuity. They make out for a few moments before John Doe happily puts his clothes back on and leaves the room.

#30562 goes back to the mirror and stares at herself for a moment, emotionless. She presses the tips of her fingers against the glass and the smart screen wakes up. It explains that her next guest is also a returning client: Richard Roe, 30 years old, space tourism guide, 5'10'' tall, 170 lbs, auburn hair, blue eyes. Kinks include rough sex, breath play, collaring, fisting, and golden showers. Note from management: client is limited to rough sex after last session resulted in damages. Accept client? 'Accepted,' says #30562. As the smart screen processes the order and a confirmation appears, she stares at herself blankly and the door buzzes.

CUT to the door opening. Richard (Charles Dera) enters briskly. He backs #30562 in a corner and places his hand around her throat, his lips curling up in a sneer to reveal shiny gold teeth. 'Remember me?' He growls. She smiles and advises him to scan his card. The man backs off slowly, places his card into the reader, and a hologram screen pops up to confirm his tokens have been accepted. #30562 takes a deep breath and walks over to him. He hoists her over his shoulder and goes to the bed. Throwing her onto the bed, he licks her tight pussy, getting it nice and wet before he fucks her hard. At a certain point, he is about to pee on her when the room flashes red and reminds him that this activity has been blocked. Frustrated, he shoves his dick back in #30562's pussy and keeps fucking her till he pulls out and cums on her face. While the woman catches her breath and wipes the cum from her eyes, Richard gathers his things and leaves without a word.

When #30562 stands up, she finds herself very dizzy. The room beeps red and instructs her to return to her charging station. She crawls to a corner of the room and stands on a white platform to recharge. As soon as her feet plant on top of the station, she becomes still while her body powers up.

CUT to an hour later. #30562 is still charging, eyes closed, when the door buzzes. She opens her eyes and steps off the platform, walking to the mirror in the bathroom to accept the next client but discovers the screen is off. The room buzzes again. #30562 goes and opens the door anyway. A naked woman (Penny Pax) steps inside, clutching a holographic bag. #30562 has never seen another woman before and she is awestruck. 'Please scan your card here...' she says to the woman. The woman looks at her for a long time and feels #30562's face, trying to hold back tears, before reaching into her bag and pulling out a coin. 'Is this accepted?' She begs. #30562 takes the coin into her hand and stares at it. She's never seen anything like it before. She places it on the counter beside the card reader. 'What would you like to do to me this evening?' She asks the woman. Biting her lip and trying to contain her nervous energy, the woman reaches back into her bag and pulls out a shiny silver dildo. 'I want you to fuck me as hard as you can.' She says. #30562 takes the dildo and puts on a big smile, leading the woman to the bed. Unit #30562 may be programmed to please, but this latest client of The Love Hotel is not who she seems, and by the time she's done with #30562, the sexbot's world will never be the same.

⁣

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

⁣

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

CUT TO TITLE PLATE

Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

⁣Bethany is desperate to start a family with her husband, Nathan, but despite all their efforts, they’ve been unable to conceive. The struggle has taken a toll on their relationship, with Bethany growing increasingly frustrated, especially since she feels Nathan might not be fully committed anymore.


After receiving yet another disappointing diagnosis from a fertility specialist, Bethany begins to lose hope. However, when she finds a suspicious flyer on their car windshield that promises successful fertilization, she sees a glimmer of possibility. While Bethany is eager to give it a try, Nathan is completely against the idea, insisting she’d be crazy to trust such a sketchy offer. Their disagreement escalates into a heated argument, leaving both of them emotionally drained.


Pushed to her breaking point, Bethany decides to visit the clinic alone. Upon arrival, she is unsettled by Dr. Angeles’ intense enthusiasm for getting her pregnant using cutting-edge artificial insemination techniques involving synthetic sperm. Despite her unease, Bethany’s overwhelming desire to become a mother drives her to agree to the doctor’s unconventional methods. Little does she know, she’s about to become part of Dr. Angeles’ disturbing and dangerous experiments.

⁣Rachel has big ambitions, but college has become a source of stress and anxiety. Despite being a good student, she's struggling academically and is on the verge of failing. With academic probation hanging over her, the prospect of being expelled looms large. When she receives a failing grade on her latest assignment, she's devastated, convinced that her dreams are slipping away. However, she notices that her professor has written his phone number on the back of her paper, offering private tutoring.


What might normally be seen as a generous offer fills Rachel with dread. Professor Sloan has always seemed overly interested in her, and his lingering stares during class have never gone unnoticed. His behavior has always made her uncomfortable, but now she realizes that she might be able to use his attraction to her advantage. Yet, taking this route would mean compromising her values in a way she's never imagined.


How far is Rachel willing to go to ensure she doesn't lose her chance at graduating college?

⁣Eric grew up in a world where traditional gender roles were clearly defined: men were men, and women were women, with each knowing their place. He is fascinated by women and their ability to create life, believing it's his duty to help produce heirs. Whether he meets women in public places or through online dating, Eric knows what he's after, and he's skilled at finding those who share his desires—even if he has to manipulate the truth to get there.
Today, Eric is getting ready for a date with his latest target, whom he's invited over to his place. When he hears her knock at the door, he immediately pretends to be injured. Casey enters, full of concern as Eric expertly plays on her emotions.


Once they are in the bedroom, a place where Eric has lured many women before, he concocts a story about an accident that has supposedly left him paralyzed from the waist down and infertile. He tells her how much he longs to have a family, evoking sympathy and compassion from Casey.


Believing every word, Casey is drawn to what she thinks is his genuine vulnerability and desire for closeness, which leads to an intimate encounter. Unbeknownst to her, she is falling right into the hands of a man who has mastered the art of deception to fulfill his hidden agenda.

⁣Kristi (Anna Claire Clouds) and Ben (Seth Gamble) have been trying so hard to conceive, but they just haven't seemed to have any luck. As Kristi sits on the toilet once again, waiting for the results of her latest pregnancy test, she has a glimmer of hope in her eyes. But when the fated single line appears on the stick, she can't help but feel disillusioned and guilty. Ben assures her that it's okay- they'll keep trying and it'll all work out. Kristi smiles and nods but, deep down, she's a total mess.

To make matters worse, Kristi's estranged stepsister, Ruby (Maddie May), shows up one day asking for a place to stay. Kristi is angry- Ruby totally disappeared and no one's heard from her since. She's caused Krisi's family a ton of grief, and now she wants to come back and ask for favors as if nothing even happened? But Ruby is desperate, and in dire need of help, so Kristi relents and lets her stay the night.

Later that day, Ruby wants to take a bath, so Kristi brings her a clean towel. But when Kristi witnesses Ruby getting undressed, old and forbidden emotions suddenly flood her being. She finds herself aroused by her stepsister's naked body and starts to masturbate as she spies Ruby through a slit in the door. Before long, the two stepsisters have gotten back to their naughty old ways, but what will happen when Ben comes back home and discovers them? Will he be angry or... perhaps, intrigued?

⁣Devon (Elias Cash), who has been backpacking abroad, returns to his family's home. He talks on the phone to his girlfriend, gushing about how smart and hardworking his stepmom, Gina (Syren De Mer) is. In fact, he thinks they're a lot alike and can't wait to introduce them sometime. He then ends the call as he's about to enter the house.

But when he steps inside and is greeted by a very bubbly Gina, Devon is SHOCKED. His stepmom looks completely different than how he remembered her BEFORE he went backpacking. She's been hypersexualized, with sluttier clothes, more eye-catching hair and makeup, AND a new pair of breasts! Not only that, but he learns that she's given up other parts of herself, such as her ongoing education to become a financial advisor and her love of books -- all in exchange for a simpler life with less thinking and more sex.

Devon is flabbergasted by the changes, becoming suspicious as he asks if his parent put her up to this. Gina admits that her husband was very convincing, but that they BOTH agreed to the changes TOGETHER. They've been happier because of it, too.

Devon is still dismayed, claiming that Gina has given up her freedom. But Gina happily insists that it's not true. In fact, she has more freedom than EVER now that she doesn't have to worry so much about all the other stuff. Plus, her husband's even given her permission to have sex with other men... including Devon!

Devon is horrified but Gina starts flaunting herself around him, coming onto him and weakening his defenses. Although Devon tries to resist, it seems as though all the changes Gina made are getting her EXACTLY what she wants...

⁣Tanya (Charlie Forde) comes home from work, but is greeted by a shocking sight: there are photos of her with her old girlfriend Julie (Dana Vespoli) stuck to the front door and hanging ALL OVER the living room. As Tanya reels from what she's seeing, her boyfriend Ron (Ken Feels) approaches her, looking slightly unhinged. Still in shock, Tanya demands to know what this is about. Ron angrily insists he KNEW that Tanya was hiding something about her past, so he snooped on her laptop and found her old photos... Photos that show Tanya in a LESBIAN relationship.

Tanya admits that she experimented back in college by having a 'lesbian phase' where she dated Julie. Tanya says she didn't LIE to Ron about anything, she just never TOLD him. But Ron is still furious, saying that a lie of omission is still a lie. He scolds Tanya, saying that covering it up was just as bad, or maybe even WORSE - she's BETRAYED his trust and tarnished their relationship. He says that's why he put proof of her SHAME all over the front door and living room to remind her, but that's not ALL he had planned. He tells her to go to the bedroom, because Julie is there waiting for them.

Tanya and Ron enter the bedroom, and sure enough, Julie is there. Tanya demands to know what's going on, and asks why Julie is here. Ron says he wants to understand exactly what drove Tanya to have a relationship with Julie - he wants Tanya to SHOW him by having sex with Julie while he watches. Julie doesn't look surprised, but Tanya is shocked at his suggestion, and even more shocked that Julie seems willing to go through with this.

Julie accusingly tells Tanya that not EVERYONE saw being a lesbian as 'just a phase', and not EVERYONE'S lives got better after college like Tanya's did. Julie says that her life got worse - MUCH worse - after Tanya dropped her like a hot potato. Julie was so heartbroken and devastated from Tanya's betrayal that her life took a downward spiral... but now Ron has made an arrangement where Julie will have an opportunity for a better life, as long as she participates in his plan. Tanya looks guilty, and tries to apologize to Julie. However, Julie says that she doesn't want to hear it, telling Tanya that if she really wants to help, then she'll do what Ron wants, so then Ron will give Julie what SHE wants.

Tanya looks guilty again, and agrees to have sex with Julie while Ron watches them. But the surprises aren't done yet, because eventually, Ron insists to the women that because they're making the sex look SO enticing, he might as well join in. And there is still ONE MORE surprise left in store for Tanya...

⁣Mrs. Murphy (Little Puck) wants to get her little one into a very prestigious high school, the best of the best. But she is frustrated to learn that, despite her little one's stellar transcript, he's only been put on the waiting list. Taking matters into her own hands, she confronts the Dean of Admissions Mr. Keene (Tommy Pistol) in his office, demanding an explanation.

Mr. Keene is reluctant to give any special treatment, saying that his job as Dean of Admissions requires him to remain wholly objective. But Mrs. Murphy is not one to take no for an answer, so she offers to do whatever Mr. Keene wants to have her way... even if it means dropping on her knees and giving him a sloppy blowjob, followed by some pulse-pounding sex right there in his office.

⁣Greg (Ken Feels) leads his wife Morgan (Reagan Foxx) into a house that has a bunch of moving boxes in the living room. Morgan looks delighted with the house, and happily makes out with Greg. But when Greg checks the kitchen cupboards and sees that there's no food in them, he says he'll go find something to eat, driving off while Morgan stays in the house.

As Greg drives, he comes across a young man and a young woman hitchhiking on the side of the road. Despite his misgivings, Greg stops the car and asks the hitchhikers if they've eaten lately. The pair say that they haven't, so Greg tells them they can get in the car. The hitchhikers thank him, introducing themselves as Wes (Tyler Cruise) and Carrie (Liz Jordan).

When Greg arrives at the house with Wes and Carrie, Morgan doesn't look pleased with the unexpected company. During a tense dinner, Morgan outright asks Wes and Carrie what they're running away from. Wes and Carrie say they don't want to talk about it, but claim that they're siblings. Greg says that Wes and Carrie can stay at the house for the night. Wes and Carrie happily accept, and go off to one of the bedrooms. But Morgan is displeased and gets into an argument with Greg, saying this was supposed to be their special night. The argument ends with Greg storming out of the house, despite Morgan saying he shouldn't leave her alone with two strangers in the house.

Wes and Carrie decide to make use of Greg's absence. As they plot together, it is revealed that they lied about being siblings. They're actually husband and wife, and they're definitely up to no good. Carrie sneaks over to the living room, and finds Morgan's purse there. But as Carrie looks through the contents of the purse, Morgan catches her in the act, grabbing Carrie by the hair. Carrie finds herself unexpectedly turned on, but still says she'll yell for Wes. Morgan confidently tells Carrie to go ahead, because she can take care of him too. When Wes enters the room, it's clear that there's more to Morgan than it seems... but who's going to come out on top in this situation?

⁣Clarissa and her husband have been trying to start a family and have applied to a fertility clinic for assistance in getting pregnant. One day, Franklin, a representative from the clinic, arrives at Clarissa's home with some unfortunate news: the clinic has rejected her application, deeming her pregnancy too high-risk. Clarissa is devastated by the news, feeling crushed and hopeless.


Seeing how vulnerable and desperate Clarissa is, Franklin seizes the opportunity and proposes a shocking solution. He suggests that he impregnate her immediately, right there in her home. He points out that her husband is away and won't be back for a while, so she could simply tell him that the clinic accepted her, and they could move forward with their plans without any more setbacks. Clarissa is initially shocked by the suggestion, recognizing the questionable ethics of such a plan. However, after some hesitation, she agrees, and they engage in an intense sexual encounter that concludes with Franklin ejaculating inside her.

⁣Charlene (Dana Vespoli) returns home after running an errand and is shocked when she is greeted by a cheerful girl, Mara (Coco Lovelock), who claims that Charlene is her parent.

Charlene is bewildered as she demands to know where Tracy is, who she's really the parent of. That's when George (Tommy Pistol), Charlene's husband, intervenes by happily putting his arm around Mara, the two of them acting like everything is perfectly normal. George explains that he wanted a young lady he could fuck, so he secretly swapped Tracy for Mara, who comes from an unrelated but like-minded family.

Charlene is horrified, especially when she finds out that Tracy left willingly to indulge in her own freakish desires. Charlene then has to watch as George and Mara have gleeful, raunchy sex all around the house. George and Mara invite her to join in on the fun but Charlene is conflicted. However, it soon becomes obvious that there's little she can do but embrace this twisted new family arrangement...

⁣Paul, the father of a young woman named Lily, has agreed to collect her belongings from her ex-girlfriend Jasmin's apartment after a difficult breakup. When he arrives, Jasmin desperately asks Paul for Lily's new address, as Lily has completely cut off communication since the split, leaving Jasmin without a chance to reconcile. It's apparent that Jasmin is possessive and unwilling to let go of Lily.


Despite Jasmin's pleas, Paul stays composed and refuses to disclose Lily's whereabouts, respecting his daughter's desire to distance herself from her tumultuous ex. As Jasmin becomes increasingly insistent and unstable, Paul attempts to leave. However, Jasmin quickly shifts her approach, attempting to seduce Paul with the promise of sex in exchange for Lily's address.


Now faced with Jasmin's advances, Paul is caught in a moral dilemma. Will he stay true to his commitment to protect his daughter, or will his resolve falter under the temptation Jasmin offers?

⁣Sylvia receives an unexpected visit from a man named Jake, who greets her warmly and expresses his pleasure at finally meeting her. Sylvia, puzzled, asks how he knows her name. Jake reveals that she is already well-acquainted with him in a way, as he was the one who donated the kidney that saved her life a few years ago.


Sylvia is surprised and thrilled by this revelation, as she never expected to meet her donor, who she had always believed to be anonymous. Jake explains that he has connections in the medical field, which allowed him to discover who received his kidney and find her.


Inviting him inside, Sylvia expresses her gratitude, acknowledging how rare it is for someone to donate an organ to a stranger. Jake then mentions that hearing her appreciation is the reason for his visit, as he feels it's time for her to properly thank him. Sylvia, now confused and slightly uneasy, listens as Jake explains that since he saved her life, he believes she should repay him in some way.

⁣Robert (Chad Alva) is a youth counselor from a local non-profit organization. He is meeting with a teen couple, Chris (Ricky Spanish) and Terri (Laney Grey), to talk about healthy relationships. Chris talks about a strain on their relationship due to Terri being hesitant about sex. Robert tries to give advice by talking about the importance of good communication and avoiding toxic behaviors, but Chris asks to speak with Robert privately for a moment, claiming it's about 'a guy thing'.

Once they're alone, Chris gets angry at Robert, telling him to stop taking so long. As they continue talking, it is revealed that Chris will leverage his influential parent's power to help the non-profit organization IF Robert continues with an agreed-upon plan aimed at convincing Terri to have sex with Chris.

Robert is conflicted but ultimately agrees to go along with the plan, advising Terri that maybe it IS time for her to try having sex with Chris. Robert then guides the teen couple through a sexual encounter... before being goaded into joining in as well.