⁣A teen girl, Adriana (Leana Lovings) believes her stepfamily is loving and wholesome. They always play games with each other and everything is so fun-- she really couldn't ask for a more perfect family. But little does Adriana know, her family is playing a very different game than SHE is.

One day Adriana arrives home early and catches her stepmom, Maxine (Bunny Madison), and stepbrother, Shane (Codey Steele), having sex together. Adriana is shocked as she frets with herself, wondering if she should tell her stepdad, Jonathan (Seth Gamble).

After debating with herself, she decides to do the right thing. But when she goes to Jonathan to inform him, she's shocked to discover he already knows and has been a part of arranging it. She then learns that part of the deranged arrangement includes Jonathan being given a free pass to have sex with HER.

Although Adriana is initially hesitant to have sex with him, Jonathan wins her over by stressing the importance of family unity. And that's when Maxine and Shane walk in on them in turn, which eventually turns into a twisted foursome.

⁣

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

CUT TO TITLE PLATE

Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

⁣A young couple enters the kitchen, arms around each other's waists, snuggling and talking warmly. Sammy (Will Pounder) recounts an anecdote about almost splitting his head on the banister, and Angela (Bobbi Dylan) smiles, remarking on how he's much calmer now.
As they move around the kitchen, Sammy gushes about his brother, Dirk (Chad White). Angela starts to worry, feeling the pressure of meeting Dirk, since he's so important to Sammy. What if he doesn't like her? Sammy reassures her that Dirk will love her, as everyone does. He lists her qualities: kind, smart, loyal, and strikingly beautiful.
Their conversation is interrupted by the sound of the front door unlocking and heavy boots stepping in. "Little bro, you in here?" a voice calls out. Sammy replies, "We're in the kitchen!" Dirk, a cop, enters, and scoops Sammy into a bear hug, then ruffles his hair. Sammy introduces Angela, who nervously says hi and offers a handshake. Dirk brushes it away, saying they're practically family, and hugs her. The hug turns unexpectedly intimate as Dirk's hand wraps around her waist, making Angela uncomfortable.
Sammy excitedly announces that he proposed to Angela and shows Dirk the ring. Dirk congratulates them and jokes about Angela stealing his brother away. Sammy apologizes for not seeing Dirk often and asks for his blessing for the wedding. Dirk says he's touched and looks forward to getting to know Angela.
Dirk suggests celebrating with a feast and asks Sammy to get takeout menus. Sammy leaves to fetch them, and Dirk puts his hand on Angela's shoulder, initially reassuring but then leans in threateningly. "I know what you did," he whispers, making Angela's eyes widen with worry.
Sammy returns, and they discuss food options, but Angela is distracted by Dirk's threat. After deciding on the food, Dirk wants to get to know Angela better and suggests Sammy go pick up the food. Angela, masking her discomfort, agrees.
Once Sammy leaves, Dirk interrogates Angela about her past, revealing he used his resources to dig into her history of theft, armed robbery, and solicitation. Angela insists she's changed, but Dirk isn't convinced. He says if she were honest, she would have told Sammy about her past. Angela pleads for understanding, but Dirk pressures her, implying that if she doesn't comply with his demands, he'll reveal her secrets to Sammy.
Desperate to keep her past hidden and not lose Sammy, Angela reluctantly agrees to do what Dirk wants, swearing it's for Sammy's sake. Dirk smugly says she can tell herself whatever she needs to rest easy at night.

⁣Robert (Chad Alva) is a youth counselor from a local non-profit organization. He is meeting with a teen couple, Chris (Ricky Spanish) and Terri (Laney Grey), to talk about healthy relationships. Chris talks about a strain on their relationship due to Terri being hesitant about sex. Robert tries to give advice by talking about the importance of good communication and avoiding toxic behaviors, but Chris asks to speak with Robert privately for a moment, claiming it's about 'a guy thing'.

Once they're alone, Chris gets angry at Robert, telling him to stop taking so long. As they continue talking, it is revealed that Chris will leverage his influential parent's power to help the non-profit organization IF Robert continues with an agreed-upon plan aimed at convincing Terri to have sex with Chris.

Robert is conflicted but ultimately agrees to go along with the plan, advising Terri that maybe it IS time for her to try having sex with Chris. Robert then guides the teen couple through a sexual encounter... before being goaded into joining in as well.

⁣Sylvia receives an unexpected visit from a man named Jake, who greets her warmly and expresses his pleasure at finally meeting her. Sylvia, puzzled, asks how he knows her name. Jake reveals that she is already well-acquainted with him in a way, as he was the one who donated the kidney that saved her life a few years ago.


Sylvia is surprised and thrilled by this revelation, as she never expected to meet her donor, who she had always believed to be anonymous. Jake explains that he has connections in the medical field, which allowed him to discover who received his kidney and find her.


Inviting him inside, Sylvia expresses her gratitude, acknowledging how rare it is for someone to donate an organ to a stranger. Jake then mentions that hearing her appreciation is the reason for his visit, as he feels it's time for her to properly thank him. Sylvia, now confused and slightly uneasy, listens as Jake explains that since he saved her life, he believes she should repay him in some way.

⁣SCENE opens on a cute timid 18-year-old teen in skimpy pajamas, Paige, waiting outside the bathroom door with a towel draped over her shoulder. 'Come on, Chase, I'm going to be late for school,' she implores and knocks on the door again. No answer for a few more seconds. She goes to knock again but as she does the door swings open and her hand continues through the open door to rap on the bare chest of her step-brother Chase. He's dripping wet and holding his towel over his waist with one hand. 'Woah, easy there girl,' he teases, taking her wrist in his hand and gently lifting it off his chest. He doesn't let go right away - Paige must wriggle a bit to free her hand from his grip, clearly a bit annoyed, while Chase laughs it off. 'Bathroom's all yours, li'l step-sis' Chase says, but even though Paige waits for him to move he doesn't step out of the way. After a few seconds she grunts angrily and tries to slink past him, but he shifts his body to block her further. 'Ugh, Chase, quit it!' she says in rustration. He mocks her further - 'Come on, you're a big girl, just turned 18, you're telling me you're still too much of a pipsqueak to push your big brother around?' Paige tries to push past him again and he blocks her way again. Even though her hand doesn't touch his towel, Chase pretends it gets knocked out of his hand and it drops to the floor - he's sporting a huge hard-on. 'Whoops! Look what you did, klutz,' he grins, and doesn't make any effort to move or pick up the towel. 'Well? Aren't you gonna pick it up?' he says. She exhales sharply and bends over to pick it up - upon standing back up, Chase moves slightly so that his dick brushes against her face. 'Ew, Chase!' she whines, and he laughs and wiggles his hips causing his hard-on to wave in the air teasingly. She shoves him more angrily out of the doorway and barges into the bathroom, slamming the door on him. Seconds later, she opens the door and throws his towel in his face, then slams the door again.

CUT TO TITLE PLATE

It's another day, and Paige is spread out on her bed, lying on her stomach with her legs kicking idly in the air in time to music on her headphones. She's doing homework, chewing on her eraser as she thinks. We hear the muffled sounds of talking drowned out by the music, and suddenly a pair of fingers in Paige's face start snapping, startling her. She looks up, sees Chase, and takes off her headphones. Chase is standing in a tee-shirt and boxers, looking pissed off. 'Paige, are you deaf? I was talking to you, moron.' Paige is clearly bothered, but tries to hide it, and asks what he wants. He tells her he's having a girl over. She asks why he's telling her, she doesn't care. He says it's so she knows not leave her room, and especially that she'd better not come near his room. They might get pretty loud, he teases. Paige looks uncomfortable and looks down at her homework, not saying anything. Chase relishes in this and continues. Yeah, he bets the girl's gonna squeal real loud when she's riding up and down on his hard dick. He's getting hard just thinking about it, he says as he adjusts the growing bulge in his boxers. Paige winces and tries to go back to her homework, but Chase pulls the notebook out from under her. 'I'm not done talkin' yet, pipsqueak. That's not the way to treat your older step-brother, is it? You should show some respect.' Paige swallows hard and looks up at him - ok, fine, what? He laughs again. He was just saying how hard he's getting, does she wanna take a look? She shakes her head no, but he says he'll give her notebook back if she says yes, so she reluctantly says yes. From over his shoulder in a semi-POV angle, we see Chase pulls his hard dick out through the slit in his boxers, and waves it teasingly in front of Paige's face which clearly bothers her. He gives his dick a couple of tugs for emphasis. Pretty nice, huh? Paige winces, but agrees with him just so he'll go away. As a final prank, he rubs his dick against her notebook, and then tosses it back on the bed in front of her. Paige looks grossed out but resists the urge to say anything. Casually stuffing his dick back in his boxers, Chase stretches, yawns, scratches himself, and then heads to the doorframe. 'Remember, stay outta my room, right sis?!' Satisfied, Chase taps on the doorframe playfully and then walks out. Once he's out of sight, Paige makes a disgusted face and crumples the page in her notebook he wiped his dick off on, rips it out of the book and tosses it away from her. She puts her earphones back on and rubs her eyes and forehead, looking exhausted.

CUT to later that afternoon, Paige can't concentrate anymore. She sighs, pulls out her headphones, and lies on her back blinking up at the ceiling. From faintly outside her room, a woman's moan is heard. Paige hears it but pretends to ignore it. After a few seconds, though, more moans can be heard, faint but clear enough to tell they're the sounds of sex. Paige winces and tries to use her pillow to block the sound. But after a few seconds, she pulls the pillow out from under her. She's about to throw it away from her, but something stops her, and instead she slowly lowers it down between her legs and starts gently pressing one edge against her crotch. Slowly, almost imperceptibly at first, her hips start bucking and she pushes the pillow against her with more pressure, until she's humping the pillow with slow, hard thrusts. Her own soft moans join the moaning coming from outside the room. Eventually she positions her hand under her skirt, up her underwear, to add the strength of her own touch to the pillow thrusts. In spite of herself, one or two times she gasps Chase's name as she masturbates, each time looking like right after she regrets saying it.

Suddenly, in the middle of her masturbation session, the moans from the other room stop. Paige slows her humping to a stop, and then sits up and strains to hear. But she doesn't hear anything. Timidly, she gets up and stealthily opens the door to her room. She still doesn't hear anything. She tiptoes down the hall, camera tracking behind her, until she starts hearing the moaning again from her brother's room, only it's much quieter now. As quietly as she can, she moves to his door. The door to his room is not fully closed, it's ajar, but as she tries to peek in the crack is too small to see anything. She pushes it open slightly to get a better look. She sees Chase - not on his bed, but in his office chair, and not with a real girl but instead in front of his computer with a porn video playing in the background of a petite blonde. We only see the back of Chase in his chair but his arm is moving up and down, he's clearly jerking off.

Paige looks confused but intrigued, and she goes back to spying, opening the door the full width of her head to get a better look. As Chase is stroking, he's speaking out loud, presumably to the girl on the screen, who looks not unlike his sister - saying she's a slut, saying what he's going to do to her, etc. Paige gets turned on by the verbal - she starts touching herself over her clothes, careful still to not make too much noise.

This goes on for a couple of minutes, though as time goes on Chase's verbal gets more specific - first he starts calling the girl on the screen Paige - Paige is shocked to hear her name being spoken, but it turns her on even more. His dirty talk gets more elaborate, saying he knows she wants him, saying he knows she secretly loves it how he keeps finding excuses to whip out his dick in front of her. Saying that every time he lies about bringing home girls to fuck, she should know it's just to make her jealous. What shocks her the most though is when Chase speaks directly to her - 'You just gonna stand there watching?' Paige freezes in place. Chase slowly spins the office chair around and looks straight at her through the small opening of the door. He remains clothed in his t-shirt and boxers, his dick again poking out from the slit in his boxers, and he slows his jerking off to long, purposeful, teasing strokes. 'What are you waiting for, sis? Come and get some of this.' She slowly pushes the door open, but at first stands frozen in place at the threshold. Chase laughs and smacks his hard dick against the palm of his other hand a couple of times, making a slapping sound. 'What's the matter, moron? I said come over here and suck my fucking cock.' Paige looks spellbound - 'O-okay' she says quietly, then starts moving towards him and kneels down in front of him and leans forward to receive his dick in her mouth. 'I knew it was just a matter of time,' Chase gloats as he slides his dick into Paige's waiting mouth.

BG sex scene. Chase is not very rough with his sister during the sex, but he does like to taunt her - pulling out suddenly and making her beg for his dick, calling her a mix of 'li'l sis' and other pet names, as well as throwing some insults. Paige puts up with it all, and unlike earlier, the insults and teasing doesn't bother her, if anything it only serves to turn her on even more. After the sex, Paige bends down to pick up her clothes but Chase puts his foot on them, and she's unable to pull them out from under him. 'Chase, get off,' Paige whines, but Chase snaps his fingers in Paige's face, making her look up at him. 'Hey moron, you can't tell ANYBODY about this, you get that? Not your mom, not my dad, nobody. You get that??!' Paige grunts yes, she gets it, and finally he lifts his foot off the clothes and she picks them up in a huff. 'I'm taking a shower,' she mumbles, but Chase gets up suddenly and cuts in front of her to the door to his room. 'No, I'm taking a shower. You can smell like my cum for a few minutes more, can't ya pipsqueak?' He rustles her hair with his hand and chuckles before walking out his bedroom door, closing it on her.

⁣The teacher and the two teenage girls remain holed up in the cabin. Now embroiled in a strange ménage-a-trois, neither of the girls wants to leave and Mr. Davies (Charles Dera) doesn't know what to do. He just keeps having sex with both to keep things calm. The following morning, his concerned wife (Cherie DeVille) decides to visit the cabin to look for her missing husband and is stunned to walk in on him with the girls. Putting two and two together, she goes into the other room to call the police. As she's making the call, Lola (Jill Kassidy) grabs Mr. Davies shotgun from the mantle. After a loud bang, Lola comes back in to announce that she's solved the problem. She's taken care of Mrs. Davies. Now Mr. Davies is not only guilty of having an affair with his student, he is also an accessory to crime and is indirectly responsible for his wife's death. He throws Lola into a room and locks the door, and tells Heather (Kristen Scott) to stand guard while he goes off to think about what to do next. While he is out, Heather's stepbrother (Small Hands) calls and she tells him where they are. She informs Lola and pledges that he will be able to fix the problem way better than Mr. Davies. When he gets there with his friend (Xander Corvus), he makes Mr. Davies watch them all have sex before leaving the cabin together.

⁣Mr. Davies (Charles Dera) is your stereotypical handsome high-school gym teacher -- the one that all the school girls have a crush on. Problem is, Mr. Davies hasn't been able to keep his hands out of the cookie jar. For the past few months, he's been having an affair with one of his students, the beautiful but naïve 18-year- old Lola (Jill Kassidy). The daughter of a wealthy businessman, Lola has fallen completely in love with Mr. Davies and thinks the two are going to run away together. Mr. Davies, on the other hand, cares for the teen girl but knows that inevitably they will need to break up one day ... especially before he gets caught. One day, after practice, Davies and his teenage lover sneak off and have sex in the locker room. While they are fucking, another student Heather (Kristen Scott) accidentally discovers them. Without their knowledge, she records them on her phone and runs off to tell her stepbrother (Small Hands) about it. Heather's stepbrother is an older guy named Darryl, who dropped out of school several years earlier and has had multiple run-ins with the law. When his step-sister shows him the footage, it sparks an idea in his head ... with all the money and power that Lola's father has, wouldn't it be easy to convince her out of a little dough to keep her affair a secret? He pitches the idea to Heather, who agrees to go confront Lola. The two conspirators then fuck.

⁣SCENE opens on Jamie, a beautiful 18-year-old girl, as she sits at her kitchen table doing homework one afternoon after school. The student is copying notes from one of her text books when she hears a car pull in the drive and slam on the brakes. Panicking, she quickly gathers her things and rushes up the stairs, narrowly missing her father as he staggers inside. The mean-looking man slams the door and yells at the 'bitch' to get down and make him dinner.

CUT to Jamie, cowering in a corner of her room, as the door bursts open and her father barges in. He takes a sip from his bottle, before undoing his belt and threatening the girl to get downstairs and do as she is told.

CUT TO TITLE PLATE

Jamie walks down the street in her school uniform, clutching her books. She looks shell-shocked and spaced out, almost bumping into a passerby as she stares ahead aimlessly.

CUT to a teacher's lounge. Mr. Harris, the school's guidance counselor, is eating his lunch when one of his colleagues asks to join him. They small talk for a few minutes about work before the teacher mentions having some concerns over one of his homeroom students. Jamie is a bright, gifted girl, but something has happened to her this semester. Her once-perfect grades are slipping, and her attitude has really changed. He is worried that something might be happening at home and asks Mr. Harris if there is anything he can do to help. With college applications coming up, the guidance counselor suggests that the teacher send her in to receive some mandated counseling. It's normal for seniors this time of year and, while they are going over her post-secondary options, he will be happy to see if he can help in any other way. The teacher agrees and thanks him before excusing himself to get back to class.

TEXT PLATE: The Next Day

Mr. Harris sits in his office reading when there is a knock on the door. He quickly drops his book, reaches into his desk for some mouth wash, and gargles it into his coffee cup before straightening himself out and going to the door. Jamie is standing there meekly. She hands him a hall pass signed by her teacher and says she is supposed to see him for the college applications. Mr. Harris smiles and invites her inside, shutting the door.

Asking the girl to sit down, Mr. Harris takes a seat behind his desk and studies the girl. She is beautiful but broken, with closed body language and an anxious looking face. 'You've never come to see me before,' he begins. She shakes her head. He introduces himself and gives the girl a quick background on his role at the school. He has been a member of the faculty for two years. He has an associated degree in psychology. He is a big believer in the importance of counseling, especially as it relates to later adolescence and the transition years between teenager to adult. He asks how old she is and Jamie, without making eye contact, tells him she just turned 18-years-old. He smiles. 'That was a certainly an interesting age,' he recalls. 'There's a lot of change happening in your life, isn't there? Does it feel like a perfect storm?' Jamie tries to change the subject. 'My teacher said you had to talk to me about college?' Mr. Harris stares at her for a moment, smiling, before snapping back to the task at hand. He asks the girl some questions about her school plans. Has she thought about what she'd like to major in and where in the country she'd like to study? Jamie seems very distraught, as she chokes out that she would really love to attend Northwestern ... but she knows she isn't going to be able to. Mr. Harris leans in and takes the girl's hand. 'You can do anything you put you mind to!' He says encouragingly. Jamie looks down at them holding hands and seems very preoccupied by it. She even rubs her finger gently across his.

Mr. Harris pulls away and moves behind her. He starts to talk about his role as a guidance counselor. 'I know you were sent in here to talk about one thing,' he begins. 'But I want you to consider this a safe space. A place where you can talk about anything.' Jamie stares down at her feet and asks if she can be dismissed. She doesn't need an application. Mr. Harris cuts her off. 'Gone are the days where a counselor like me simply sits in their office handing out applications and waiting for crisis to occur.' He says. 'I'm here to listen and help you in any way I can, be it academic, developmental or even personal.' Jamie looks up at him, her eyes welling up. From his vantage point, Mr. Harris can sneak a look down the white blouse of her uniform. He tries to avert his eyes, but the girl is very beautiful, and he can't help himself. 'Are you sure there isn't anything you would like to talk to me about?' He asks, gently putting his hand on her shoulder. This time, the girl doesn't touch him back. She just starts to cry.

'I can't go to college ... because my father came back home,' she says tearfully. Mr. Harris asks her to explain and the girl confesses that her father had recently been released from prison. Her mother had no choice but to let him back in, even though he had always been a very bad man. In the last six months, he has gambled and drank all the money they had saved for her school. Now, mom is barely home, and dad is home too much. It's getting bad. Mr. Harris hugs the girl as she confesses her family secrets. His hands slowly wander down her back and rest at the top of her school girl skirt. He closes his eyes, trying to remain professional while Jamie buries herself in his chest. 'Does your father hurt you in any way?' Mr. Harris asks nervously. Jamie nods into his chest, starting to rub her hands over the man's back as she breaks down. Mr. Harris bites his lip, looking at the closed door of his office. 'What does he do to you exactly?' he whispers. She looks up at him. 'He fucks me up,' she says, kissing the counselor.

The troubled school girl aggressively kisses her counselor, backing him up against his desk. He tries to pry her off, telling her that it isn't appropriate for him to be doing this. Finally, she slumps back into her chair. 'I'm so messed up inside,' she screams. 'I don't know what to do with myself!' Not wanting to raise suspicions, Mr. Harris hushes her and darts over to make sure his door is locked. He stutters that everything is going to be ok, he won't tell anyone what happened. She should consider him a friend. He tries to pinch himself to stop the growing bulge in his trousers. She looks at him, her mascara running. 'Are you married?' She asks. Mr. Harris nods. She puts her head in her hands. 'I'm so sorry,' she says, breaking down. 'I'm just confused.' Mr. Harris stares at her, conflicted between his attraction and his sense of duty. From his POV, we see him scan her body as she twitches in her seat looking up at him with doe-eyes. 'It's ok, Jamie.' He says, opening his arms. She goes in to hug him again and they stare at each other, their lips inches away. 'Will you tell anyone?' She asks. He shakes his head. 'Everything is confidential in this room,' he finds himself saying. She bites her lip. 'I need to feel something inside of me other than my father,' she says back. 'Can you please help me?' There is a very long silence, as the sexual tension builds between them. Finally, unable to take it anymore, Mr. Harris throws the girl down on his desk, pulling down her panties and undoing his pants. He grabs his dick and stares at Jamie's bare ass, as she turns back to him. 'Please do it,' she begs as the guidance counselor slides inside of her.

BG Rough Sex Scene. As they have sex, the broken schoolgirl demands that Mr. Harris fuck her harder and harder. Finally, he cums on her face.

Panicked by what has happened, Mr. Harris tries to wipe up the girl's face and get her back into her clothes. 'I think you should probably take the rest of the day off,' he says nervously. 'Just to give this a little space. I'll write you a permission slip. Is there anywhere safe you can go?' He starts to throw his own clothes back on and write up the slip on his desk, his hands shaking, as Jamie looks defeated again. She tells him she has nowhere to go. He suggests calling a friend. She throws down her bag and screams that she doesn't have any friends. He suggests a women's shelter again but, by this time, the girl has begun crying again. Frantically searching for ideas, he ends up suggesting she come to his house that night. 'I can tell my wife it's an emergency,' he stammers. Jamie stops crying and nods, thanking the man. He tells her to sit tight while he pulls out his phone and dials his wife, his fingers now fumbling uncontrollably. As the phone rings, he motions to the girl to keep calm. 'Hi honey...' he says, his voice breaking.