⁣

SCENE OPENS on a man sitting in a chair in his living room, casually reading a newspaper as the sounds of sex can be heard from an adjacent room. The man, Roger (Dick Chibbles), doesn't seem to pay any mind to the noises. Soon, there is a loud grunt from the man in the other room as he cums. A few moments later, a man exits the adjacent room, closing the door behind him. He zips up his fly as he exits the room.

Hearing him, Roger looks up from his newspaper with a wide grin. Everything was satisfactory?, he asks the other man. Oh yeah, as beautiful as always, but....the man hesitates, before continuing,...she did seem a bit...tired today, he finishes. Oh, she did?, Roger asks, subconsciously gripping the newspaper hard enough to crumple the paper. Yeah, the client replies, not as eager as usual.

Roger politely apologizes, he's so sorry about that, the client can expect a better time on his next visit, Roger says. 'I will PERSONALLY...make sure that this does not happen again,' Roger adds with a tone of menace. The man tells him he appreciates it, and Roger walks him out the door. He waves the man off with a smile and closes the door behind him. As soon as the man has gone, Roger turns around, his smile replaced with a look of fury.

He opens the door of the bedroom to reveal a naked girl, Lucy (Athena Rayne), who is on the bed hugging her knees. She looks exhausted and spent, staring off into space. When Roger comes in, she is startled out of her daze and looks at him. What the fuck Lucy?!, Roger asks angrily, standing over her on the bed. He said she seemed...TIRED?, he continues. That guy is one of their best clients, has really fallen in love with her, so they need to make sure to keep him happy no matter what, Roger continues with barely contained rage. 'I know, I just...I really AM so...SO tired...tired of all of this...he was the third guy today,' Lucy says wearily. 'I don't give a shit if you're tired! You know how serious our situation is,' Roger says. She knows, she just...she can't do this anymore, it needs to stop, Lucy says numbly.

Roger takes a deep breath to steady his anger, closes his eyes for a moment. He sits on the edge of the bed next to Lucy, adopting a more patient caring tone to try to reason with her. 'Lucy... you know what they'll do to me if we don't square things away, right? You don't want me to go away, right? Then it's up to you to fix this.'

Lucy nods along with him, resigned. 'Good, so clean your fucking self up, you look disgusting, and you've got another appointment arriving in a few minutes...and you can't greet a client looking like...this,' he says, gruffly, his tender demeanor instantly vanishing as he waves a hand disgustedly at her. 'I raised you better than that, didn't I?' he adds. Lucy looks up at him with tired eyes. 'Yes Daddy,' she says.

CUT TO TITLE

The doorbell rings and Roger goes to answer it. He smiles as he opens the door to greet his daughter's latest client, John (Tommy Pistol). The client says hello coldly, not smiling. Roger invites him in. So this is his first time here right? Roger asks amiably. Yes, the man says curtly. Ok, so he'll explain the ground rules, Roger says.

Cut to Lucy's room as Roger explains the ground rules, muffled behind the door. Lucy is almost done cleaning up. We watch as she finishes reapplying her makeup in a compact mirror and puts on some sexy lingerie. She looks good and well put-together, but her eyes betray an exhaustion that is soul-deep. She sits down on the edge of the bed and stares off into space.

Cut back to Roger and John. Roger has just finished explaining the ground rules. So does he understand?, Roger asks. The man pauses. Yes, everything's clear, he says quietly. 'Also, I should mention that there are some...activities...I'm interested in that may...not EXACTLY be what she's used to...' John says. 'I'm sure there's something that we can work out,' Roger responds.

Cut back to Lucy in her room, who is still staring blankly, lost in thought. There is a knock on the door, which startles her out of her reverie. She shakes her head, trying to pull herself together. Just one sec, she calls to the person who knocked on the door. Lucy looks in the mirror. She takes a deep breath, and with effort, her blank expression of exhaustion turns to a seductive, flirty expression, as her eyes brighten and she pouts her lips. Where she was weary and spent a few moments ago, she now appears younger, youthful and vibrant: Lucy's game-face is on. She lies down on her stomach on the bed, resting her head in her hands as she smiles up at the door. She kicks her legs absentmindedly behind her in an energetic, innocent way. She tells the visitors to come in.

Roger opens the door and invites John in, introducing him to Lucy. John says hello stiffly. 'You're just in time, I was starting to get lonely,' Lucy says flirtatiously. 'There's been a...change in plans Lucy,' Roger says, closing the door so that the three of them are in the room together. Lucy's eyes widen in horrified shock. 'What are you...?' she asks.

Well, John has asked him to stay...and watch, Roger says casually, without a hint of trepidation in his voice. 'Yes, I love an...audience, and there's really no better audience than a loving father watching his precious daughter get defiled in front of his very eyes,' John says.

Roger coughs to clear his throat, clearly a bit put off by the request but trying his best to keep it hidden. That's not a problem...IS IT, Lucy?, Roger asks in a vaguely threatening tone. Lucy hesitates for the briefest of moments before she buries her horror down deep.

No...of course not, she's up for whatever he wants.

Nominated - Best Non-Sex Performance: Dick Chibbles, XBIZ 2020

⁣

'Those Whom We Love Are Often The Most Alien To Us.'
-- Christopher Paolini

SCENE opens on an empty field late one night. The stars twinkle in the sky, as the camera slowly tracks back to reveal Roger (Michael Vegas) looking through a telescope. The self-published conspiracy theorist is wearing nothing but his boxer shorts, a UFO t-shirt, and LED translucent glasses. His hair is greased back, and he is guzzling a can of liquid caffeine, as he shifts from the telescope to the back of his flatbed truck, where he finishes setting up his latest invention. It's a small but powerful antenna designed to transmit mathematical equations into space in the hopes of contacting a ghost rocket.

Roger believes this long-disputed UFO phenomenon is the key to contacting alien life forms. As he connects the final pieces of his machine together, he mutters into a makeshift gadget on his wrist: 'In 1946 and 1947, numerous reports occurred of ghost rockets appearing over Scandinavian countries, primarily Sweden, which then spread into other European countries. In 2046, similar reports resurfaced of ghost rockets appearing in the Pacific Northwest and down through parts of California and Mexico. All 200 sightings have been refuted by the US government, despite being verified with radar returns and, in some cases, physical fragments...'

He puts his wrist down, stripping off his shirt and putting a tin foil cap on his head. '...Until now, you sons of bitches!' He shouts into the night, removing his glasses, placing transmitters in his ears, and rubbing his chest with petroleum jelly. He plugs some final code into his laptop before hitting enter and pointing his antenna towards the sky. A static sound in his ears grows louder and louder as he spins the antenna around. Finally, it connects with something and a beam of light penetrates the sky and strikes the antenna. Then, as quickly as it started, the beam disappears, and Roger falls to the ground. The antenna lies at his side, melted and destroyed.

CUT TO TITLE PLATE

Roger drives home from the field, feeling frustrated. He mutters and swears to himself before rolling down the window and throwing his antenna out. He puts his wrist to his mouth and begins to report the failed experiment when, suddenly, he comes upon a beautiful woman (Cherie DeVille) standing in the middle of the road. She is shimmering in a metallic body suit, with windswept hair, and staring at him like a deer in headlights. He slams on the breaks.

They regard each other for a moment before she starts to approach the car. Roger is scared. What is this strange woman doing out here? She presses her hands on his driver side window, trying to open it, and speaking in a strange language he doesn't understand. Finally, Roger rolls it down. 'What... do... you... want?' He stammers. She stops, takes a moment to compute what she just heard, and then begins talking slowly again -- in English. 'Hello human male,' she says. 'May I please enter your craft so I may breed with you?'

'Who... are... you?' He asks slowly. The woman unfolds her arms and puts her hands in front of her. The broken antenna appears. 'I am responding to your signal,' she says. Roger stares at the antenna in disbelief. 'You were on a ghost rocket?' He mutters. 'Affirmative.' she replies, and the antenna disappears. 'I have been sent to earth to breed with a human male. Are you a human male?' 'How do I know you're not just putting me on?' He asks. 'Do you require proof?' She asks. He nods. Her hands pull apart her face. He is horrified by what he sees and slumps back before raising his arms in surrender and stating that he is, indeed, a human male. She stops, puts her face back and, revealing her human form again, smiles. 'Excellent! We must hurry and get to a breeding chamber,' she says. Stunned, Roger opens up the passenger door and she steps inside. 'Is my bedroom ok?' He asks, getting in himself. 'Affirmative,' She says smiling.

They arrive at Roger's home. It is bare bones, with only UFO posters on the wall, stacks of papers, and a basic blowup mattress in the middle. The woman walks in and examines the surroundings. 'Human males are strange and primitive life forms,' she says matter-of-factly. Roger nervously clears an area around his bed and invites her to sit. 'I would like to consume your seed now so it may stimulate this human shell and support my arousal.' Roger flushes red. She unzips her top to expose her breasts and puts his hands on her. He has never felt anything so good in his life. She tells him to take out his member. Nervously, he does, and she slips her hand around his cock, stroking it, all the while exclaiming how fascinating his human penis is. Finally, she puts his hard cock into her mouth, tasting him before she guides him into her pussy. He gasps as she rides his cock.

Roger can hardly believe his good fortune, but how will he react when it's HIS turn to be probed?

Winner - Most Outrageous Sex Scene: Cherie DeVille & Michael Vegas, AVN 2020

Nominated - Best Art Direction, AVN 2020

Nominated - Best Special Effects, AVN 2020

⁣Bethany is desperate to start a family with her husband, Nathan, but despite all their efforts, they’ve been unable to conceive. The struggle has taken a toll on their relationship, with Bethany growing increasingly frustrated, especially since she feels Nathan might not be fully committed anymore.


After receiving yet another disappointing diagnosis from a fertility specialist, Bethany begins to lose hope. However, when she finds a suspicious flyer on their car windshield that promises successful fertilization, she sees a glimmer of possibility. While Bethany is eager to give it a try, Nathan is completely against the idea, insisting she’d be crazy to trust such a sketchy offer. Their disagreement escalates into a heated argument, leaving both of them emotionally drained.


Pushed to her breaking point, Bethany decides to visit the clinic alone. Upon arrival, she is unsettled by Dr. Angeles’ intense enthusiasm for getting her pregnant using cutting-edge artificial insemination techniques involving synthetic sperm. Despite her unease, Bethany’s overwhelming desire to become a mother drives her to agree to the doctor’s unconventional methods. Little does she know, she’s about to become part of Dr. Angeles’ disturbing and dangerous experiments.

⁣Rachel has big ambitions, but college has become a source of stress and anxiety. Despite being a good student, she's struggling academically and is on the verge of failing. With academic probation hanging over her, the prospect of being expelled looms large. When she receives a failing grade on her latest assignment, she's devastated, convinced that her dreams are slipping away. However, she notices that her professor has written his phone number on the back of her paper, offering private tutoring.


What might normally be seen as a generous offer fills Rachel with dread. Professor Sloan has always seemed overly interested in her, and his lingering stares during class have never gone unnoticed. His behavior has always made her uncomfortable, but now she realizes that she might be able to use his attraction to her advantage. Yet, taking this route would mean compromising her values in a way she's never imagined.


How far is Rachel willing to go to ensure she doesn't lose her chance at graduating college?

⁣Eric grew up in a world where traditional gender roles were clearly defined: men were men, and women were women, with each knowing their place. He is fascinated by women and their ability to create life, believing it's his duty to help produce heirs. Whether he meets women in public places or through online dating, Eric knows what he's after, and he's skilled at finding those who share his desires—even if he has to manipulate the truth to get there.
Today, Eric is getting ready for a date with his latest target, whom he's invited over to his place. When he hears her knock at the door, he immediately pretends to be injured. Casey enters, full of concern as Eric expertly plays on her emotions.


Once they are in the bedroom, a place where Eric has lured many women before, he concocts a story about an accident that has supposedly left him paralyzed from the waist down and infertile. He tells her how much he longs to have a family, evoking sympathy and compassion from Casey.


Believing every word, Casey is drawn to what she thinks is his genuine vulnerability and desire for closeness, which leads to an intimate encounter. Unbeknownst to her, she is falling right into the hands of a man who has mastered the art of deception to fulfill his hidden agenda.

⁣Kristi (Anna Claire Clouds) and Ben (Seth Gamble) have been trying so hard to conceive, but they just haven't seemed to have any luck. As Kristi sits on the toilet once again, waiting for the results of her latest pregnancy test, she has a glimmer of hope in her eyes. But when the fated single line appears on the stick, she can't help but feel disillusioned and guilty. Ben assures her that it's okay- they'll keep trying and it'll all work out. Kristi smiles and nods but, deep down, she's a total mess.

To make matters worse, Kristi's estranged stepsister, Ruby (Maddie May), shows up one day asking for a place to stay. Kristi is angry- Ruby totally disappeared and no one's heard from her since. She's caused Krisi's family a ton of grief, and now she wants to come back and ask for favors as if nothing even happened? But Ruby is desperate, and in dire need of help, so Kristi relents and lets her stay the night.

Later that day, Ruby wants to take a bath, so Kristi brings her a clean towel. But when Kristi witnesses Ruby getting undressed, old and forbidden emotions suddenly flood her being. She finds herself aroused by her stepsister's naked body and starts to masturbate as she spies Ruby through a slit in the door. Before long, the two stepsisters have gotten back to their naughty old ways, but what will happen when Ben comes back home and discovers them? Will he be angry or... perhaps, intrigued?

⁣Devon (Elias Cash), who has been backpacking abroad, returns to his family's home. He talks on the phone to his girlfriend, gushing about how smart and hardworking his stepmom, Gina (Syren De Mer) is. In fact, he thinks they're a lot alike and can't wait to introduce them sometime. He then ends the call as he's about to enter the house.

But when he steps inside and is greeted by a very bubbly Gina, Devon is SHOCKED. His stepmom looks completely different than how he remembered her BEFORE he went backpacking. She's been hypersexualized, with sluttier clothes, more eye-catching hair and makeup, AND a new pair of breasts! Not only that, but he learns that she's given up other parts of herself, such as her ongoing education to become a financial advisor and her love of books -- all in exchange for a simpler life with less thinking and more sex.

Devon is flabbergasted by the changes, becoming suspicious as he asks if his parent put her up to this. Gina admits that her husband was very convincing, but that they BOTH agreed to the changes TOGETHER. They've been happier because of it, too.

Devon is still dismayed, claiming that Gina has given up her freedom. But Gina happily insists that it's not true. In fact, she has more freedom than EVER now that she doesn't have to worry so much about all the other stuff. Plus, her husband's even given her permission to have sex with other men... including Devon!

Devon is horrified but Gina starts flaunting herself around him, coming onto him and weakening his defenses. Although Devon tries to resist, it seems as though all the changes Gina made are getting her EXACTLY what she wants...

⁣Tanya (Charlie Forde) comes home from work, but is greeted by a shocking sight: there are photos of her with her old girlfriend Julie (Dana Vespoli) stuck to the front door and hanging ALL OVER the living room. As Tanya reels from what she's seeing, her boyfriend Ron (Ken Feels) approaches her, looking slightly unhinged. Still in shock, Tanya demands to know what this is about. Ron angrily insists he KNEW that Tanya was hiding something about her past, so he snooped on her laptop and found her old photos... Photos that show Tanya in a LESBIAN relationship.

Tanya admits that she experimented back in college by having a 'lesbian phase' where she dated Julie. Tanya says she didn't LIE to Ron about anything, she just never TOLD him. But Ron is still furious, saying that a lie of omission is still a lie. He scolds Tanya, saying that covering it up was just as bad, or maybe even WORSE - she's BETRAYED his trust and tarnished their relationship. He says that's why he put proof of her SHAME all over the front door and living room to remind her, but that's not ALL he had planned. He tells her to go to the bedroom, because Julie is there waiting for them.

Tanya and Ron enter the bedroom, and sure enough, Julie is there. Tanya demands to know what's going on, and asks why Julie is here. Ron says he wants to understand exactly what drove Tanya to have a relationship with Julie - he wants Tanya to SHOW him by having sex with Julie while he watches. Julie doesn't look surprised, but Tanya is shocked at his suggestion, and even more shocked that Julie seems willing to go through with this.

Julie accusingly tells Tanya that not EVERYONE saw being a lesbian as 'just a phase', and not EVERYONE'S lives got better after college like Tanya's did. Julie says that her life got worse - MUCH worse - after Tanya dropped her like a hot potato. Julie was so heartbroken and devastated from Tanya's betrayal that her life took a downward spiral... but now Ron has made an arrangement where Julie will have an opportunity for a better life, as long as she participates in his plan. Tanya looks guilty, and tries to apologize to Julie. However, Julie says that she doesn't want to hear it, telling Tanya that if she really wants to help, then she'll do what Ron wants, so then Ron will give Julie what SHE wants.

Tanya looks guilty again, and agrees to have sex with Julie while Ron watches them. But the surprises aren't done yet, because eventually, Ron insists to the women that because they're making the sex look SO enticing, he might as well join in. And there is still ONE MORE surprise left in store for Tanya...

⁣Mrs. Murphy (Little Puck) wants to get her little one into a very prestigious high school, the best of the best. But she is frustrated to learn that, despite her little one's stellar transcript, he's only been put on the waiting list. Taking matters into her own hands, she confronts the Dean of Admissions Mr. Keene (Tommy Pistol) in his office, demanding an explanation.

Mr. Keene is reluctant to give any special treatment, saying that his job as Dean of Admissions requires him to remain wholly objective. But Mrs. Murphy is not one to take no for an answer, so she offers to do whatever Mr. Keene wants to have her way... even if it means dropping on her knees and giving him a sloppy blowjob, followed by some pulse-pounding sex right there in his office.

⁣Greg (Ken Feels) leads his wife Morgan (Reagan Foxx) into a house that has a bunch of moving boxes in the living room. Morgan looks delighted with the house, and happily makes out with Greg. But when Greg checks the kitchen cupboards and sees that there's no food in them, he says he'll go find something to eat, driving off while Morgan stays in the house.

As Greg drives, he comes across a young man and a young woman hitchhiking on the side of the road. Despite his misgivings, Greg stops the car and asks the hitchhikers if they've eaten lately. The pair say that they haven't, so Greg tells them they can get in the car. The hitchhikers thank him, introducing themselves as Wes (Tyler Cruise) and Carrie (Liz Jordan).

When Greg arrives at the house with Wes and Carrie, Morgan doesn't look pleased with the unexpected company. During a tense dinner, Morgan outright asks Wes and Carrie what they're running away from. Wes and Carrie say they don't want to talk about it, but claim that they're siblings. Greg says that Wes and Carrie can stay at the house for the night. Wes and Carrie happily accept, and go off to one of the bedrooms. But Morgan is displeased and gets into an argument with Greg, saying this was supposed to be their special night. The argument ends with Greg storming out of the house, despite Morgan saying he shouldn't leave her alone with two strangers in the house.

Wes and Carrie decide to make use of Greg's absence. As they plot together, it is revealed that they lied about being siblings. They're actually husband and wife, and they're definitely up to no good. Carrie sneaks over to the living room, and finds Morgan's purse there. But as Carrie looks through the contents of the purse, Morgan catches her in the act, grabbing Carrie by the hair. Carrie finds herself unexpectedly turned on, but still says she'll yell for Wes. Morgan confidently tells Carrie to go ahead, because she can take care of him too. When Wes enters the room, it's clear that there's more to Morgan than it seems... but who's going to come out on top in this situation?

⁣Clarissa and her husband have been trying to start a family and have applied to a fertility clinic for assistance in getting pregnant. One day, Franklin, a representative from the clinic, arrives at Clarissa's home with some unfortunate news: the clinic has rejected her application, deeming her pregnancy too high-risk. Clarissa is devastated by the news, feeling crushed and hopeless.


Seeing how vulnerable and desperate Clarissa is, Franklin seizes the opportunity and proposes a shocking solution. He suggests that he impregnate her immediately, right there in her home. He points out that her husband is away and won't be back for a while, so she could simply tell him that the clinic accepted her, and they could move forward with their plans without any more setbacks. Clarissa is initially shocked by the suggestion, recognizing the questionable ethics of such a plan. However, after some hesitation, she agrees, and they engage in an intense sexual encounter that concludes with Franklin ejaculating inside her.

⁣Charlene (Dana Vespoli) returns home after running an errand and is shocked when she is greeted by a cheerful girl, Mara (Coco Lovelock), who claims that Charlene is her parent.

Charlene is bewildered as she demands to know where Tracy is, who she's really the parent of. That's when George (Tommy Pistol), Charlene's husband, intervenes by happily putting his arm around Mara, the two of them acting like everything is perfectly normal. George explains that he wanted a young lady he could fuck, so he secretly swapped Tracy for Mara, who comes from an unrelated but like-minded family.

Charlene is horrified, especially when she finds out that Tracy left willingly to indulge in her own freakish desires. Charlene then has to watch as George and Mara have gleeful, raunchy sex all around the house. George and Mara invite her to join in on the fun but Charlene is conflicted. However, it soon becomes obvious that there's little she can do but embrace this twisted new family arrangement...

⁣Paul, the father of a young woman named Lily, has agreed to collect her belongings from her ex-girlfriend Jasmin's apartment after a difficult breakup. When he arrives, Jasmin desperately asks Paul for Lily's new address, as Lily has completely cut off communication since the split, leaving Jasmin without a chance to reconcile. It's apparent that Jasmin is possessive and unwilling to let go of Lily.


Despite Jasmin's pleas, Paul stays composed and refuses to disclose Lily's whereabouts, respecting his daughter's desire to distance herself from her tumultuous ex. As Jasmin becomes increasingly insistent and unstable, Paul attempts to leave. However, Jasmin quickly shifts her approach, attempting to seduce Paul with the promise of sex in exchange for Lily's address.


Now faced with Jasmin's advances, Paul is caught in a moral dilemma. Will he stay true to his commitment to protect his daughter, or will his resolve falter under the temptation Jasmin offers?

⁣Sylvia receives an unexpected visit from a man named Jake, who greets her warmly and expresses his pleasure at finally meeting her. Sylvia, puzzled, asks how he knows her name. Jake reveals that she is already well-acquainted with him in a way, as he was the one who donated the kidney that saved her life a few years ago.


Sylvia is surprised and thrilled by this revelation, as she never expected to meet her donor, who she had always believed to be anonymous. Jake explains that he has connections in the medical field, which allowed him to discover who received his kidney and find her.


Inviting him inside, Sylvia expresses her gratitude, acknowledging how rare it is for someone to donate an organ to a stranger. Jake then mentions that hearing her appreciation is the reason for his visit, as he feels it's time for her to properly thank him. Sylvia, now confused and slightly uneasy, listens as Jake explains that since he saved her life, he believes she should repay him in some way.

⁣Robert (Chad Alva) is a youth counselor from a local non-profit organization. He is meeting with a teen couple, Chris (Ricky Spanish) and Terri (Laney Grey), to talk about healthy relationships. Chris talks about a strain on their relationship due to Terri being hesitant about sex. Robert tries to give advice by talking about the importance of good communication and avoiding toxic behaviors, but Chris asks to speak with Robert privately for a moment, claiming it's about 'a guy thing'.

Once they're alone, Chris gets angry at Robert, telling him to stop taking so long. As they continue talking, it is revealed that Chris will leverage his influential parent's power to help the non-profit organization IF Robert continues with an agreed-upon plan aimed at convincing Terri to have sex with Chris.

Robert is conflicted but ultimately agrees to go along with the plan, advising Terri that maybe it IS time for her to try having sex with Chris. Robert then guides the teen couple through a sexual encounter... before being goaded into joining in as well.

⁣A young woman named Sally (Katie Kush) is running her family's diner while her father is sick and unable to manage the business. Overwhelmed and struggling to keep the diner afloat, Sally applies for a bank loan in a last-ditch effort to save it.

Days pass without any response, until a loan officer (Tommy Pistol) unexpectedly shows up at the diner. As he evaluates the situation, he makes it clear that Sally's chances of getting the loan are slim. However, after Sally desperately pleads her case, the loan officer sees an opportunity and offers to help her—on the condition that she sleeps with him.

Sally is horrified and disgusted by the proposition, but with her family's legacy on the line, she eventually succumbs to the pressure and agrees to do whatever it takes to keep the diner open.

⁣Ricky (Codey Steele) is deeply mourning the loss of his wife, Emily, while struggling to raise their young daughter, Chloe, on his own. The weight of grief is heavy, but he finds solace in the support of his mother-in-law, Paula (Dana Vespoli), who has been a crucial help since Emily's passing.


On the day Ricky is preparing for an important job interview to secure a better future for himself and Chloe, Paula arrives with a casserole and offers to iron his shirt. As they bond over their shared grief, subtle signs of Paula's lingering resentment toward Emily begin to surface. The situation takes an unexpected turn when Paula, driven by her own hidden desires, makes an advance on Ricky.


Ricky is caught off guard, but Paula takes advantage of his overwhelming loneliness. Unable to resist, Ricky gives in, and they are both consumed by intense, passionate sex. Yet, as the dust settles, Ricky is left feeling uneasy, sensing that an even bigger revelation is on the horizon.

⁣Hollywood Cash and his wife Olive Glass are hosting an important dinner for Hollywood's new boss, who has just offered him a great job with corporate housing. Hollywood is anxious to make a good impression. When Olive answers the door, she's stunned to find out that the boss is Isiah Maxwell, a man from her past.


During dinner, Olive tries to keep her history with Isiah under wraps, but Isiah bluntly reveals that they used to be intimate when she worked at her previous job. While Hollywood knows about Olive's past and doesn't judge her, he never knew that Isiah was involved.


Hollywood tries to stay composed, but the situation escalates when Isiah suggests that he and Olive rekindle their past relationship for old times' sake. Worried about losing their new comfortable life, Hollywood persuades Olive to agree, only to be shocked once more when Isiah insists that Hollywood should also participate.

⁣Troy (Max Fills) and his stepsister Rachel (Scarlet Skies) are being scolded by their stepmom Cathleen (Serene Siren), because they're always fighting and have now been suspended from school because of it. Cathleen grounds them as punishment.

Cathleen warns them that if they try to leave the house, she'll know about it since the front entrance security camera has a direct feed to her cell phone. Cathleen also demands that they use this time to learn to get along with each other. With that, Cathleen leaves for work.

Troy and Rachel realize that if they work together, they can get back at Cathleen by using her own rules against her. They'll 'get along' alright - but in a way that Cathleen HATES. Troy and Rachel start brainstorming ideas to 'get along' with each other that they hope will make Cathleen angry, but they quickly discard the ideas as not being good enough. They then realize that they can use the security camera to their advantage.

They try to come up with something to do in front of the camera that will infuriate Cathleen, and decide that the most twisted way to 'get along' is by having sex with each other. Eventually, Cathleen checks the camera feed from work, and is shocked and livid to see the stepsiblings fucking.

⁣SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is forcibly dragged through the hospital halls by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that engulfs her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room, promising not to repeat her actions. The man silently pulls her through a set of double doors into an empty white room where the chief psychiatrist (Michael Vegas) is waiting. The orderly slams her down in a chair before the psychiatrist and goes to wait by the doors.

"Katherine," the psychiatrist begins calmly. "How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!" He leans closely into Katherine's face, and she turns her head. "I'm sorry, doctor," she whispers. "I couldn't help myself... I can't control it."

The doctor steps back and pulls up a chair to face her. "Katherine, I fear your disorder is putting you in harm's way," he continues. "Do you remember what happened a few months ago with the patient in Zone B?" Katherine squeezes her eyes shut, her mind flashing back to a terrifying man behind bars coaxing her inside. "Do you remember the beating? How he nearly took everything from you? Almost took your life?"


Katherine's eyes fill with tears. "Please don't talk about it," she begs. "I can't think about it anymore!" The psychiatrist berates her, suggesting her nymphomania provoked it, blaming her for her transgressions, and warning that it will end badly if she doesn't stick to her treatments.


Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. "This is your final warning, Katherine," he says calmly. "You will complete your abstinence program—no sex, no masturbating, no touching yourself of any kind." As he issues his final warning, the orderly steps back in and carries the distressed girl out of the room.


CUT TO TITLE PLATE


Several days later, the orderly is doing his rounds and peers into Katherine's room. She is on the floor by her bed, naked except for her white cotton panties, legs spread wide, choking herself with one hand while fingering herself with the other. Authoritatively, the orderly storms into the room, chasing the scrambling girl back to her bed. She pleads with him not to say anything, not wanting to be restrained again. The orderly laughs in her face. "Well, you should have done what you were told!" he sneers. "Now, I'm going to do what I've been told and take you back to the doctor. Your actions have consequences, Katherine!" He slams her on the bed and begins putting her in her jacket as she begs for mercy.


CUT TO the white room. The double doors burst open, and the restrained girl is tossed at the feet of her psychiatrist. She cowers as the orderly reports catching her masturbating and auto-asphyxiating. The psychiatrist shakes his head as she cries out, "Please, doctor. I'm so sorry, I won't do it again. Please don't send me down to B. Please have mercy!"


He leans in close, grabbing her chin. "I guess this is just who you are," he says condescendingly. "You'd rather have sex and suffer the consequences than control yourself?" She shakes anxiously.


Dropping her back to the ground, the psychiatrist slut-shames her, suggesting she provokes her partners and craves intensity and roughness. He implies that the patient in B was just a warm-up for what she really wants—men who will hurt her and punish her for being a slut. Katherine begins to cry, traumatized by her thoughts and actions, and begs her doctor to stop.


She notices the orderly rubbing himself over his scrubs and looks back at the psychiatrist, reiterating that she can't help it. "Are you ready to go back to B? Because we won't protect you this time!" the psychiatrist coos. Katherine pleads for forgiveness. "Please don't make me go back there! I'll stop, I promise. I can't take it again, doctor. Please, I'll do anything you want!"
The psychiatrist and orderly smirk at each other. "You're such a selfish little nympho," the psychiatrist says, removing his jacket. "You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you?" Katherine asks what he means. "You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?" he continues, slipping off his shoes.


She looks around confused. "I have a condition," she says slowly. "And what about how we feel?" he asks. "We have to tolerate your disobedience every day without relief. Don't you think you should be a little more grateful?" As he says this, both men pull their cocks out. At first, Katherine looks away in shock, closing her eyes. The men move closer to her face. She bites her lip, feeling them near, driving her insane. She starts to writhe in her straight jacket. "That isn't professional," she mumbles, eyes still closed.


The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. He asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her, almost salivating. "Then you need to be a good girl and let us have a piece of you too, just like everybody else," the psychiatrist orders. The orderly adds, "Are you going to agree with your doctor?" She stares at him, then turns back to the psychiatrist. "Yes... sir," she says slowly, biting her lip and squeezing her legs together on the floor.