⁣A young woman named Sally (Katie Kush) is running her family's diner while her father is sick and unable to manage the business. Overwhelmed and struggling to keep the diner afloat, Sally applies for a bank loan in a last-ditch effort to save it.

Days pass without any response, until a loan officer (Tommy Pistol) unexpectedly shows up at the diner. As he evaluates the situation, he makes it clear that Sally's chances of getting the loan are slim. However, after Sally desperately pleads her case, the loan officer sees an opportunity and offers to help her—on the condition that she sleeps with him.

Sally is horrified and disgusted by the proposition, but with her family's legacy on the line, she eventually succumbs to the pressure and agrees to do whatever it takes to keep the diner open.

⁣Ricky (Codey Steele) is deeply mourning the loss of his wife, Emily, while struggling to raise their young daughter, Chloe, on his own. The weight of grief is heavy, but he finds solace in the support of his mother-in-law, Paula (Dana Vespoli), who has been a crucial help since Emily's passing.


On the day Ricky is preparing for an important job interview to secure a better future for himself and Chloe, Paula arrives with a casserole and offers to iron his shirt. As they bond over their shared grief, subtle signs of Paula's lingering resentment toward Emily begin to surface. The situation takes an unexpected turn when Paula, driven by her own hidden desires, makes an advance on Ricky.


Ricky is caught off guard, but Paula takes advantage of his overwhelming loneliness. Unable to resist, Ricky gives in, and they are both consumed by intense, passionate sex. Yet, as the dust settles, Ricky is left feeling uneasy, sensing that an even bigger revelation is on the horizon.

⁣Hollywood Cash and his wife Olive Glass are hosting an important dinner for Hollywood's new boss, who has just offered him a great job with corporate housing. Hollywood is anxious to make a good impression. When Olive answers the door, she's stunned to find out that the boss is Isiah Maxwell, a man from her past.


During dinner, Olive tries to keep her history with Isiah under wraps, but Isiah bluntly reveals that they used to be intimate when she worked at her previous job. While Hollywood knows about Olive's past and doesn't judge her, he never knew that Isiah was involved.


Hollywood tries to stay composed, but the situation escalates when Isiah suggests that he and Olive rekindle their past relationship for old times' sake. Worried about losing their new comfortable life, Hollywood persuades Olive to agree, only to be shocked once more when Isiah insists that Hollywood should also participate.

⁣Troy (Max Fills) and his stepsister Rachel (Scarlet Skies) are being scolded by their stepmom Cathleen (Serene Siren), because they're always fighting and have now been suspended from school because of it. Cathleen grounds them as punishment.

Cathleen warns them that if they try to leave the house, she'll know about it since the front entrance security camera has a direct feed to her cell phone. Cathleen also demands that they use this time to learn to get along with each other. With that, Cathleen leaves for work.

Troy and Rachel realize that if they work together, they can get back at Cathleen by using her own rules against her. They'll 'get along' alright - but in a way that Cathleen HATES. Troy and Rachel start brainstorming ideas to 'get along' with each other that they hope will make Cathleen angry, but they quickly discard the ideas as not being good enough. They then realize that they can use the security camera to their advantage.

They try to come up with something to do in front of the camera that will infuriate Cathleen, and decide that the most twisted way to 'get along' is by having sex with each other. Eventually, Cathleen checks the camera feed from work, and is shocked and livid to see the stepsiblings fucking.

⁣SCENE OPENS on Katherine (Emily Willis), a 19-year-old patient, as she is forcibly dragged through the hospital halls by a male orderly (Chad White). She is kicking, biting, and screaming in a long straight jacket that engulfs her petite frame. Her fuzzy blue socks slip on the floor as she struggles, begging the man to take her back to her room, promising not to repeat her actions. The man silently pulls her through a set of double doors into an empty white room where the chief psychiatrist (Michael Vegas) is waiting. The orderly slams her down in a chair before the psychiatrist and goes to wait by the doors.

"Katherine," the psychiatrist begins calmly. "How many times do we need to go over this? It's a strict rule in this facility that you cannot have sexual intercourse with the other patients!" He leans closely into Katherine's face, and she turns her head. "I'm sorry, doctor," she whispers. "I couldn't help myself... I can't control it."

The doctor steps back and pulls up a chair to face her. "Katherine, I fear your disorder is putting you in harm's way," he continues. "Do you remember what happened a few months ago with the patient in Zone B?" Katherine squeezes her eyes shut, her mind flashing back to a terrifying man behind bars coaxing her inside. "Do you remember the beating? How he nearly took everything from you? Almost took your life?"


Katherine's eyes fill with tears. "Please don't talk about it," she begs. "I can't think about it anymore!" The psychiatrist berates her, suggesting her nymphomania provoked it, blaming her for her transgressions, and warning that it will end badly if she doesn't stick to her treatments.


Finally, Katherine screams at the doctor to stop. Covering her ears and crying, she begs to be taken back to her room. The psychiatrist smiles. "This is your final warning, Katherine," he says calmly. "You will complete your abstinence program—no sex, no masturbating, no touching yourself of any kind." As he issues his final warning, the orderly steps back in and carries the distressed girl out of the room.


CUT TO TITLE PLATE


Several days later, the orderly is doing his rounds and peers into Katherine's room. She is on the floor by her bed, naked except for her white cotton panties, legs spread wide, choking herself with one hand while fingering herself with the other. Authoritatively, the orderly storms into the room, chasing the scrambling girl back to her bed. She pleads with him not to say anything, not wanting to be restrained again. The orderly laughs in her face. "Well, you should have done what you were told!" he sneers. "Now, I'm going to do what I've been told and take you back to the doctor. Your actions have consequences, Katherine!" He slams her on the bed and begins putting her in her jacket as she begs for mercy.


CUT TO the white room. The double doors burst open, and the restrained girl is tossed at the feet of her psychiatrist. She cowers as the orderly reports catching her masturbating and auto-asphyxiating. The psychiatrist shakes his head as she cries out, "Please, doctor. I'm so sorry, I won't do it again. Please don't send me down to B. Please have mercy!"


He leans in close, grabbing her chin. "I guess this is just who you are," he says condescendingly. "You'd rather have sex and suffer the consequences than control yourself?" She shakes anxiously.


Dropping her back to the ground, the psychiatrist slut-shames her, suggesting she provokes her partners and craves intensity and roughness. He implies that the patient in B was just a warm-up for what she really wants—men who will hurt her and punish her for being a slut. Katherine begins to cry, traumatized by her thoughts and actions, and begs her doctor to stop.


She notices the orderly rubbing himself over his scrubs and looks back at the psychiatrist, reiterating that she can't help it. "Are you ready to go back to B? Because we won't protect you this time!" the psychiatrist coos. Katherine pleads for forgiveness. "Please don't make me go back there! I'll stop, I promise. I can't take it again, doctor. Please, I'll do anything you want!"
The psychiatrist and orderly smirk at each other. "You're such a selfish little nympho," the psychiatrist says, removing his jacket. "You only care about pleasing yourself. What about your partners? Are they pleased when they're through with you?" Katherine asks what he means. "You love sex more than anything, don't you? You'd do it with practically anybody, wouldn't you?" he continues, slipping off his shoes.


She looks around confused. "I have a condition," she says slowly. "And what about how we feel?" he asks. "We have to tolerate your disobedience every day without relief. Don't you think you should be a little more grateful?" As he says this, both men pull their cocks out. At first, Katherine looks away in shock, closing her eyes. The men move closer to her face. She bites her lip, feeling them near, driving her insane. She starts to writhe in her straight jacket. "That isn't professional," she mumbles, eyes still closed.


The psychiatrist asks if she wants them to remove her straight jacket. She nods nervously. He asks if she wants to be taken back to her room. She nods again, opening her eyes to stare at the cocks surrounding her, almost salivating. "Then you need to be a good girl and let us have a piece of you too, just like everybody else," the psychiatrist orders. The orderly adds, "Are you going to agree with your doctor?" She stares at him, then turns back to the psychiatrist. "Yes... sir," she says slowly, biting her lip and squeezing her legs together on the floor.

⁣A young couple enters the kitchen, arms around each other's waists, snuggling and talking warmly. Sammy (Will Pounder) recounts an anecdote about almost splitting his head on the banister, and Angela (Bobbi Dylan) smiles, remarking on how he's much calmer now.
As they move around the kitchen, Sammy gushes about his brother, Dirk (Chad White). Angela starts to worry, feeling the pressure of meeting Dirk, since he's so important to Sammy. What if he doesn't like her? Sammy reassures her that Dirk will love her, as everyone does. He lists her qualities: kind, smart, loyal, and strikingly beautiful.
Their conversation is interrupted by the sound of the front door unlocking and heavy boots stepping in. "Little bro, you in here?" a voice calls out. Sammy replies, "We're in the kitchen!" Dirk, a cop, enters, and scoops Sammy into a bear hug, then ruffles his hair. Sammy introduces Angela, who nervously says hi and offers a handshake. Dirk brushes it away, saying they're practically family, and hugs her. The hug turns unexpectedly intimate as Dirk's hand wraps around her waist, making Angela uncomfortable.
Sammy excitedly announces that he proposed to Angela and shows Dirk the ring. Dirk congratulates them and jokes about Angela stealing his brother away. Sammy apologizes for not seeing Dirk often and asks for his blessing for the wedding. Dirk says he's touched and looks forward to getting to know Angela.
Dirk suggests celebrating with a feast and asks Sammy to get takeout menus. Sammy leaves to fetch them, and Dirk puts his hand on Angela's shoulder, initially reassuring but then leans in threateningly. "I know what you did," he whispers, making Angela's eyes widen with worry.
Sammy returns, and they discuss food options, but Angela is distracted by Dirk's threat. After deciding on the food, Dirk wants to get to know Angela better and suggests Sammy go pick up the food. Angela, masking her discomfort, agrees.
Once Sammy leaves, Dirk interrogates Angela about her past, revealing he used his resources to dig into her history of theft, armed robbery, and solicitation. Angela insists she's changed, but Dirk isn't convinced. He says if she were honest, she would have told Sammy about her past. Angela pleads for understanding, but Dirk pressures her, implying that if she doesn't comply with his demands, he'll reveal her secrets to Sammy.
Desperate to keep her past hidden and not lose Sammy, Angela reluctantly agrees to do what Dirk wants, swearing it's for Sammy's sake. Dirk smugly says she can tell herself whatever she needs to rest easy at night.

⁣

As Eric (Chad White) steps out of a car, he marvels at the warmth of the sun on his face for what feels like the first time in forever. Everything about the day makes him feel so alive as he stands before Tanya's (Casey Calvert) house. He's impressed by her home and how well she's done for herself... because of his sacrifice.
Eric is overjoyed when his stepsister greets him, although he doesn't seem to notice that she's not as excited as he is. As they catch up, it becomes more and more apparent that Tanya doesn't want him around, which devastates Eric. How could he receive anything less than a hero's welcome after everything he did for her? Tanya insists that he makes her uncomfortable... that jail changed him.
Of course, it changed him—does she think being incarcerated is a walk in the park? But the more they argue, the more he feels Tanya slipping away from him. For so many years, all he thought about was returning home to Tanya... and enjoying the touch of the woman he loves most. Now that's about to be taken away from him, too?
Afraid of losing Tanya, Eric starts guilting her for just one night with her. Surely, after everything, that's the least she can do? If he hadn't stepped up, she'd have been the one in jail, not him. She owes him that much, at least!
Although Tanya eyes him with contempt, it seems as though the guilt of letting an innocent man take the fall finally works in Eric's favor. As she tentatively invites Eric to start undressing her, Eric is thrilled...
But will one night really be enough?

⁣James Deen longs for intimacy, and Alli Rae satisfies his desire

⁣Nathan Bronson feels Lily Love' needs, and it's just a matter of time for him to make the MILF cheat on her husband. But Lily's desires are even stranger than his, and she wants to know the man.

⁣een Mia Malkova with big tits has her vagina stretched by Johnny Castle's hard dick. Mia is penetrated in Johnny's rent apartment he has found especially to invite her and nail on his couch.

⁣SCENE opens on an elegant couple as they are driven home one afternoon from a speaking engagement. Senator Gregory, the husband, is on the phone with one of his constituents discussing the event, a 'family comes first' charity put on by one of their biggest donors. As he speaks, Mrs. Gregory stares out the window. She hates having to accompany her husband to such conservative affairs. It is so irritating. But, they live a privileged life and, with her husband away so much, Mrs. Gregory has a lot of freedom to explore her own interests.

The Senator ends his call and asks the driver how long it will take to get to the airport. 'I'm expecting my son to be home when we return,' he says proudly. Mrs. Gregory smirks. 'Oh, I didn't realize William was coming down. It's a shame you'll only see him for the weekend before you fly out again.' Squeezing his wife's knee, the Senator says not to worry. The boy's going to stay all week, so she'll have plenty of time to catch up with her step-son too. Her smile slowly fading, Mrs. Gregory looks back out the window.

CUT TO TITLE PLATE

The camera pans across a well-appointed bathroom. Mrs. Gregory sits on the edge of the tub, secretly looking at candid photos of girls on her phone. Her hand slips between her dressing gown as she gets excited, but she is rudely interrupted by her husband calling her from down the stairs. He wants her to come and say goodbye. The woman closes the phone in a huff and exits.

The Senator is waiting by the door. He tries to kiss his wife, but she makes an excuse and hugs him instead. Meanwhile, William strolls into the room, still in pajamas and eating cereal. He says bye to his dad and plops on the couch, ignoring his step-mother. Mrs. Gregory, aware of the slight, urges her husband to leave before he misses his flight. She kisses his cheek and pushes him out of the door, closing it in a silent victory. She hates having to touch him.

The woman walks into the living room and stares at her step-son in silence. He continues to ignore her. You can feel the tension growing between them. Finally, Mrs. Gregory takes the bowl from his hands. 'You haven't been answering my emails,' she says coldly. He looks up at her in disgust. 'And you stopped funding my account,' he replies, taking the bowl back and continuing to eat. Exasperated, the woman sits down and tries to reason with her step-son. 'I thought our agreement was clear,' she continues. 'I pay you for every qualified lead you deliver to me!' William shakes his head. 'You're a psycho,' he says standing up. 'Just come out of the closet already, mom! I don't want to be your fucking wingman anymore!' In a tracking shot, he walks to the kitchen while his mother follows desperately. She pleads with him to not be difficult. He knows what kind of situation she is in with his father and the public. If anyone found out about her hobbies, it would be the end of his political career. And their wealth. And their status. And his trust fund, which she has been generously topping up for years! William turns to cut her off. 'Your hobbies?' He argues. 'You mean, bribing me to bring girls over so you can take advantage of them?' Mrs. Gregory purses her lips, trying to remain calm. 'I mean, helping your mother out.' She whimpers. William sees his mother start to crack and backs down. After all, he does love her. Even though their relationship is highly dysfunctional, the pair still have an emotional bond. Mrs. Gregory is the only mother figure that William has ever known, since his birth mother died when he was young. He has helped her keep her lesbianism a secret over the years and, in turn, she has made sure he can lead a life of privilege. An 'I scratch your back, you scratch mine' type of relationship. But, constantly tricking girls has weighed down on his conscious. 'I was hoping that this visit would be different,' he says. 'I'd like to try and act normal, you know?' Mrs. Gregory closes her eyes. She assures her son that she has just one profile that she wants him to contact. That's it. Just one date. Just one bait and switch. Then, the rest of the week he can do whatever he wants. And she'll start the allowance again. He tries to hold back his resentment but ultimately agrees to the deal.

TEXT PLATE: Several days later

William opens the front door and leads a pretty college girl named Anna into the house. The pair have just gone out and had a great time, after hooking up on a dating app. He invites her to sit down in the living room, flirtatiously kissing her, before leaving to fetch them a beverage. She smiles sweetly and makes herself comfortable. Meanwhile, Mrs. Gregory has been watching closely from the top of the stairs, dolled up in a super sexy dress, with her cleavage exposed. She struts down the stairs and introduces herself as Marilyn. 'Oh, I wasn't aware that Todd had a roommate,' Anna says awkwardly, obviously unaware of who William really was. Mrs. Gregory smiles and explains that this is her house. Todd is her assistant. Anna seems disappointed that she was brought home to someone else's house. She thought she was going to hook up! Mrs. Gregory asks the girl's name and age. 'It's Anna,' she replies. 'I'm twenty-one and in my second year of nursing school. I was just telling Todd all about the horrors of my placement exam!' Mrs. Gregory licks her lips in anticipation and sits down beside the girl, doing her best to charm her. Anna doesn't know how to react, so she tries to remain polite even as Mrs. Gregory begins to make obvious advances. She hints at the idea of her assistant regularly bringing over girls for them both to enjoy, but that he has never brought over someone as beautiful before. Anna swallows hard, replying that she wasn't aware Todd was into that. Mrs. Gregory smiles. 'Aren't you into that, too?' She asks seductively, running her finger up Anna's thigh. Before Anna can reply, the woman adds '... Because it would be a real shame if you weren't. It's almost impossible not to look at you!'

William comes back in the room. He didn't realize that his mother would be at it so soon. 'You're here,' he says coldly, putting the beverages down. 'I'm sorry Anna, I wasn't aware she would be home.' Anna tells him not to worry, his boss was very friendly. 'I had a really lovely time, Todd.' She says, standing up to leave. 'But I had probably better be going.' Mrs. Gregory cuts her off, apologizing. She offers to leave them alone, so they can continue their date. She was just about to go out anyway. Anna seems unsure but, not taking no for an answer, Mrs. Gregory instructs her assistant to sit her back down. As she grabs her purse and exits the front door in a hurry, the family members exchange secret, intense looks.

William apologizes, explaining that his 'boss' can be overbearing. She is a very good woman and his girlfriend's always end up loving her, she can sometimes just come on a little strong. His speech feels wooden and strained, as if he has given it many times before. Anna innocently makes a joke about his past girlfriends, asking how many he's had and whether she should be concerned before he cuts her off with a kiss. They start to make out on the couch. As their kissing leads to heavy petting, Anna suggests they go to her place instead, but William is insistent that they stay where they are. Lost in the moment, Anna agrees and unbuckles his pants to give him a blowjob.

While she sucks his dick, Mrs. Gregory slowly creeps back in through a side door and tip-toes towards them. Anna does not realize that the woman has come back in the room, but William does. They make eyes at each other, as Mrs. Gregory tries to silently give him instructions on what to do next. He holds Anna's head and face-fucks her to distract her while trying to tell his mother to remove her clothes. It will make the switch easier. Mrs. Gregory strips down and starts touching herself eagerly. Shielding her from view, William pulls Anna to her feet and asks her to ride his dick. She agrees and climbs on top of him. While they fuck face to face, William starts to talk about his boss again. Completely devoid of emotion, he asks Anna if she got turned on by the woman's advances. After all, his boss really has a way with women. Anna jokes and tells him sure, she's been with chicks before. His boss was a hot older lady, but what she wants tonight is some dick. William stares at his mother as he speaks his hollow words, the girl riding him closely and moaning. Impatiently, Mrs. Gregory tries to motion for him to wrap it up. She's horny. He needs to get out and stop spoiling her good time. But, something changes inside William. He can't put up with the manipulations any longer. This will be the last time his mother puts him in such a position. 'Did my boss tell you about how much she likes taking dick?' He asks the girl, an evil smirk crossing his face as his eyes never leaving his mother. 'But she only ever does it when there's another girl involved, since she's more of a dyke?' Mrs. Gregory is horrified. 'She did seem pretty gay,' Anna laughs as she bounces up and down. 'But that would be pretty hot. I'm into threesomes.' William laughs, picking her up and putting her in doggy, her face pressed against the couch. 'Good, because that's exactly what I had in mind tonight!'

Mrs. Gregory rushes beside him and tries to get him to stop. He gives her the finger and keeps pounding. 'I said stop!' She screams, slapping her son across the face and causing Anne to turn around and notice her. She is very surprised ... but laughs in the heat of the moment. 'Oh shit, I didn't realize you meant right now, Todd!' William goes back to fucking her and invites his mother to join in. 'Yes, of course that's what we meant,' he says smiling. 'If you're down for that, Anna? You did mention it on your profile!' The girl smiles and says sure, as Mrs. Gregory stares at her son in horror. 'I can't possibly have sex with you,' she whispers. 'You're my son.' William stares at her coldly. 'I'm not your real son,' he says. 'And I'm never doing this again ... so if you want that pussy, you better get down there and suck my dick.' He pulls out and offers his cock to both women. Anna, having no idea that anything other than a kinky hookup is happening, eagerly gets down and starts sucking again. Mrs. Gregory shakes her head. 'This is a complete and utter betrayal,' she threatens him in a low voice. Covering Anna's ears as he fucks her face again, William replies that his mother is wrong. A complete betrayal is what she has been doing to him for years. Furthermore, a complete betrayal would be him telling his father about everything. And, if she doesn't do what he says tonight, that's exactly what he's going to. Her life will be ruined. Anna begs the woman to join in and help her please Todd. It'll be fun. She has no idea what is being said up there in the quiet conversation. Mrs. Gregory, seething with anger, tells Anna to go back to sucking. She drops to her knees and grabs William's balls. 'There Todd,' she says defiantly. 'I know how much you like it rough!' This descends into the BGG sex scene, where William and his step-mother hate fuck each other while Mrs. Gregory tries to focus on Anna and William keeps pulling her back to please him instead. Poor Anna is caught in the middle and eventually gets cut out of the threesome all together, as William pulls out and jizzes all over his mother. She spits it out and tells him she hopes he's satisfied, while he rubs his dick all over her cum-stained face.

By this point, Anna has begun to realize that the hookup she's agreed to is far more complicated than she had thought. She quickly gathers her things and tells the pair that she's leaving. It's been fun but, quite frankly, feels a little weird now so she's just going to get out. Still seething at each other, they barely say goodbye as she awkwardly exits. 'You are such a fucking liar,' Mrs. Gregory screams at her son through tears. 'The only liar in this house is you!' He replies coldly and storms out of the room.

⁣Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.

⁣After his parents unexpectedly die in a car crash, troubled college student Damian Charles (Brad Knight) is left the keys to the family's estate in their will. The only clause is that he allows his step-sister, Miranda Alexander (Lana Rhoades), to live there until her 21st birthday. The step-siblings have never gotten along but, now that he has firm control over the household, something starts to shift within him. After first begrudgingly letting her stay with him, he slowly starts to get off on the feeling of bossing her around and imposes stricter and stricter rules on her, 'as long as she lives under his roof!' It begins with chores and a curfew but soon turns sexual. Ultimately, he strikes a deal with the precocious 18-year-old teen that she can do whatever she wants in the house, so long as she agrees to service him.

⁣Phil is shocked and repulsed when his wife, Nancy, orchestrates a swap with another household, bringing a strange girl named Tracy into their home and claiming she's his daughter. Phil is forced to participate in "family moments" with Tracy, who tries to seduce him, knowing it's part of his secret fantasy. As the situation becomes more disturbing, Phil's resolve to resist his twisted urges crumbles, and he gives in to his desires.

⁣SCENE opens on an 18-year-old girl, Beth Coleman, rushing to answer the door - 'coming!' she shouts asthe doorbell chimes a second time. She opens the door to find a meek man in glasses and a somewhatnerdy-looking suit, holding a leather messenger bag under his arm. He greets her nervously andintroduces himself as Milton James, and holding up an ID on a lanyard across his neck he explains thathe's a census taker - her parents failed to fill out the latest census and so by law he's required to come inperson to interview someone from the household. Beth looks wary - her parents aren't home for theday and she doesn't know anything about this census stuff. He says it's quite alright, anybody over theage of 15 can be interviewed for the household. He looks her up and down - she is over 15, right? Bethanswers yes, she just turned 18 a couple of months ago. Milton adjusts his glasses and says perfect, thenhe can interview her in her parents' stead, it should only take about fifteen minutes or so. Beth is stillreluctant, now's really not the best time and she'd rather he come back sometime when her parents arehome. She apologizes and goes to close the door but it doesn't close all the way - Milton has put hisshoe in between the door and the frame. 'I'm afraid I must insist,' he says in a nervous attempt tosound menacing. 'Answering the United States census is required by law. To put it simply, Miss Coleman,you don't really have a choice in this matter.'

CUT TO TITLE PLATE

We cut back to a few moments later, after Milton has since let himself into the house and taken off hisshoes. The two emerge in a large cozy living room with wood paneling. Clearly the Colemans do not lackfor money. 'Do you want a glass of water or something?' Beth asks, in an effort to be polite despite herdiscomfort. Not right now, thanks, Milton says. He seems trying to sound more warm than he was at thedoorway, but comes off as awkward more than anything. He waits for Beth to choose her seat, and thenpicks a seat across from her, and pulls out a fancy-looking folder, some forms, and a nice pen from hisbag. As he does this, he tries to make awkward small talk with Beth, but her answers are very curt andhe soon gives up. He clears his throat and says 'Well then, let's get started.'He asks her a series of mundane questions - do you currently reside at this address? How many peoplebesides yourself reside at this address? Please list the names of all persons who currently live at thisresidence, and their relationship to you. What is your marital status? When Beth answers 'single', helooks up from his paper and coyly asks 'what about a boyfriend?' No, no boyfriend either, Bethanswers, averting her eyes as she says it. Milton smiles and says 'Good, good', as he moves on to thenext questions.

What languages do you speak at home? Do any of your household speak any other languages at homeon a regular basis? Were you born in the United States? Are you presently a citizen of the United States?Have you attended school in the United States? Throughout these questions, Beth's body language becomes less hostile and more bored. She relaxes and spreads her legs somewhat, at which point fromover Milton's shoulder the camera catches glimpses of upskirt panty shots. After the latest question,Milton pauses, his attention lingering on Beth's legs - the pause alerts her to him checking her out andshe very uncomfortably clears her throat, as she tries to pull her skirt over her legs as much as possible.Milton continues as if nothing happened.

What is the highest degree or level of school you've completed? Beth reluctantly answers that shedropped out of high school. In the last week, how many hours of paid work did you do? Beth answersnone, she doesn't have a job. In the last week, how many hours of volunteer work did you do? Also none.Milton tsks condescendingly - no job, no volunteering, not even a high school diploma? Beth's parentsmust not be very proud of her. Beth looks at him angrily - that's not really any of his business is it?Are your parents sexually active? He blurts out. She looks at him, disgusted. How is that relevant? Heexplains that it's to forecast whether or not the census bureau should expect new births from thishousehold in the next few years. Grossed out, Beth struggles to find an answer, she doesn't know, shetries not think about it too much, but she guesses they might be. Are you sexually active? Milton asks,with obvious interest. She looks straight at him, and says 'No' very slowly and angrily. 'Would you liketo be?' Milton asks. Beth stands up - 'I think you should leave, Mr. James,' she says nervously. Miltondoesn't move though - he's almost done, just a few questions about their house and utilities and thenhe'll be out of her hair. Beth doesn't sit down, she just crosses her arms with renewed discomfort.Does the family own the house or are they renting? Does the house have landline service or just cellphones? Does it have complete kitchen facilities - sink, stove, and refrigerator? Does it have completeplumbing facilities - hot and cold water, a flushing toilet, and a tub or shower? He makes a remark abouthow he bets Beth's plumbing is fully functional, and the innuendo further discomforts her. How manyrooms does the house have? How many bedrooms?

'Can I see?' Milton says innocently. See what, Beth asks through gritted teeth. 'The number ofbedrooms the house has. Can you show them to me?' Beth looks like she's about to say no, when headds 'After that, I'll be out of your hair.' Beth raises her hands in the air in exasperation, and then saysfine, follow her.

The camera tracks the two as she leads him to three bedrooms, with the focus being on her backside asif we're watching her walk from his male gaze POV. First she leads him to her parents' master bedroom,then to a guest bedroom that doesn't get much use. Milton pokes his head in when he's lead to each,but he doesn't express much interest in either. Finally she leads him to her bedroom, and before she canreact he brushes past her to walk inside.

He moves around the room with eager curiosity - peering intently into her drawers and closet, poking acouple of her belongings with his pen. He even stands in the centre and takes a deep breath. Beth waitsat the door to the room impatiently, reluctant to go nearer to him but getting more upset and insistentas he intrudes. Finally, he moves to stand up straight rather formally in front of her, and adjusts his glasses. 'Satisfied?' Beth asks uncomfortably. Milton chuckles. 'Oh, very satisfied. Although I'm afraidYOU're in a bit of trouble, Miss Coleman.' Beth stiffens - what does he mean? He explains that he foundbirth control pills in one of her drawers. But she said in the census she wasn't sexually active, whichsuggests that she lied to him. Does she understand what the penalty is for giving false information to agovernment official?

Beth pleads - she only said that because he was acting completely inappropriate. She doesn't even thinkall his questions were part of the census. She'd already asked him to leave. Why can't he just leave heralone? Milton explains that he's only doing his job, and it's a thankless job, meeting with tons ofungrateful people who don't want to give him the time of day. Ungrateful people like Beth. Maybe all hewants is some thanks in return. Beth sees an opportunity and tries to appease him. If it's just a matter ofsaying sorry and thank you, she can do that.

But Milton elaborates, she was so rude to him. She didn't even give him a chance, tried to slam the dooron him if he recalls correctly. If she really wants to make it up to him, she has to do better than a halfheartedapology. 'Like what?' Beth asks nervously. He pretends to think for a moment. How about... akiss? Beth is scared, but hopeful that that's all he'll ask for. 'O-ok,' she agrees. She leans in and theyexchange a quick peck on the lips. Encouraged, Milton asks for another - this time she should reallymean it. Hesitantly, she says OK and leans in again, and this time he kisses her much more aggressively -we can see that she's not very into it and is rather stiff, not moving her lips much, while he is going reallyeagerly at it. Several seconds of awkward smooching later, he pulls away from her. He seems to haveenjoyed it, but he wants more. He knows she can give him what he wants - he knows she's not a virginafter all. If she shows him a good, appreciative time, he'll be on his way. She swallows hard, and thenputs on a fake smile and reaches for his belt buckle to undo it.

Hard Core Fuck Between ⁣Nathan Bronson & Vanessa Vega