⁣Greg (Ken Feels) leads his wife Morgan (Reagan Foxx) into a house that has a bunch of moving boxes in the living room. Morgan looks delighted with the house, and happily makes out with Greg. But when Greg checks the kitchen cupboards and sees that there's no food in them, he says he'll go find something to eat, driving off while Morgan stays in the house.

As Greg drives, he comes across a young man and a young woman hitchhiking on the side of the road. Despite his misgivings, Greg stops the car and asks the hitchhikers if they've eaten lately. The pair say that they haven't, so Greg tells them they can get in the car. The hitchhikers thank him, introducing themselves as Wes (Tyler Cruise) and Carrie (Liz Jordan).

When Greg arrives at the house with Wes and Carrie, Morgan doesn't look pleased with the unexpected company. During a tense dinner, Morgan outright asks Wes and Carrie what they're running away from. Wes and Carrie say they don't want to talk about it, but claim that they're siblings. Greg says that Wes and Carrie can stay at the house for the night. Wes and Carrie happily accept, and go off to one of the bedrooms. But Morgan is displeased and gets into an argument with Greg, saying this was supposed to be their special night. The argument ends with Greg storming out of the house, despite Morgan saying he shouldn't leave her alone with two strangers in the house.

Wes and Carrie decide to make use of Greg's absence. As they plot together, it is revealed that they lied about being siblings. They're actually husband and wife, and they're definitely up to no good. Carrie sneaks over to the living room, and finds Morgan's purse there. But as Carrie looks through the contents of the purse, Morgan catches her in the act, grabbing Carrie by the hair. Carrie finds herself unexpectedly turned on, but still says she'll yell for Wes. Morgan confidently tells Carrie to go ahead, because she can take care of him too. When Wes enters the room, it's clear that there's more to Morgan than it seems... but who's going to come out on top in this situation?

⁣After spending some time as a stay-at-home parent, Mindy (Kenna James) has decided to go back to work and needs live-in help. Her husband John (Seth Gamble) works from home but is very busy with his career, and dismisses his wife's ambitions as frivolous. This has caused tension between the couple, but Mindy has still gone ahead and hired a nanny, Liz (April Olsen).

Several weeks later, Mindy returns home from work, looking exhausted. She enters the kitchen to find Liz cooking dinner. Her little angel is napping, and the house is clean. Mindy is grateful that Liz seems to be working out so well as a nanny. Then John shows up, and he seems to be in a very good mood. He greets Liz teasingly, and they start acting buddy-buddy towards one another. Mindy is taken aback. She's glad her husband is finally making an effort to support the idea of having a nanny, but the whole thing feels unsettling.

John and Liz then want to show Mindy a dance they choreographed earlier in the day to entertain Mindy's little angel. Liz asks Mindy to film it on her phone for social media. Not knowing how to react, Mindy agrees. She films them as Liz enthusiastically jumps into John's arms and he lifts her in the air. As John lifts Liz, his hands clearly grab her ass. Mindy notices and is about to say something when the nursery monitor goes off, interrupting the moment.

That night, Mindy sits in bed, looking at the video. She's been watching it on repeat, zooming in on the groping. She almost feels turned on... but decides to confront John when he gets out of the bathroom. He slips into bed, going through the motions of saying goodnight, when she stops him. Mindy makes him watch the video, and asks him if it seems inappropriate. He gets defensive, shifting the blame onto Mindy for wanting a career and hiring a nanny... and then acting jealous when he is just being a nice guy. Mindy feels bad for accusing him, and tries to make up for it by initiating sex. But their sex is awkward, with both of them trying to push past their argument. John announces he can't cum, and rolls off. They lie awkwardly for a moment before Mindy excuses herself to shower.

While Mindy is in the bathroom, she hears moaning coming from the bedroom. She turns off the water, goes to the door and slowly opens it to discover her husband fucking the nanny. Mindy confronts them, but John continues fucking Liz, at first ignoring his wife's outrage and then shifting the blame onto her again, saying she should have expected this from hiring a hot nanny to move in with them. Liz chimes in, encouraging her that many couples have a unicorn. Mindy's emotions shift from angry to distraught. She begs John to stop disrespecting her. He counters by challenging her to start respecting him... and agree to try new things together. He brings up her inability to make him cum as evidence that things aren't working between them. They need to switch things up. Liz sees Mindy's vulnerable state, and tells her to just relax and give it a try, saying she knows that Mindy was turned on by their video. Completely overwhelmed by the situation, Mindy finally agrees to join her husband and the nanny in a threesome.

⁣SCENE OPENS on a professor's lush, old-fashioned-looking university office. Professor Claremont (Mick Blue) stands at an ornate window, looking out lost in thought onto the university campus. On the visitors couch across the room, his teacher's assistant Annabelle (Adriana Chechik) sits, waiting and fidgeting in the awkward silence. The ticking decorative clock on his desk is the only sound for several seconds. Finally, Annabelle breaks the silence -- 'umm, you were saying, professor?' Professor Claremont snaps out of his reverie and turns to face her. Ah, yes, sorry, he apologizes. His thoughts had whisked him away to unknown places, he says playfully. The professor appears eccentric but charming, like a man from another era. Annabelle seems used to his odd behavior, even a bit enamored by it. He says that they've done enough for the day and dismisses her. But as she's leaving, he calls her back to get her thoughts on a new biology project he's working on. He trusts her like he trusted her sister, who he taught years ago. Annabelle is flattered, but tries to act nonchalant about it. He continues, saying that the project would be controversial but of great interest to him on both a professional and personal level. She asks him to go on, but before he does, he moves to sit beside her on the couch and switches to a very serious tone. He insists that she swears she not tell anybody what he's about to tell her. He repeats that it's quite controversial, and it could jeopardize his career if anybody were to find out about his interest in the subject. Annabelle looks a bit taken aback, but promises that she won't tell anybody. 'Marvellous!' he says, switching back to a lighthearted tone. He pats her knee with his hand innocently. 'Now then, tell me - what do you know about 'gaping'?'

CUT TO TITLE PLATE

Annabelle tries to recoil a bit from her professor without being obvious about it, moving away from the couch to the desk to make some distance between them. Gaping, she asks incredulously, you mean like the sex thing? Yes, precisely, he answers. He explains that he finds it fascinating... from an anatomical point of view, of course. He remarks that so much of human sexuality is driven by a lust for external body parts -- breasts, legs, butts. But those who are interested in gaping want to see the beauty of the insides. He says that it's remarkable, doesn't she agree? Annabelle looks quite weirded out, tells the professor that she's not the right person for this, and moves to leave. But the professor stops her, grabbing her roughly by the throat. Realizing immediately that he has gone too far, he releases her and apologizes. Annabelle gets her bag and is leaving, but something stops her. Despite her hesitance, something has...intrigued her. The professor regards Annabelle for a moment and then, opening up a desk drawer, slowly and silently removes a magazine and sets it on the desk. Annabelle tentatively looks at the magazine, which is filled with dozens of gaping photos. The professor moves behind her. 'Isn't it beautiful?' he whispers in her ear. Annabelle looks scared, but also a little turned-on. He asks her if she trusts him. Reluctantly she admits that she does trust him and she wants to be a part of something important. The professor is pleased to hear that and reminds Annabelle how her sister trusting him proved very beneficial for her. What they're about to do will change the world, the professor says. Annabelle is ready, and asks the professor what she has to do. In response, the professor silently unbuttons the first few buttons of her blouse before sitting back down on the couch. Annabelle takes the hint and unbuttons the rest of her blouse, taking it off as the professor watches.

As she turns to him and begins removing her pants, revealing her perfect ass, he breaks the silence, saying that as soon as he heard about the phenomenon of gaping, he was intrigued. He's since researched thousands of videos on gaping, but none of the videos get it right. That's where Annabelle comes in. Together, she and the professor are going to make it perfect. He leads her over to his desk, where she gets on all fours, sticking her ass up in the air. Slowly, methodically, he slips her panties off. He caresses her ass approvingly, complimenting her on her beautiful asshole. The professor gets to work, lubing up Annabelle's butthole. This is the first step in creating a beautiful gape, he continues. Sliding his thumb in her lubed up ass, she moans in pleasure. The professor begins to get to work in earnest, and his invasive study doesn't stop with just his thumb. With the implements he has at the ready to probe and penetrate her (previously) tight asshole, Annabelle's faith in her professor is about to be stretched to its absolute limits.

⁣Alicia (Alina Lopez) is nervously fidgeting, sitting in a pew with the congregation. A sacrament tray is passed towards her, which is the source of her stress right now. She takes the tray, and hesitates, looking down at it. She knows she SHOULD take a sacrament but she can't. Not after she...

Alicia bites her lip then passes the tray onward, hoping that no one's seen that she rejected the sacrament. However, when she looks up to where Bishop Bond (Dick Chibbles) sits, their eyes meet. Alicia's stomach churns as the Bishop smiles.

When the service ends, Alicia is eager to get out of there but is stopped by the Bishop. Her anxiety spikes when he tells her he wants to see her, although she breathes a sigh of relief when he adds that he wants to discuss her recommendation letter to BYU. She shakily agrees to the meeting and soon finds herself in the Bishop's office.